DVD Digest for February 5, 2008

Paul Clark — Tue, 05 Feb 2008 15:00:00 GMT

This week: some recent favorites premiere on DVD, numerous classic films arrive in new editions, and I double back to cover a new release we overlooked last week.

DVD Ripoff of the Week: The Assassination of Jesse James by the Coward Robert Ford was one of the best-reviewed films of 2007 and garnered Oscar nominations for Casey Affleck and cinematographer Roger Deakins. However, the film performed well below expectations at the box office, due in no small part to Warner Brothers completely bumbling its theatrical rollout. Due to its low gross and artsy rep, the brainiacs at Warner Home Video will release the film this week in a bare-bones edition. How bare-bones are we talking? Try these features on for size: widescreen, subtitle and language options, and 5.1 audio. And that's all, folks.

Not.

Even.

A.

Trailer.

You know, seems to me the DVD companies have it all backwards. It's mainly the hits that get splashy, extras-packed special editions, when it's the ambitious flops that could really benefit from them. Honestly, does a movie like Pirates of the Caribbean really need a boatload of bonus features to sell more DVDs? I don't think so. But The Assassination of Jesse James might attract more buyers if the DVD had commentary, some interesting featurettes, and so forth. At least the Blu-Ray edition has a documentary. How hard would it have been to put that on the regular DVD as well?

Of course, we know what this release really means: Warner is trying to make some quick bucks from opening-week impulse buyers, with the possibility of a super-sweet edition later on, possibly with Andrew Dominik's cut of the film included as well. Really, it's like they're not even trying to disguise it anymore. It's as though we're back in VHS days, when the studios would release tapes at higher prices to be sold primarily for rental, then lower the prices later on for buyers. The difference is that DVD is much more of a buyers' medium, thus collectors would piss and moan if they had to spend $100 on a new DVD. It's a money-grubbing ploy, but it must be working or else the studios wouldn't keep doing it, right?

Other new releases coming to DVD include: Jodie Foster in Neil Jordan's The Brave One (Warner, also Blu-Ray), Julie Taymor's Beatles-scored folly Across the Universe (Sony, also Blu-Ray), the Cate Blanchett-starring disaster Elizabeth: The Golden Age (Universal, also HD-DVD [!]), the Julie Delpy-directed 2 Days in Paris (Fox), Robert Benton's Feast of Love (MGM), and The Jane Austen Book Club (Sony, also Blu-Ray). Because when I think of the folks who own Blu-Ray players, I think Jane Austen.

No noteworthy classic films coming to DVD for the first time this week, but quite a few new editions of previously released films, including: Midnight Express: 30th Anniversary Edition (Sony), The Apartment Collector's Edition (Universal), The Aristocats Special Edition (Disney), The Wiz: 30th Anniversary Edition (Universal), Tootsie: 25th Anniversary Edition (Sony), and You've Got Mail: The Deluxe Edition (Warner). Fox is also releasing a two-disc set featuring both versions of Imitations of Life, for those of you who crave a Stahl vs. Sirk showdown. In addition, this week sees Blu-Ray only releases of Crimson Tide (Buena Vista), Me, Myself & Irene and Wall Street (both Fox).

Finally, I can't believe I neglected to mention in last week's column the second DVD release from our friends at Benten Films, Quiet City and Dance Party USA: Two Films By Aaron Katz. Founded last year, Benten is a decidedly small operation specializing in non-mainstream fare. Katz's work is a good match for the Benten label- a DIY filmmaker, Katz has been acclaimed by many as the most talented of the director comprising the movement that's usually labeled "mumblecore." With DVD mastering becoming cheaper and more widespread, there are many mom'n'pop DVD operations that have popped up on the scene, but Benten feels special to me, not least because founders Andrew Grant and Aaron Hillis are online cinephiles of long standing. Here's hoping for many successful years for the Benten team.

Die Mumblecore Die

Peter Smith — Fri, 09 Nov 2007 19:00:00 GMT

Well, it had to happen sometime. What with two weeks' worth of crushing hype mid-summer, the mumblecore kids were due for a backlash, but who knew Amy Taubin would be the one to do it? Taubin, after all, went on record in 2005 with a "Distributor Wanted" for Mutual Appreciation, exceeding all the hype two years ahead of time by calling Andrew Bujalski's work "Rohmer without subtitles." The tide turns, viciously, in a Film Comment jeremiad that goes viciously ad hominem in record time, from an opening shot bidding goodbye to "the indie movement that never was more than a flurry of festival hype and blogosphere branding." Studiously ignoring her own early championing (Matt Zoller Seitz correctly points out that Taubin seems to be suffering from "buyer's remorse"), Taubin taunts the movement for not making enough money at the IFC Center, accuses all involved of racism for not inviting So Yong Kim's In Between Days to the party "because the filmmaker is a Korean-American woman and her heroine is a Korean immigrant," and calls Joe Swanberg a "lout." These aren't criticisms of film; seemingly the spirit of political campaigning in the air has infected Taubin, whose article is as ridiculously mean-spirited as any negative ad.

Gradually, it emerges that Taubin doesn't seem to hate mumblecore (a vast umbrella of filmmakers more disparate than they initially seemed), just Swanberg. Now, there's plenty of reasons to get annoyed by the queasiness-inducing auteur; I've only seen Hannah Takes The Stairs, and frequently wished that Swanberg would learn what a camera does besides recording images. (Some framing would be nice, in other words.) But I'm also struck by his knack for turning potentially ruinously indulgent improv bull-sessions into something like emotional truth, and the fact that he's the weakest out of the four filmmakers I've sampled (which includes Bujalski, Aaron Katz and the Duplass brothers) speaks strongly of everyone. And only in Taubin's insular, privileged world (one, frankly, I'd like to be a part of) could mumblecore count as some kind of overwhelming "film movement," one which she inexplicably feels compelled to note has nothing on "the French New Wave or the postwar American avant-garde." Follow the growingly uncivil controversy at Greencine's comments section, which has swelled to thirty-six indignant missives, including a rightfully pissy riposte from SXSW honcho Matt Dentler. — Vadim Rizov

Correction: We originally reported that Joe Swanberg had himself posted comments on the Greencine page. He hadn't. Sorry, Joe.

The Screengrab : aaron katz

DVD Digest for February 5, 2008

Die Mumblecore Die