Charles McGrath drops in on the set of The Road, based on Cormac McCarthy's post-apocalyptic novel and directed by the Australian John Hillcoat, who seems to have a thing for arid nightmare landscapes and writers with a Biblical tinge to their prose. (His previous film was the outback period Western The Proposition, from an original script by Nick Cave. In the novel, McGrath notes, "because of some unexplained catastrophe...the sky is gray, the rivers are black, and color is just a memory. The landscape is covered in ash, with soot falling perpetually from the air. The cities are blasted and abandoned. The roads are littered with corpses either charred or melted, their dreams, Mr. McCarthy writes, 'ensepulchred within their crozzled hearts.'” In order to get the right atmosphere for such a tale, the film crew has been shooting in Pittsburgh--best known to film historians as the launching pad for George A. Romero's zombie chronicles--New Orleans, and Mount St. Helens. But even there, sometimes things just look too good for the end of the world. When McGrath arrived to observe the filming, "The sky was blue, the sun so bright that crew members were smearing on sunscreen. A breeze was carrying away the fog pumping feebly from a smoke machine. Even worse, green grass was sprouting everywhere, and there were buds on the trees." "Today is a bad day," lamented special effects director Mark Forker.
Eventually, the picnic weather will be CGI'ed out of existence. For now, Hillcoat is concentrating on his actors and what McGrath refers to as the locations' "pleasing array of post-apocalyptic scenery: deserted coalfields, run-down parts of Pittsburgh, windswept dunes" and "a burned-down amusement park in Lake Conneaut and an eight-mile stretch of abandoned freeway, complete with tunnel." The film stars Viggo Mortenson
and an eleven-year-old Australian boy, Kodi Smith-McPhee as the nameless father and son at the center, with brief appearances by Robert Duvall, Michael K. Williams, Garret Dillahunt, Guy Pearce (who starred in The Proposition) and Charlize Theron, in flashbacks, as the dead wife and mother of the principals. Mortensen describes the material as "a love story that’s also an endurance contest. I mean that in a positive way. They’re on this difficult journey, and the father is basically learning from the son. So if the father-son thing doesn’t work, then the movie doesn’t work. The rest of it wouldn’t matter. It would never be more than a pretty good movie. But with Kodi in it, it has a chance to be an extremely good movie, maybe even a great one.” For now, much of the buzz around the movie is about Kdoi Smith-McPhee, "privately referred to [on the set]... as the Alien because of the uncanny, almost freakish way that on a moment’s notice he switched accents and turned himself from a child into a movie star." "I don’t even think of him as a kid," says Mortenson. There are things he’s done on this movie that I’ve never seen anybody do before. And there are many adult actors who never have a moment like he has every day."
