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The name says it all.
merkley???
A former Mormon goes wild, and shoots nudes, in San Francisco.
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Nerve's TV blog.
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A California boy capturing beach parties, sunsets and plenty of skin.
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Smarter gaming.
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A Demi in search of her Ashton.
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A Manhattan pip in search of his pipette.

The Screengrab

  • "The Fall": Pretty, Vacant

    The Fall, the second feature from Tarsem Singh, the commercial-and-music-video director still probably best known for R.E.M.'s "Losing My Religion", finally crawls into theaters this weekend, a couple of years after it was unveiled at the Toronto Film Festival. Singh's first movie was 2000's The Cell, an eye-popping, empty-headed thriller in which he deployed his elaborately detailed visual imagination to depict "the mind of a serial killer." (Turned out the poor guy had a Damien Hirst exhibition going on in there.) Like some other directors who made the leap from music videos to the big screen, Singh showed a faith in his own visual flash that was so intense and single-minded that it bordered on outright contempt for representational details and other essentials of basic storytelling: how else to explain the decision to cast Jennifer Lopez as a visionary scientist and Vince Vaughn as a morally stern FBI agent? Damned if The Fall, which is based on a screenplay credited to Singh, Dan Gilroy, and Nico Soultanakis, doesn't turn out to be a self-conscious tribute to the wonders of "storytelling."

    Read More...


  • The Thirteen Greatest Long-Ass Movies of All Time, Part 1

    There are long movies, and there are really long movies. But there's also that notorious third category: The Long-Ass Movie. You know them. Usually they have to be split into two or three parts. Sometimes they have to be released as mini-series, with abbreviated versions put out in theaters. Occasionally they're hacked to pieces by studios and distributors, and become founts of controversy. More often that not, they're made by Germans. (We're not kidding. Check the list.) And most of the time, though sadly not always, they're great — ambitious, sprawling, uncompromising, and riveting. There's something really special about a long-ass movie, which, for our purposes, we're classifying as a film over four hours long. You never forget the experience of sitting through it. We certainly didn't. Here's our list of the Greatest Long-Ass Movies of All Time.



    HAMLET (1996) Running time: 242 mins.

    It's highly unlikely that anyone in Shakespeare's time actually saw Hamlet in full. As many critics and biographers have noted, the full text of The Bard's masterpiece would run over four hours if performed — a prohibitive length even today, despite such modern conveniences as lighting, electricity, and weekends. Clocking in at a limber four hours and two minutes, Kenneth Branagh's full-text version of the play struck a remarkable balance: an uncompromised performance that was also relentlessly cinematic. Some called Branagh's camera tricks show-offy, but he was simply following in the footsteps of one of the great linguistic show-offs of all time. The film's baroque visual style complemented the verbal gymnastics of Shakespeare's sweet tongue, and the result is not only the most faithful adaptation of Shakespeare ever filmed, but also, for our money, one of the absolute best.

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