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Nerve@SXSW 2006.
Blogging the Roman Orgy of Indie-music Festivals.
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The Daily Siege
An intimate and provocative look at Siege's life, work and loves.
Kate & Camilla
two best friends pursue business and pleasure in NYC.
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The lustful, frantic diary of a young London photographer.
The Nerve Blog-a-log: kid_play
The Nerve Blog-a-log: Super_C
The Nerve Blog-a-log: ILoveYourMom
A bundle of sass who's trying to stop the same mistakes.
The Nerve Blog-a-log: The_Sentimental
Our newest Blog-a-logger.
The Nerve Blog-a-log: Marking_Up
Gay man in the Big Apple, full of apt metaphors and dry wit.
The Nerve Blog-a-log: SJ1000
Naughty and philosophical dispatches from the life of a writer-comedian who loves bathtubs and hates wearing underpants.
The Nerve Video Blog
Deep, deep inside the world of online video.
The Nerve Blog-a-log: charlotte_web
A Demi in search of her Ashton.
The Prowl, with Ryan Pfluger
Nerve @ Cannes Film Festival
May 16 - May 25
ScreenGrab
The Nerve Film Blog
Autumn
A fashionable L.A. photo editor exploring all manner of hyper-sexual girls down south.
The Modern Materialist
Almost everything you want.
The Nerve Blog-a-log: that_darn_cat
A sassy Canadian who will school you at Tetris.
Rose & Olive
Houston neighbors pull back the curtains and expose each other's lives.
The Nerve Blog-a-log: funkybrownchick
The name says it all.
merkley???
A former Mormon goes wild, and shoots nudes, in San Francisco.
chase
The creator of Supercult.com poses his pretty posse.
The Remote Island
Nerve's TV blog.
Brandonland
A California boy capturing beach parties, sunsets and plenty of skin.
61 Frames Per Second
Smarter gaming.
The Nerve Blog-a-log: Charlotte_Web
A Demi in search of her Ashton.
The Nerve Blog-a-log: Zeitgeisty
A Manhattan pip in search of his pipette.

The Screengrab

  • Screengrab Q&A: Garth Jennings and Nick Goldsmith, Directors of Son of Rambow

    Garth Jennings and Nick Goldsmith made their production company's name — "Hammer & Tongs" — on their inventive music videos for Blur, Pulp and R.E.M. With their debut feature film, an adaptation of Douglas Adams' The Hitchhiker's Guide to the Galaxy, they showed off a sweet sensibility that belied the metallurgical toughness of that name, and with the just-released Son of Rambow, they go one step further. Rambow follows schoolboy Will (newcomer Bill Milner, an instantly endearing tangle of scrawny limbs), raised by his mother in a conservative religious sect, the Plymouth Brethren. His upbringing has kept him away from all media, so when his troublemaking classmate Lee Carter shows him a bootleg copy of Sylvester Stallone's First Blood, his world is forever changed, and he and Lee Carter set off to make their own First Blood sequel — "Son of Rambow."

    This is a great comedic premise, but what Jennings and Goldsmith could've played as broad farce, they instead use as a startlingly tender look at childhood friendship and loss. It's warm and nostalgic without ever getting cloying, and it has a compassion and fellow-feeling that should make it a family classic. I spoke to the duo about how they shaped their ode to filmic summers past. — Peter Smith

    There's a very bittersweet undertone to the film. Both characters are missing their fathers.
    GJ: Both of us have our fathers intact, but my dad lost his dad when he was about nine, and one of my best friends had almost exactly the same experience. But it wasn't the starting point. We didn't know where to start originally. We knew we were trying to capture how great it was to be that age and not have any fear of consequences. But when you're trying to capture a feeling, rather than make a documentary of how things really were, you've got to sort of start using storytelling techniques. And one of those is to take things away from the character. For example, the next-door neighbors of mine when I was growing up were Plymouth Brethren. By making Will a Brethren, you understand the impact movies had. Whereas it would be really hard to do that with a regular kid, like we were.

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  • The Screengrab Review: Son of Rambow



    It's difficult for me to be objective about Hammer and Tongs' second major motion picture, Son of Rambow. At one time, I was its protagonists, a kid whose imagination was set on fire by the bombast of media in the 1980s. Like Garth Jennings, Nick Goldsmith and their pre-pubescent proxies, the political subtext of Reagan-era action was completely lost on me at that age, eclipsed by the catharsis of violent fantasy and superheroics. It's impossible for me to watch Son of Rambow away from my intimacy with its subjects, so certain parts of it that I know aren't necessarily good filmmaking still strike me as wonderful.

    Read More...



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