Home Video Rep Report: "Forbidden Hollywood Collection - Vol.2"

Phil Nugent — Wed, 12 Mar 2008 19:00:00 GMT

As Paul Clark recently pointed out, this is the week that No Country for Old Men came out on DVD. Which is all well and good, but I just saw it a few months ago. So did you, probably, but when's the last time you saw Clark Gable, in a mondo-bondage chauffeur outfit, punch out Barbara Stanwyck for interfering with his plans to keep their employer drunk so he can starve her children to death, or Humphrey Bogart taking one look at wide-eyed Ann Dvorak and miming sniffing something powdery while flashing his dirtiest grin and snickering, "Uh-oh!" These charming relics of Hollywood's early wildcat period can be found in the new three-disc set Forbidden Hollywood Collection - Vol.2, assembled from the vaults of Turner Classic Movies. (Volume One, which came out last year, included the long-lost Stanwyck vehicle Angel Face and the giddily scandalous Jean Harlow movie Red Headed Woman.) The discs provide a handy sampler of what Hollywood comedies and melodramas got into in the Pre-Code days before censors roused the rabble and threw a corset around Mae West. For sheer entertainment value, the new set is worth picking up just for 1931's Night Nurse, the hard-headed, hard-boiled nifty starring Stanwyck, Gable, and the platinum wisecrack dispenser Joan Blondell, and the 1932 Three on a Match, in which Blondell is the smart good girl who gets the guy, Ann Dvorak is the good-time girl who doesn't appreciate the guy, and Bette Davis is the one who makes contemporary audiences go, "Jesus Christ, Ann Dvorak makes Bette Davis look like a whipped mouse!" Match makes the case that the cult icon Dvorak, best remembered now as Paul Muni's sister in the original Scarface, deserves to be remembered as the quivering embodiment of the Pre-Code spirit. In the inevitable TCM documentary that's included in the DVD set, she's likened to a sputtering live wire, and she seems to be having a more exciting time than anyone else onscreen whether she's resisting temptation (which was something she never did for long), giving in to temptation (diving in with both feet), or paying for her sins by diving out a window with instructions to the police written on her nightie with lipstick.

The set also includes two Norma Shearer pictures, The Divorcee, which won the boring old thing an Academy Award for Best Actress of 1930, and A Free Soul, which came out the next year and won a Best Actor Award for Lionel Barrymore, who played her father. As that data may suggest, these were A-pictures in their day, but they don't hold up as well as the B's do. But they do have some historical interest, in part because they reveal what people who thought they were looking for something wild and steamy but who couldn't deal with the sight of Ann Dvorak in full writhe were prepared to settle for. Coiffed and dressed to the nines, Shearer could pass for a pretty hot number, though she could never act for shit, and the whole point of her pictures was to let her get just enough of a whiff of liberated hedonism to get her to run back to hubby and daddy. Like Night Nurse, A Free Soul is notable for bottling the dirty essence of Pre-Code Clark Gable, who is once again cast as a magnetic crook who keeps a highborn gal, Shearer, in sexual thrall, to the point that her fiancee. Leslie Howard, is obliged to shoot the blighter. (After that, Barrymore, a lawyer, is obliged to defend Howard in court by telling the jury that none of this would have happened if he'd just had the foresight to lock his daughter in the bedroom until her hormones settled down.) Also included is Female (1932), which stars Ruth Chatterton as a rich car company owner whose casual affair with George Brent turns all serious and shit. It falls between the two stools set by Dvorak and Shearer; Chatterton gets to have some fun early on treating her employee pool as her own personal stud stable, but by the end she's imploring Brent not just to marry her but to take charge of her company so she'll be free to stay at home and turn out enough kids that they can start their own baseball team.

DVD Digest for March 4, 2008

Paul Clark — Tue, 04 Mar 2008 15:00:00 GMT

After last week's release of the mammoth Criterion four-disc set of The Last Emperor, it was sort of inevitable that this week would be something of a letdown. Still, this week has a number of worthy releases it can call its own.

DVD of the Week: One of the most thought-provoking documentaries of 2007, Amir Bar-Lev's My Kid Could Paint That (Sony) tells the story of little Marla Olmstead, a four-year-old girl whose paintings won her acclaim as a modern-art prodigy until a segment on 60 Minutes II cast doubt on her authorship of the works. What began as a human-interest story about a little girl who enjoyed painting and turned out to be surprisingly good at it becomes a hornet's nest of issues — everything from how much of the value of art comes from the story behind it to the concept of modern art itself. Most relevantly, Bar-Lev takes the role of the media in building people up only to tear them down again, even addressing his own complicity in this process. Most impressively, the film does all this — and more besides — all in the course of eighty-three minutes. Also included on the DVD are an audio commentary with the director as well as several documentaries, one about the film, and the other featuring an interview with New York Times art critic Michael Kimmelman. A must-see for anyone interested in art or documentary filmmaking.

Other new releases coming to DVD this week include: Sean Penn's Oscar-snubbed Into the Wild (Paramount); Zack Helm's Roald Dahl ripoff homage Mr. Magorium's Wonder Emporium (Fox); Susanne Bier's melodrama Things We Lost in the Fire (Dreamworks), which boasts a fine Benicio Del Toro lead performance; and of course Steven Seagal's latest direct-to-DVD release, Pistol Whipped (Sony). Keep your eyes peeled to Vern's site for his no doubt imminent review. Also, for anime fans, this week brings the R1 release of the Japanese animated series Blood+ Part 1 (Sony), comprising the first twenty-five episodes of the series, as well as Blood+ Volume 1 (Sony), which only includes the first five episodes.

On the classics front, the most notable release is TCM Archives: Forbidden Hollywood Volume 2, a three-disc set that includes five pre-Code classics — The Divorcee (1929), A Free Soul (1931), Three on a Match (1932), Female (1933), and Night Nurse (1931) — accompanied by a new TCM documentary about pre-Code Hollywood. This week also sees the release of new editions of 101 Dalmatians (Disney), 12 Angry Men (MGM), and Mrs. Doubtfire (Fox), as well as Magnum P.I. Season 8 (Universal), and Blu-Ray-only releases of Ice Age (Fox) and 2002's The Rookie (Disney).

Finally, back by popular demand is this week's Huddleston Corner, in which we spotlight films being released in the soon-to-be-defunct HD-DVD format. This week's new HD releases:
Into the Wild (Paramount)
No Reservations (Warner)
Things We Lost in the Fire (Dreamworks)

Condolences!

The Screengrab : a free soul

Home Video Rep Report: "Forbidden Hollywood Collection - Vol.2"

DVD Digest for March 4, 2008