At The House Next Door, Jason Bellamy and Ed Howard get their Trek on, running down the first six films in the series. “There's something ephemeral about these films, something insubstantial, like they'll all just melt away once I stop thinking about them. Maybe it's because they're so thoroughly rooted in this weird nostalgia for the original series, a nostalgic feeling that I can't say I really share. Each of the films has an extended montage, some of them longer and more insufferable than others, in which the camera caresses the glistening surface of the starship Enterprise with fetishistic glee, like a horny dude ogling a naked centerfold or a mid-life crisis case polishing the chrome on his sports car. In the first film, it feels like it takes 20 minutes for everyone to stop just gawking at the damn ship in disbelief. It's a strange experience to watch these films with all these obvious nostalgic cues—the crew reassembling for each new mission, the familiar faces being highlighted, the bombastic music whenever the ship first appears, the obscure nods to episodes of the TV series—and to realize that I'm not in on the reminiscences of the intended audience.”
Our erstwhile colleague Vern weighs in on twittering at the movies. “I don’t think I’m gonna start catching up with all the 21st century technologies, for example I still don’t have a cellular phone device or those shoes with the wheels in them. But everywhere I go I hear about this “twitter” they got now. Moriarty writes in his column about how Harry Twittered him something or other, Harry writes in his column about what he was Twittering during the movie because it was so scary, Devin Feraci on Chud is mad because some other douchebag used his twittering during Crank 2 and also he had to cancel his tweeter for Even Rachel Wood because he was disappointed in the quality of her twitterings, or whatever.”
Beyond the Multiplex features more Jarmusch chat. “For me, film is very related to music, in that it flows before you in its own time signature. And my own musicality is on the slower side. Maybe it's like the way I talk. Maybe I think slowly. Then there's the aspect that, I don't know why ... I'm attracted to the moments that are somewhat -- maybe completely -- devoid of something dramatic. My films are built around those things. Coffee and Cigarettes is just little moments out of a day that are not considered important. Or I made Night on Earth, in which the whole film is made up of cab rides that, in a dramatic narrative, would be the part you would leave out.”
David Poland of The Hot Blog has an interesting take on that viral version of Wolverine. “Personally, I think Fox should include the now-infamous leaked version in the eventually DVD package for this film. Own the situation. And if you are a film lover, the footage of unfinished effects is kind of interesting when you see the final version. It’s the kind of stuff that studios put in DVD extras in order to illustrate the process of building effects.”
And in List-o-Mania this week, Spoutblog offers the very timely How to Survive a Plague - 10 Lessons From the Movies. For instance, Don’t Bomb the Plague. “The original hushed-up outbreak in Outbreak is thought to be eradicated with a bomb, and in The Crazies the military wants to destroy an infected town with nuclear weapons. But as we see in the former, such means aren’t guaranteed to make the plague go away. In The Andromeda Strain, it’s even learned that the threatening bacteria will be strengthened by an atomic bomb, which is unfortunate since the underground facility in which the alien organism is being studied is equipped with a self-destruction mechanism employing such weaponry. Fortunately the lab also has a way to disarm that bomb, but it’s best to just not have such “safety” measures in the first place.”
