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The Screengrab

  • Blowtorch, Not Biff Tannen, Responsible For Back to the Future Disaster

    According to the Associated Press, there was no disgruntled security guard involved in the Universal Studios fire this time around. Instead, the culprit responsible for the destruction of the back lot’s iconic Back to the Future clock tower set (as well as a King Kong tram tour exhibit and thousands of archived videos) was...bad luck. And possibly bad water pressure.

    Workers at the studio had apparently been using a blowtorch (or blowtorches) to apply shingles to the roof of a movie set building façade, after which they waited around for an hour (per standard operating procedure) to make sure that nothing, y'know, caught fire and, uh...hold on, let me read that again...they were applying shingles to fake buildings with blowtorches? As opposed to...oh, I dunno...nails?

    Read More...


  • Universal Studios Fire Destroys Back To The Future Set; MTV Movie Awards Tragically Unaffected



    I was living in Los Angeles in 1990 when a disgruntled security guard set fire to Universal Studios, causing $25 million dollars in damage and choking much of the San Fernando Valley in smoke.

    History repeated itself on Sunday with another disastrous blaze on the famous back lot, only this time the destruction included a Gen-X touchstone: the Hill Valley clock tower set from the Back to the Future trilogy, where Marty McFly (Michael J. Fox) tried to catch lightning in a flux capacitor in the first movie and raced around on a futuristic hover-skateboard in the sequel. The supercool animatronic King Kong that “attacked” passengers during the Universal tram ride was also destroyed.

    Aside from Kong, nobody was injured in the conflagration, the cause of which is still under investigation.

    The MTV Movie Awards were broadcast live from the adjacent Gibson (formerly Universal) Amphitheater less than 24 hours after the fire broke out (sometime around 4:30 A.M. Sunday morning). Fire footage and the full list of fake awards show winners are included after the jump:

    Read More...


  • The Hands Of Jack P. Pierce

    You may not know who Jack P. Pierce was, but if you've seen or even heard about the Famous Monsters of Filmland that made millions of dollars for Universal Studios in the 1930s, you know his work.  Pierce, a Greek immigrant who ended up in Hollywood more or less by accident, was the head of the makeup department at Universal Studios from 1928 until 1947, and crafted, on conjunction with stars like Lon Chaney, Bela Lugosi and Boris Karloff, some of the most memorable creatures in cinema history. In the days before CGI or even most photographic effects as we know them today, Pierce worked with theatrical equipment, padding, chemicals toxic by today's standards, and inventive use of costumes to create the visual hook of characters like the Hunchback of Notre Dame, the Phantom of the Opera, Dracula, Ygor, Frankenstein,  the Wolf Man, and the Mummy.

    When Universal merged with International after WWII, Pierce fell on ill fortune, and, after several decades working on television and for low-budget big-screen productions, he died in 1968, little-remembered outside of the people who had the good fortune to work with him.  Still, anyone who played such an integral part in defining one of Hollywood's most famous and fertile periods wasn't going to stay forgotten for long.  A DVD documentary about him was recently released focusing on his horror work; the motion picture industry's Makeup Artists and Hairstylists Union has named their lifetime acheivement award for him; and his hands, which crafted so many terrifyingly familiar faces, are featured on an American postage stamp, transforming Boris Karloff into Frankenstein's monster.

    Read More...



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