The “latest features” sidebar over there in the right-hand column of your screen has been a running joke amongst us Screengrab staffers for almost exactly a year now…because it’s been that long since the latest features featured there have been updated. There’s no point in doing it now, of course; I merely point it out to draw attention to the “Donnie Darko Part Deux!?” headline, which manages to convey a mixture of horror and bafflement at the prospect of such an animal’s existence.
That animal is now here in the form of S. Darko, and Richard Kelly would presumably still want you to know that he had absolutely nothing to do with its existence. Instead, it’s the product of screenwriter Nathan Atkins (author of the TV-movie Point of Entry) and director Chris Fisher, the man behind several serial killer movies and a handful of Cold Case episodes. I’ve not seen any of their earlier work, so I won’t hold it against them. I have seen S. Darko, however, so that one is fair game.
The only returning cast member from the original Donnie Darko is Daveigh Chase, who you’ll remember as the littlest member of Sparkle Motion, Samantha Darko. As S. Darko opens (in 1995, though you’d never know it if not for the helpful title cards), Sam is all growed up into a confused 18-year-old. Still haunted by her brother’s bizarre death, Sam is driving cross-country with best friend Corey (Briana Evigan of Step Up 2: The Streets, and yes, daughter of BJ and the Bear star Greg Evigan); Sam is the angsty one, Corey the slutty one. When their car breaks down in a nowhere town and they hole up in a cheap motel, you could be watching Thelma and Louise: The Early Years.
That’s when the weird stuff starts happening. And by “weird stuff,” I mean secondhand effects cribbed from Kelly’s cult favorite: time loops, transparent, tentacle-like blobs, bunny-like apparitions and another end-of-the-world countdown. Characters die and come back to life, and it’s all part of the personal growth experience – figuring out who you are and your place in the world the hard way. The question that never gets answered: Why should we care about these people? Sam is a mopey downer, while Corey is simply one of the most abrasive, unlikable characters in recent memory.
Far more entertaining than the movie itself is the “making of” documentary included on the DVD. It’s hilarious to watch everyone from the screenwriter to the cast to the best boy try to justify their involvement in this pointless endeavor. Don’t get me wrong, I’ll sign on to write, direct or set up lawn chairs for Gomer Darko if there’s a decent paycheck in it, so I’m not moralizing here; it’s just that no one is honest enough to admit that’s their motivation. They all bend over backwards to emphasize that this is a “continuation,” not a sequel, and that it’s very respectful of Kelly’s vision and the rules of the world he set up. No one can adequately explain why this movie was made in the first place. After all, the original Darko was barely released in theaters and only acquired a cult following after its DVD release. Cult audiences don’t tend to respond well to this kind of cash-in attempt, as the makers of Shock Treatment can attest.
