Although there's no reason that a bad movie can't feature a good soundtrack -- after all, there's plenty of good movies that feature rotten ones -- we've tended to focus, here in the OST feature, on movies that have both.  A soundtrack, after all, is meant as complementary; it's an enhancement to a good movie, not a substitute for one.  Still, every once in a while, a movie rolls around where the product on screen is pretty lousy, or at the very least forgettable, but which provides us with a soundtrack or score that will provide enjoyment years after anyone's forgotten what the movie was even about.  The relatively recent Hollywood trend of propagating otherwise mediocre would-be hit movies with pop songs -- often by bands under contract with the studio's parent company -- has been particularly helpful in this regard, as it can ensure that the filmmakers will be able to recoup at least some of the losses they took from no one going to see the movie from those same people deciding to take a flyer on the soundtrack, because at least it has that one good song on it by Sevendust or whoever.

Which is not to say that Spike Lee's movie on the wicked world of college basketball, He Got Game, is a terrible movie.  It's not even a terrible Spike Lee movie.  It's just not a great movie.  A skillful performance by Denzel Washington gets cancelled out by a pretty dismal one by real-life basketball star and non-actor Ray Allen; a skillful script about a subject of genuine interest is scuttled by one too many over-the-top scenes, and -- surprisingly, given Lee's love of basketball and the presence of genuine  NBA stars in the cast -- the sports action scenes generally fall somewhat flat.  However, the soundtrack definitely has emerged as a much more worthwhile endeavor than the movie.  Originally conceived by Spike and Public Enemy frontman Chuck D. as a straightforward soundtrack to the film, PE's He Got Game eventually emerged as an entire and distinct album by the revolutionary rap group -- and one which came at a time when many critics had written them off as a thing of the past. 

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Opening in limited release this weekend, the goofily titled Gunnin' for That #1 Spot is a compelling documentary look at the annual Rucker Park basketball tournament, made up of the majority of New York's best streetball players.  It may not be the biggest money game in the history of professional hoops, and it hasn't produced many NBA superstars, but its distillation of pure street ball has been hugely influential, and the style of play in both the pro and college ranks has been greatly affected by the smooth moves and trash-talking traditions that evolved in Rucker Park.  Gunnin' for that #1 Spot is also attracting a great deal of attention because of who's behind it:  Oscilloscope Pictures is a new production house headed by the film's director, Adam Yauch, better known as MCA of the Beastie Boys.  Having polished his craft directing videos for his crew, he's now taking his game to the next level, and has made sure that the banging soundtrack matches the smooth hoops action on screen.  The movie's release, in seven cities (all of which have NBA franchises), is being timed to coincide with the NBA draft; if all that isn't enough for your hoops-hungry self, try these five examples of big-screen action from the world's most cinematic sport.

HOOSIERS (1986)

Generally acknowledged as the greatest basketball film of all time, Hoosiers -- directed by the forgotten David Anspaugh and written by sports-triumph specialist Angelo Pizzo -- is based on the true story of the Milan Indians, an unlikely small-town outfit who went on to win the 1954 Indiana State Championships against some of the powerhouse teams in that basketball-crazy state.  Unabashedly sentimental and unrepentently traditional, Hoosiers is nonetheless is a winner, illustrating that you can avoid criticism for making a straightforward sports film by simply getting it right at every turn.  From the terrific period details and the astonishing degree of verisimilitude to the terrifically staged sports action scenes, Hoosiers never makes a wrong turn, and is held together from the first frame to the last by a tremendous performance by Gene Hackman as the gruff coach, Norman Dale.

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