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Nerve@SXSW 2006.
Blogging the Roman Orgy of Indie-music Festivals.
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An intimate and provocative look at Siege's life, work and loves.
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two best friends pursue business and pleasure in NYC.
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The lustful, frantic diary of a young London photographer.
The Nerve Blog-a-log: kid_play
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A bundle of sass who's trying to stop the same mistakes.
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Our newest Blog-a-logger.
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Gay man in the Big Apple, full of apt metaphors and dry wit.
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Naughty and philosophical dispatches from the life of a writer-comedian who loves bathtubs and hates wearing underpants.
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Deep, deep inside the world of online video.
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A Demi in search of her Ashton.
The Prowl, with Ryan Pfluger
Nerve @ Cannes Film Festival
May 16 - May 25
ScreenGrab
The Nerve Film Blog
Autumn
A fashionable L.A. photo editor exploring all manner of hyper-sexual girls down south.
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Almost everything you want.
The Nerve Blog-a-log: that_darn_cat
A sassy Canadian who will school you at Tetris.
Rose & Olive
Houston neighbors pull back the curtains and expose each other's lives.
The Nerve Blog-a-log: funkybrownchick
The name says it all.
merkley???
A former Mormon goes wild, and shoots nudes, in San Francisco.
chase
The creator of Supercult.com poses his pretty posse.
The Remote Island
Nerve's TV blog.
Brandonland
A California boy capturing beach parties, sunsets and plenty of skin.
61 Frames Per Second
Smarter gaming.
The Nerve Blog-a-log: Charlotte_Web
A Demi in search of her Ashton.
The Nerve Blog-a-log: Zeitgeisty
A Manhattan pip in search of his pipette.
Date Machine
Putting your baggage to good use.

The Screengrab

  • Reviews By Request: Faithless (2000, Liv Ullmann)

    Thanks to reader “borstalboy” for requesting this week’s review. As always, for instructions on how to request the next review for this feature (to run the afternoon of Thursday, July 3 due to the holiday) see the bottom of this post.

    On the surface, Faithless tells a story that’s been told thousands of times before. It’s a story of infidelity, with the fortyish Marianne (Lena Endre) falling in love with family friend David (Krister Henriksson), and leaving her husband Markus (Thomas Hanzon) to be with him. It’s an age-old story, familiar from plenty of novels, plays and films. There are numerous ways the story could play, perhaps as a thriller or a domestic melodrama. But in the end Faithless is neither of these, due in large part to a character I haven’t yet mentioned- the key character in the story. He’s a director played by Erland Josephson, who’s aging, thoughtful, solitary. A man not unlike Ingmar Bergman.

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