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61 Frames Per Second

Alternate Soundtrack: Mega Man X vs. The Knife

Posted by Derrick Sanskrit

It may be hard to believe at this point in the Blue Bomber's long and increasingly complex history, but 1994's Mega Man X was the first spin-off from the original Mega Man series. Set in an even more distant – and this time, dystopian – future, the X series saw a whole new Mega Man face off against waves of "Mavericks", intelligent robots that have gone human-killing crazy. The game played more or less identically to the previous Mega Man games, but X could upgrade parts of his robot anatomy in addition to gaining enemy abilities. New boots allowed X to dash, a new chestplate increased X's defense, et cetera. The music in Mega Man X, while in keeping with Capcom's fantastic production values, always struck me as being out of place. The technopunk soundtrack seemed a little too upbeat for the setting and story.

The Knife are a notoriously reclusive electropop brother-sister duo from Sweden. They are hardly ever seen or photographed without intricate masks hiding their faces, have never attended any of the award ceremonies they have been nominated for, and they only started touring in 2006 after incredible demand. During that one-and-only tour, they announced a three-year hiatus. Their despondent, atonal, rhythmic compositions pulsate with the sleek veneer of a post-apocalyptic speakeasy. Perfect for this game, in my opinion:



How about the rest of you 61FPSers? What are your alternate soundtracks this week? Let us know in the comments!


Comments

Rob said:

Fantastic.  Amazing how the soundtrack changes the game from a bright robot shooter to a life-or-death struggle for the future of mankind.

And Neverland is now the most awesome level ever.

June 24, 2008 1:26 PM

Derrick Sanskrit said:

This is definitely one of my go-to examples of alternate soundtracks that truly enhance the gaming experience, but no one ever believes it until they see if themselves. Its almost sacrilege to replace the music in any Mega Man game, especially with obscure European techno.

June 24, 2008 2:52 PM

Peter Smith said:

"Almost" sacrilege?!

June 24, 2008 4:37 PM

Demaar said:

The Knife is God Damned rad. Those were some excellent choices, they fit quite well.

This is gonna sound stupid but I actually do the opposite sometimes; selecting music that is totally out of place within the game. For instance, when I was collecting flags and junk in Assassin's Creed I listened to hardcore techno from the 90s.

June 25, 2008 5:29 AM

Luke said:

An article that sent me scurrying off to emusic to download whatever Knife I could find (alas, only a mix or two from compilations).

It brings up the idea of story vs gameplay: Knife might suit the bleaker tone of X vs the Mavericks, but I'm sure there are many who played entirely through the X-series without even a notion that the reason for Blue Robot vs Theme Robots had changed.

June 25, 2008 10:09 AM

Derrick Sanskrit said:

I know that story all too well, Luke, but then you (by which I mean the thoughtful gamers that 61FPS hopes to reach out to) should begin to wonder why make a spin-off series at all? There were enough subtle changes to the gameplay in Mega Man 3 (Rush) and 7 (Bass) that the same changes in the X series could have applied to Mega Man 9, 10, et cetera. Capcom may milk their franchises a bit, but they usually don't create a whole new series or spin-off without a reason for it to be separate from what came before.

Demaar, I've done that too, just for laughs. Assassin's Creed with 90s techno sounds vaguely AWESOME. I'd love to pick some pockets and slit some throats set to Prodigy and Aphex Twin. Good call!

June 25, 2008 12:27 PM

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  • about the blogger

    John Constantine, our superhero, was raised by birds and then attended Penn State University. He is currently working on a novel about a fictional city that exists only in his mind. John has an astonishingly extensive knowledge of Scientology. Ultimately he would like to learn how to effectively use his brain. He continues to keep Wu-Tang's secret to himself.

    Cole Stryker is an American freelance writer living in York, England, where he resides with his archeologist wife. He writes for a travel company by day and argues about pop culture on the internet by night. Find him writing regularly here and here.

    Derrick Sanskrit is a self-professed geek in a variety of fields including typography, graphic design, comic books, music and cartoons. As a professional hipster graphic designer, his recent clients have included Nerve, Pitchfork and MoCCA, among others.

    Amber Ahlborn - artist, writer, gamer and DigiPen survivor, she maintains a day job as a graphic artist. By night Amber moonlights as a professional Metroid Fanatic and keeps a metal suit in the closet just in case. Has lived in the state of Washington and insists that it really doesn't rain as much as everyone says it does.

    Nadia Oxford is a housekeeping robot who was refurbished into a warrior when the world's need for justice was great. Now that the galaxy is at peace (give or take a conflict here or there), she works as a freelance writer for various sites and magazines. Based in Toronto, Nadia's prized possession is a certificate from the Ministry of Health declaring her tick and rabies-free.

    Bob Mackey is a grad student, writer, and cyborg, who uses the powerful girl-repelling nanomachines mad science grafted onto his body to allocate time towards interests of the nerd persuasion. He believes that complaining about things on the Internet is akin to the fine art of wine tasting, but with more spitting into buckets.

    Peter Smith Peter Smith is like the lead character of Irwin Shaw's The 80-Yard Run, except less athletic. He considers himself very lucky to have this job. But it's a little premature to take "jack-off of all trades" off his resume. Besides writing, travelling, and painting houses, Pete plays guitar in a rock trio called The Aye-Ayes. He calls them a 'power pop' band, but they generally sound more like Motorhead on a drinking binge.

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