• Screengrab Review: "Lymelife"



    In case you haven’t been listening to what prestige and art-house films have been blaring, the suburbs aren’t all they’re cracked up to be. The carefree contentment projected by all those white-picket-fence homes, and the smiling cheer of all those good-looking people in their nice clothes and fancy cars? It’s all lies, joyful facades that mask serious social dysfunction. Despite seeming like the place where happily-ever-afters come true, the suburbs are in reality hotbeds of familial discord, of tumultuous adolescent anger and misery, and of deception, greed, selfishness and alienation. If you thought that moving there from the vile, corrupting city was smart, think again. Relocating to a comfy home, and mingling with your undoubtedly Yuppie neighbors, will only warp you into a desolate conformist zombie like those seen in American Beauty, The Ice Storm and countless other likeminded dramas. And desperately running through the streets like Leonardo DiCaprio’s wretched Revolutionary Road hubby, or performing fatal makeshift abortions on yourself like Kate Winslet’s hopeless wife, are your only avenues of escape!

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  • Grammys Snub Scarlett, Toast Tia

    In a startling and surprising upset, the list of nominees for the 2009 Grammy Awards, which were announced earlier today, did not include Scarlett Johansson. Johansson's debut album of Tom Waits covers, Anywhere I Lay My Head, a concept record exploring the countless ways in which her head has been laid, was accorded extensive and breathless coverage here at the Screengrab, to the point that at one point, Zach Snyder became confused and thought he must be directing it. (He realized this was not the case only after his demand that Johansson's version of the song "Town with No Cheer" be beefed up with more CGI battle scenes fell on deaf ears.) Johansson was so determined to make a splash with her album that she went out of her way to give especially dull, unfocused performances in the fourteen films she made prior to the sessions, saving her energy for what mattered. (Johansson, who is rumored to have been in The Other Boleyn Girl and The Nanny Diaries, will next be seen in The Spirit, in which she is said to give an especially dull and unfocused performance, because she thinks she might like to go snowboarding sometime next year.) Johansson's musical efforts went unnoticed in 110 out of 110 categories, including Record of the Year, Album of the Year, Best Song of the Year, Best New Artist of the Year, Best Female Pop Vocal Performance, Best Pop Vocal Album, and Best Metal Performance, a category in which she was thought to have at least a shot, given that Jethro Tull has one on their mantlepiece. There was some hope that, in a thin year, Johansson might narrowly squeeze into the category Best Pop Duet Vocal, but her hopes were dashed after the Academy called in expert mathematicians to confirm that there is only one of her.

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