Paul Clark's Top Ten Best Movies Ever!

1. BELLE DE JOUR (1967)
2. 2001: A SPACE ODYSSEY (1968) 
3. THE PASSION OF JOAN OF ARC (1928)



The greatness of The Passion of Joan of Arc stems from the fact that director Carl Th. Dreyer knew what it was that made Joan’s story important- not that she believed that God had tasked her to save France, but that she was so steadfast in her faith that she thought it better do die than to deny it. Consequently, Dreyer’s version of Joan’s story has no battle sequences and no heavenly visions, merely a powerful retelling of Joan’s final days, her trial and execution. The world of this film is an unsparing- one might say godless- one, full of evil and underhanded men who are more than willing to sacrifice Joan for their own political gain. This serves to throw into sharp relief the power of Joan’s faith, by heightening the pain and suffering she endured up to the end for the God in whom she so resolutely believed. Falconetti’s performance, then as now, is a wonder, and it’s only fitting that she never appeared onscreen again- how could she have possibly lived up to it?

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SWIMMING TO CAMBODIA (1985)



It’s probably not a great sign that two of my heroes wound up killing themselves once old age began to creep in. After famously inserting himself into the gonzo dispatches he filed from the trenches of the American Dream, Hunter S. Thompson infamously inserted a ball of hot lead into his cranium as a permanent cure for depression and the nagging pain of various medical conditions.  Likewise, the late, great monologist Spalding Gray jumped off a ferry in 2004 after years spent battling his own depression (stemming partly from his mother’s 1967 suicide) and pain (from a 2001 car accident) while also chronicling his own misadventures and neuroses in a series of seriocomic one-man shows for New York’s experimental Wooster Group theater company. Several of Gray’s monologues were filmed over the years (by directors including Steven Soderbergh and Nick Broomfield), but the first and best screen adaptation of his stage work was Jonathan Demme's Swimming To Cambodia, a rambling, fascinating (and extremely quotable) collage of national and personal history encompassing the Thai sex trade, the weird insanity of Richard Nixon, the horrific reign of the Khmer Rouge and Gray’s own search for a perfect moment while employed as a character actor on the set of Roland Joffe’s 1984 biopic The Killing Fields.

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While Googling Ken Russell today (I had my reasons), I learned that the director of such cinematic oddities as Lisztomania and The Lair of the White Worm is keeping busy writing a weekly column for The Times of London. It turns out that Mr. Russell has much in common with your pals at the Screengrab; for one thing, he likes to make lists. And as you might expect, these lists often contain some eccentric and unexpected choices. For example, in his column on his top ten favorite movie characters, he includes the “glamorous, vulnerable and ‘totally cutting-edge’ duo Romy and Michele, played by Mira Sorvino and Lisa Kudrow, those inseparable flatmates bound for their high-school reunion with exaggerated resumés and loveable optimism. No, I haven’t miscounted. It’s a tribute to their ability to complement each other’s performance that their double act in Romy and Michele’s High School Reunion (1997) makes them unforgettably one.”

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BERKELEY: For Veterans' Day weekend, Pacific Film Archives has unearthed a cache of little-seen films produced during World War II. 'Keep ’em Flying!': Films of the U.S. Army Air Forces First Motion Picture Unit (November 9- 11)

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