Scott Bowles reports that the opening of the Wachowski brothers' Speed Racer may herald an exciting new wave in rehashed entertainment: already, Hollywood is snatching up the rights to anime properties, just in case that Iron Man opening weekend was a fluke and the bottom is about to fall out of the superhero market. On the horizon: Hollywoodized versions of Akira and Ghost in the Shell (that last one to be directed by Steven Spielberg) and M. Night Shyamalan's movie adaptation of the anime-style Nickelodeon series The Last Airbender. Anime itself has been a cult object in the U.S. going back some fifteen to twenty years (back when we used to call it "Japanimation" around the college dorm, on the occasions when we'd been away from out bongs long enough to approach words of more than three syllables), but unless you count the Pokemon films, it's never really crossed into the major markets. As Zac Bertschy of Anime News Network puts it, "Generation X is very familiar with anime. But if you're not in that age group, there may be a learning curve."
That which Hollywood cannot make a buck on in its pure form, it will attempt to absorb and recreate in its own image. The Wachowskis may well placed to wield the hammer in forging a live-action/CGI anime hybrid because they're already understood to speak the fans' language. Based on the influences shown in The Matrix, they're recognized as fellow "fanboys" who have an investment in the genres they play around with rather than vultures trying to cash in. ("You know they still play Dungeons and Dragons?" says Speed Racer star Cristina Ricci, with what I hope is a touch of awe in her voice. "You'll be sitting around on set, listening to them go on and on about why they hate the concept of time travel.") In the words of their erstwhile producer Joel Silver, "They aren't smirking when they made this." That might not be the best news in the world; it wasn't exactly a lack of self-seriousness that brought the Matrix sequels crashing down to Earth. One hopes that the brothers have regained a sense of playfulness along with their way-cool "computer world" of this film. ("It was a little like living in the Matrix." says star Emile Hirsch. For some of us old farts, reading lines like these is a little like re-living the publicity campaign for TRON.) If Speed Racer crashes badly enough to chill Hollywood's interest in anime, where will the suits turn instead? Movies based on breakfast cereal box tops? Mentos commercials? Maybe I shouldn't have taken the blue pill...
