It’s not always a pretty sight when documentary filmmakers make the leap to fictional features. See – or rather, do whatever you can to avoid seeing – Michael Moore’s Canadian Bacon and Errol Morris’s The Dark Wind. As I implied in this post yesterday, I’m a big fan of S.R. Bindler’s documentary Hands on a Hard Body. Even so, I wasn’t exactly stoked to learn his follow-up (nearly a decade later) would be a surfing movie starring The Shirtless One, Matthew McConaughey. I dunno, maybe it’s just because I watched the entire goofy-ass David Milch series John From Cincinnati, but there’s something about the whole mystical-spiritual aura surrounding surfing that makes otherwise talented people a little loopy.
Surfer, Dude definitely qualifies as loopy – even that comma in the title is a little too self-consciously quirky. McConaughey, a friend of Bindler’s since high school, produced the film through his production company j.k. livin and brought his essential dudeness aboard in the lead role of Steve Addington, a free-spirited “soul surfer” who lives for the waves. Upon returning to Malibu from his latest world tour, Addington is informed by his manager (Woody Harrelson) that his board and shorts sponsorship contracts have been sold to Eddie Zarno, a former surfer turned multimedia mogul. Zarno has big plans for Addington, including a role in a beach house reality series and a virtual reality videogame bearing his image.
Addington’s “not feelin’ it.” He’s an all-natural dude and all he needs is his friends, his weed and his waves. “I’m not some assclown in a green room. I’m a surfer, dude!” Despite his manager’s warnings that cash is in short supply, Addington wants nothing to do with the digital world. His spiritual crisis arrives when the waves disappear. As the days pass with no surf to ride, he goes on a fast (including the ganja), but can he remain true to himself and resist selling out to the Man? Duuuuude.
Surfer, Dude has a green theme in more ways than one – in addition to McConaughey and Harrelson, Willie Nelson is on hand as a goat farmer to complete the trinity of Texas stoner icons. But the movie is so lightweight, it’s hard to invest too heavily in Addington’s existential dilemma. It’s a vanity project to the core, an ode to its producer-star in all his toned-and-tanned golden glory. With his lazy honeydew drawl, allergy to shirts and “awright awright awright” party-guy vibe in full effect, McConaughey isn’t playing a character so much as his US magazine persona come to life. His wink and nod towards his lovable rogue image recalls the Burt Reynolds of the late 70s, and that’s one way of looking at this movie: it’s Smokey and the Bandit with surfboards.
Related:
Woody Harrelson Eats Your Brains
Trailer Review: Fool's Gold
