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Nerve@SXSW 2006.
Blogging the Roman Orgy of Indie-music Festivals.
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The Daily Siege
An intimate and provocative look at Siege's life, work and loves.
Kate & Camilla
two best friends pursue business and pleasure in NYC.
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The lustful, frantic diary of a young London photographer.
The Nerve Blog-a-log: kid_play
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A bundle of sass who's trying to stop the same mistakes.
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Our newest Blog-a-logger.
The Nerve Blog-a-log: Marking_Up
Gay man in the Big Apple, full of apt metaphors and dry wit.
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Naughty and philosophical dispatches from the life of a writer-comedian who loves bathtubs and hates wearing underpants.
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Deep, deep inside the world of online video.
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A Demi in search of her Ashton.
The Prowl, with Ryan Pfluger
Nerve @ Cannes Film Festival
May 16 - May 25
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The Nerve Film Blog
Autumn
A fashionable L.A. photo editor exploring all manner of hyper-sexual girls down south.
The Modern Materialist
Almost everything you want.
The Nerve Blog-a-log: that_darn_cat
A sassy Canadian who will school you at Tetris.
Rose & Olive
Houston neighbors pull back the curtains and expose each other's lives.
The Nerve Blog-a-log: funkybrownchick
The name says it all.
merkley???
A former Mormon goes wild, and shoots nudes, in San Francisco.
chase
The creator of Supercult.com poses his pretty posse.
The Remote Island
Nerve's TV blog.
Brandonland
A California boy capturing beach parties, sunsets and plenty of skin.
61 Frames Per Second
Smarter gaming.
The Nerve Blog-a-log: Charlotte_Web
A Demi in search of her Ashton.
The Nerve Blog-a-log: Zeitgeisty
A Manhattan pip in search of his pipette.
Date Machine
Putting your baggage to good use.

The Screengrab

  • Revisiting Attica

    S. T. VanAirsdale at the Reeler talks to Cinda Firestone, the director of the semi-legendary documentary Attica, a "detailed, unflinching chronicle of the 1971 riots at the titular prison — where thirty-one inmates and nine hostages died in one of the bloodiest domestic uprisings in U.S. history — and the inquiry that followed." Well-received in 1974, the movie has spent most of the last thirty years trapped in "distribution hell." It turns out that the director, whose youth and lack of film-school training (and maybe the fact that she's, cough-cough, a woman) inspired scurrilous charges that her movie had "really" been made by her mentor, the radical leftist documentarian Emile de Antonio — had herself been sidelined by illness and career problems, including the death of her distributor. Finally, fed up with politics and burned out on the business, "I moved down to Puerto Rico and I thought I'd just concentrate on my writing and my art. . . After I got well and I married my husband, I did a lot of writing and got very involved in children's theater, a lot of scholarship work and counseling at the school I fought to keep open." She's working on her autobiography and on a screenplay about Madame C. J. Walker, and she's written a musical that's headed for Broadway; meanwhile, on the side, her son has gotten interested in documentary filmmaking and is making a movie about her.

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