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The Screengrab

  • That Guy!: Richard Edson

    Baseball season is nearing an end, which means that so, too, is my chance to watch TV commercials. I’m not much of a television watcher (well, I watch a lot of TV, but mostly on DVD), and about the only time I get a chance to see mainstream commercials is before a feature at a movie theatre, or during baseball season. That’s just fine with me; the things rarely live up to the standards of either high art or low camp, so I don’t feel like I’m missing much. Imagine, then, my surprise when a commercial for Traveler’s Insurance cropped up during a Red Sox-Cleveland playoff game featuring one of my all-time favorite character actors: this week’s That Guy!, Richard Edson. It’s actually a pretty good bit of casting, for a commercial – who better to embody Risk, the very personification of bad luck, than the laconic, hangdog Edson? His long, weary face (almost always sporting a mustache of one kind or another) and perpetual look of a wheedling cajoler has made me a longtime fan of his infrequent movie roles; he’s not the most prolific actor out there, but he tends to steal the show whenever he shows up.

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  • That Guy!: Xander Berkeley

    This week’s That Guy!, the long-awaited Xander Berkeley, is a groundbreaker in many ways. He’s the first character actor we’ve featured in this spot whose name starts with an X; he’s also the first to have designed his own my-skin-is-falling-off makeup while portraying a person suffering from acute radiation poisoning. But he also follows in some well-traveled paths: he’s the second person we’ve featured to have come to prominence as a cast member of 24, a show that seems to specialize in snatching up talented Hollywood character actors, as evidenced by previous That Gal! Mary Lynn Rajskub and future That Guy! Dennis Haysbert. Like a lot of other contemporary character actors, he’s found steady work as a voiceover specialist (appearing, as has almost every other B-lister in the business, on the Justice League cartoon), and he bankrolls artsy projects like his back-to-back appearances in Timecode and The Cherry Orchard with, er, slightly more pedestrian fare like Barb Wire and The Rock. A favorite of maverick director Alex Cox, Berkeley appeared in three of his films in a row early in his career. His first role was as a grown-up Chris Crawford in the infamous Mommie Dearest, and he’s gone on to make almost seventy feature films in twenty years (his most recent was Seraphim Falls), qualifying him as one of the hardest-working men in show business despite being almost completely unknown to most people who don’t watch 24. Berkeley, a New Yorker by way of Jersey, has specialized, in his latter days, in bland, arrogant schmucks who are up to no good. But he's displayed a terrific range in his remarkably prolific career, playing everything from typical romantic male leads to scene-stealing darkly comic turns, as in his cameo role as a cab driver in Leaving Las Vegas. He’s also almost certainly the only actor we’ve ever featured who has portrayed an eight-armed violinist who robs banks alongside a robotic Soviet vending machine.

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