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The Screengrab

  • The Voice Has Spoken

    In what may be, and indeed, had damn well better be, one of the very last outbreaks of opinion regarding the movies of 2007, the seventh annual Village Voice Film Poll (now joined at the hip to the L.A. Weekly) has arrived in port. Topping the list, which is based on the views of 102 voting critics: "Paul Thomas Anderson's wildly ambitious meditation on God, oil, and family values," There Will Be Blood. (The description is from Voice critic and living institution J. Hoberman, whose own person top ten list begins with I'm Not There, to which he devoted umpteen memorable words last November.) Other to picks: Blood star Daniel Day-Lewis, I'm Not There's Cate Blanchett and No Country for Old Men's Javier Bardem for Best Supporting Actress and Actor, Charles Ferguson's documentary No End in Sight, and Sarah Polley's Away from Her for Best Forst Film. The Best Actress nod went to the highly deserving Anamaria Marinca of 4 Months, 3 Weeks and 2 Days, a movie which landed in fourth place in the Best Film rankings--not bad at all considering that the movie wasn't actually shown here in 2007 except on the festival circuit. Considering that it opens theatrically here soon--we just saw a trailer for it today, in fact--we're not sure why so many critics agreed that they just couldn't wait until next year to vote for it, but hey.


  • Hoberman Hails Haynes

    In a long piece in the Village Voice, J. Hoberman calls Todd Haynes's I'm Not There "part of the larger, ongoing Dylan revival brilliantly orchestrated by his manager, Jeff Rosen" and also "the movie of the year." Hoberman suggests that this might be the Bob Dylan movie that Dylan himself repeatedly tried to make but never could have achieved; nobody but Haynes, "who studied film as semiotics" and who in Superstar and Velvet Goldmine had already "taken pop stars or pop music for a text," could have. As Hoberman sees it, only a filmmaker as audacious as Haynes could be worthy of this subject. "Certain cultural figures have a particular inevitability. Charles Chaplin and Elvis Presley rode technological waves, surfing to superstardom on powerful socio-economic currents. Had Chaplin never come to America, another slapstick comic would have emerged to reign over the nation's nickelodeons; Elvis might never have been born, but someone else would surely have brought the world rock 'n' roll. No such logic accounts for Bob Dylan. No iron law of history demanded that a would-be Elvis from Hibbing, Minnesota, would swerve through the Greenwich Village folk revival to become the world's first and greatest rock 'n' roll beatnik bard and then — having achieved fame and adoration beyond reckoning — vanish into a folk tradition of his own making." — Phil Nugent

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