Cannes Roundup: Day Seven

Posted by Scott Von Doviak

Quentin Tarantino’s Inglourious Basterds has finally been unveiled, and now it’s time for all of us to put our expectations in check. Mike D’Angelo at the AV Club calls it “a shambling mass of contradictions that’s likely to divide QT partisans like nothing since Jackie Brown. Conceptually, this is easily the strangest film he’s ever made, as well as the least commercially viable.” J. Hoberman of the Village Voice is a bit more enthused: “Perhaps one should call Inglourious Basterds--a sort of World War II spaghetti western, even more drenched in film references than blood--quintessential Tarantino. A little long, a bit too pleased with itself, it's a movie of enthusiastic performances, terrific dialogue, amoral, surprisingly crude, mayhem, and mind-boggling juvenile fantasy.” Eric Kohn of Indiewire is not: “Basterds lacks the crackly excitement of Tarantino’s other efforts, mainly because he can’t seem to tie the whole package together.”

We’ll all get our chance to experience the..er…wonders of Lars von Trier’s Antichrist for ourselves, courtesy of IFC Films. Per Entertainment Weekly, “IFC will release the same controversial cut of the film that recently screened at the Cannes Film Festival. In the movie, Willem Dafoe and Charlotte Gainsbourg play a couple who retreat to a wooded cabin to overcome the grief of losing their only child.” At the other end of the spectrum, IFC has also acquired Ken Loach’s soccer comedy Looking for Eric.

Alan Resnais is not retired. “Declaring himself 'too lazy' to spice up his famously cerebral films with blood and thunder, the 86-year-old director, who brought Hiroshima mon Amour to the Cannes film festival 50 years ago, nonetheless said he always hoped to win audiences,” per Reuters. “‘If I knew that by putting the camera a bit more to the right or a bit more to the left, moving it about or fixing it in place, there would be more people watching it, I would do it straight away,’ he said after a press screening of his film Les herbes folles (Wild Grass) at the Cannes festival. ‘But it's completely unpredictable.’”


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