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  • Trailer Review: Watchmen: The End is Nigh

     

    "I think Watchman is a pretty cool guy. Eh cashes in on decades of nostalgia and doesn't afraid of anything."

    Alan Moore is someone for whom I have long had a deep admiration. In my mind's Artistic Integrity Roundtable, he holds court right between Steve Albini and the Coen Brothers. Moore has always distanced himself from film adaptations of his work. The filming of From Hell, V for Vendetta, and The League of Extraordinary Gentlemen left him wanting nothing to do with Hollywood, so I'm guessing the same goes for the upcoming film and video game adaptations of Watchmen. Here we have a couple of new "vignettes" released today. They look terribly mediocre, but I won't let that stop my from enjoying the original comic.

    What bugs me the most about this portrayal of the characters is that they were never big, dumb brutes.The reason why the comic was so revolutionary is that it was one of the first to reveal the underlying humanness inside every super hero. These trailers do little to convince me that the game will communicate that sentiment as well. Wouldn't it have been wonderful if the franchise had been treated with the moral ambiguity of Bioshock, for example?

    Oh well. Biff bang pow. 

    Videos after the jump:

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  • Brawler Theory

     

    We've come a long way since TMNT II, folks. You might not think that brawlers are the most cerebral of genres, but there's a surprising amount of theory that goes into the creation of games that allow players to do little more than smack NPC's around. 

    Gamasutra has posted an interview with Creative Director Tom Smith from THQ, who discusses different beat-em-ups, and how they managed to occupy specific niches within the genre.

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  • WTFriday: PuLiRuLa

     


    Bob said I could take over this week's WTFriday when I showed him this oddity, so away we go.

    PuLiRuLa is a basic side-scrolling beat-em-up and it's completely insane. Free jazz soundtrack, weird sexual imagery, and a mix of surreal photos and quirky animation. This was released to arcades in 1991, and was ported to several consoles in Japan later.

    The surreal game defies all logic, and if it weren't for Youtube proof I'd swear I dreamt it. It's safe to say that whoever conceived the graphical style deserves the "Terry Gilliam of Japan" award. Highlights include a giant pair of legs, a sumo wrestler's bare butt and a 30ft wriggling tongue. 

    Scarring videos after the jump:

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  • A Perfectly Cromulent Beat-Em-Up

    Were you aware that newly-released XBox Live Arcade game Castle Crashers is a revival of the old arcade genre known as the beat-em-up (or brawler) that flourished in a roughly five-year period?  Of course you are.  You're reading a gaming blog, for Christ's sake.

    But you might not be aware of this absolute fact: The Simpsons, Konami's take on the genre--seemingly perfected a few years earlier with their own Teenage Mutant Ninja Turtles--is the best damned beat-em-up to ever exist.  Here's a brief reminder:



    Capcom would eventually move things to the next level with their Dungeons and Dragons arcade games, but no beat-em-up was more fun than The Simpsons.

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  • about the blogger

    John Constantine, our superhero, was raised by birds and then attended Penn State University. He is currently working on a novel about a fictional city that exists only in his mind. John has an astonishingly extensive knowledge of Scientology. Ultimately he would like to learn how to effectively use his brain. He continues to keep Wu-Tang's secret to himself.

    Derrick Sanskrit is a self-professed geek in a variety of fields including typography, graphic design, comic books, music and cartoons. As a professional hipster graphic designer, his recent clients have included Nerve, Pitchfork and MoCCA, among others.

    Amber Ahlborn - artist, writer, gamer and DigiPen survivor, she maintains a day job as a graphic artist. By night Amber moonlights as a professional Metroid Fanatic and keeps a metal suit in the closet just in case. Has lived in the state of Washington and insists that it really doesn't rain as much as everyone says it does.

    Nadia Oxford is a housekeeping robot who was refurbished into a warrior when the world's need for justice was great. Now that the galaxy is at peace (give or take a conflict here or there), she works as a freelance writer for various sites and magazines. Based in Toronto, Nadia prizes the certificate from the Ministry of Health declaring her tick and rabies-free.

    Bob Mackey is a grad student, writer, and cyborg, who uses the powerful girl-repelling nanomachines mad science grafted onto his body to allocate time towards interests of the nerd persuasion. He believes that complaining about things on the Internet is akin to the fine art of wine tasting, but with more spitting into buckets.

    Joe Keiser has a programming degree from Johns Hopkins University, a tiny apartment in Brooklyn, and a fake toy guitar built in the hollowed-out shell of a real guitar. He writes about games and technology for a variety of outlets. One day he will stop doing this. The day after that, police will find his body under a collapsed pile of (formerly neatly alphabetized) collector's edition tchotchkes.

    Cole Stryker is an American freelance writer living in York, England, where he resides with his archeologist wife. He writes for a travel company by day and argues about pop culture on the internet by night. Find him writing regularly here and here.

    Peter Smith is like the lead character of Irwin Shaw's The 80-Yard Run, except less athletic. He considers himself very lucky to have this job. But it's a little premature to take "jack-off of all trades" off his resume. Besides writing, travelling, and painting houses, Pete plays guitar in a rock trio called The Aye-Ayes. He calls them a 'power pop' band, but they generally sound more like Motorhead on a drinking binge.


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