The operant notion amongst the publicists of my acquaintance lately -- and God bless them, every one -- seems to be: let's send Leonard screeners of movies to which he is not even remotely in the target demographic. Of course, I can't say exactly who the target demographic is for Sukiyaki Western Django. Martians, probably. I have a slightly better idea who the target demographic is for Tyler Perry's latest outing, The Family That Preys, and I'm damn sure it doesn't include me. And yet here we are! On the theory that someone has to review these things -- a theory that I'm not entirely convinced I agree with -- the job has fallen to me, and I will do the best I can possibly do under circumstances that would be a lot more trying if God hadn't invented the martini.
The plot of this one, such as it is, involves Alfre Woodard and Kathy Bates (for whom I briefly felt sorry for having to appear in this toxic waste dump, until I realized it would probably buy them both a new summer house), playing old friends who are faced with various family dramas, traumas, and scandals. In order to clear the air, get away from their allegedly comical families, and rebuild their friendships, they take a cross-country road trip of the sort that we haven't seen since Gone Fishin'. Of course, this makes it sound like the movie isn't just about Tyler Perry dressing up in a crazy outfit and acting wacky, which it is. There's no Madea in this one, but that doesn't stop Perry from hamming it up like gangbusters, upstaging people I've never heard of named KaDee Strickland and Rockmond Dunbar.
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