• Screengrab Review: "Terminator Salvation"



    Terminator Salvation goes Dark Knight-gloomy to reignite James Cameron’s technophobic sci-fi series, jumping forward to post-Judgment Day 2018 to pick up with rebel “prophet” John Conner (Christian Bale) and the human resistance as they wage war against malevolent sentient Skynet and its army of killer robots. The world is now ash-gray and reverberates with cacophonous explosions and squealing metal, a grim, gritty Road Warrior desert dystopia populated only by Terminators and vagabond humans who huddle around barrel fires listening to the radio broadcasts of Connor, a humorless hero embodied by Bale with such monotonous intensity that one fears the greatest threat to his well-being is a self-produced aneurism. Bale’s vehemence nicely meshes with the apocalyptic landscape in which director McG has situated him. Yet working from a script by John D. Brancato and Michael Ferris that places a far greater premium on land, sea and air skirmishes than on meaningful drama, the actor proves no more compelling than the machines against which his protagonist struggles. If only this were a 2001-style commentary on mankind’s devolution. Terminator Salvation, alas, strives for bleak gravity with misguided fervor, dispatching the very traces of warm, generous humanity that, in Cameron’s first two chapters, served as counterbalancing reminders of the necessity for staving off forthcoming mecha-Armageddon.

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  • Dreaming Towards James Cameron's "Avatar"

    Michael Cieply at The New York Times reports on the escalating storm of hype and anticipation surrounding James Cameron's 3-D sci-fi movie Avatar, scheduled for a December release. To date, none of the images from the film have been released to the public, not even a single still. However, Time magazine's Joshua Quittner was shown fifteen minutes of footage and subsequently "fed the frenzy when he reported feeling a strange yearning to return to the movie’s mythical planet, Pandora.... Mr. Cameron, Mr. Quittner wrote, theorized that the movie’s 3-D action had set off actual 'memory creation.'” (He told Cieply, “It was like doing some kind of drug.”) Others online have been busting their buttons without access to any actual evidence that the film exists, never mind what it looks like: Cieply has fun with one worthy at the IMDB message board who had had a dream that he saw the movie--on bootleg, no less--and proceeded to share his impressions of how it played in his unconscious. ("The film was unfinished, and the special effects were mostly drawings and cartoons, but they looked 3d still. But it was the best movie I've ever seen, too bad it was only in my dream! I really hope the actual movie is at least half as good as the one I saw in my sleep.") Meanwhile, Dr. Mario Mendez, a behavioral neurologist at the University of California, Los Angeles, School of Medicine who has used "virtual reality therapy" in working with Iraq War veterans, "said it is entirely possible that Mr. Cameron’s work could tap brain systems that are undisturbed by conventional 2-D movies. One, he said, is a kind of inner global-positioning system that orients a person to the surrounding world."

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