Summerfest '08: "Smiles of a Summer Night"

Leonard Pierce — Wed, 25 Jun 2008 19:45:00 GMT

Our goal here at the Screengrab for the Summerfest '08 feature is to give you a dozen or so movies, all of which have "summer" in the title, which you can watch to no great pain while you are waiting for your dog to bring back the tennis ball you threw in the ocean. Unsurprisingly, most movies with the word "summer" in the title – and, indeed, most movies that are about summer, or are set during the summer, or are released during the summer, or in any way have the lemonade-and-sunscreen scent of summer about them, are pretty light, fluffy concoctions, spilling over with good will, gentle humor, and people wearing far less clothing than they normally would. Today, though, is different. Today we'll be featuring a movie by none other than Ingmar freakin' Bergman. Bergman: the man who single-handedly inspired Woody Allen to become a huge bummer. Bergman: the man whose most famous film involves a dying knight playing a desperate game of chess with the personification of Death itself. Bergman: the man whose very name is synonymous with incredibly heavy European art cinema. Could this man possibly direct a breezy summer movie (or, in this case, a breezy sommar movie)? Could this man, whose movies are stuffed with miserable families, emotional trauma, and metaphysical turmoil, give us, of all things, a fun little comedy?

Grab a chilled bottle of Svedka, book your tickets on Scandinavian Airlines, and join us for some Smiles of a Summer Night!

THE ACTION: Meet Frederik Egerman. He's a Swedish attorney and self-involved clothes horse with a gorgeous teenage wife named Anne. There's one problem with their marriage: they haven't consummated it yet. Meet his son (from a previous marriage) Henrik, a recent graduate from divinity school, who faces a serious impediment to entering the priesthood: he's got a big hard-on for his stepmother Anne – and since she's off-limits, he's carrying on an affair with Petra, his father's maid. Meet Desirée Armfeldt, an actress that Frederik used to have a crush on and who is seriously envied by Anne. She lets it be known that she has feelings for Frederik, which pisses Anne off to no end. Desirée is currently seeing another well-off fop named Carl-Magnus Malcolm, whose wife, Charlotte, is a good friend of Anne. Are you following all this? No? Good. We weren't either, to be perfectly honest with you. Just take our word for it that wacky hijinks and hilarity are bound to ensue.

THE PLAYERS: Hard as it is to believe, Smiles of a Summer Night – which plays, alternately, like an Oscar Wilde comedy of manners and a more subdued, highbrow version of Three's Company – was written and directed by none other than Ingmar Bergman, the grand old man of highly cerebral and incredibly depressing Swedish art films. The movie that started out as Sommarnattens Leende isn't exactly the strongest film in his oeuvre, aesthetically speaking, and tonally, it's a bit jarring to think that this is what he produced just prior to making the deep, masterful The Seventh Seal. Still, despite its novelty value as a light, sunny comedy – or perhaps because of it – it's become a favorite of Bergmanophiles the world over, with Woody Allen essentially rewriting it as A Midsummer Night's Sex Comedy and Stephen Sondheim launching his own adaptation with A Little Night Music. The 1955 production (set, uncharacteristically for Bergman at the time, in a contemporary milieu) also features an all-star cast of the director's favorite actors, including the legendary Gunnar Björnstrand, Bibi Andersson, Harriet Andersson, and Ulla Jacobsson.

SUMMER FUN: Generally speaking, there isn't a lot of summer fun in Ingmar Bergman movies. Sure, characters sometimes go to the beach, but it's usually to have nervous breakdowns, sexually traumatic encounters, or existential crises stemming from their incestuous affairs. They don't got to drink banana daiquiris and snap each other with towels. While Smiles of a Summer Night is, indeed, based during the four days of the calendar year that pass for summer in Scandinavia, it's frightfully low on frat-boy hijinks and authority figures falling into swimming pools. There is a certain element of summer fun, but it's typical Bergmanesque stuff for the overeducated clove-smokers in the back row: going to the opera, falling into mud puddles, and having ever so delightful romantic misunderstandings.

HAWAIIAN SHIRTS: Despite its contemporary (well, contemporary for Sweden in the mid-1950s) setting and alleged comic tone, there is not a Hawaiian shirt anywhere to be found in Smiles of a Summer Night. In fact, I'd go as far as to say that there is not a Hawaiian shirt anywhere in any of the films of Ingmar Bergman. Given that the two main characters are unrepentant fops, it is likely that if they were to even encounter someone wearing a Hawaiian shirt, they would have him arrested and imprisoned. The closest anyone in a Bergman movie comes to wearing a Hawaiian shirt is when Max Von Sydow dresses up in a gaudy Fu-Manchu-from-Mars getup in Flash Gordon. And, just to head this question off at the pass, assume that there are no scenes where people do body shots as Boston plays over a CD jukebox.

BIKINI PARTY TIME: There's no denying that Sommarnattens Leende is stuffed with beautiful women. Although its approach to sexuality is pretty strait-laced (not surprising for the times, but it's a bit mild for Bergman), the ladies are lovely to look at, especially Ulla Jacobsson as Anne and Eva Dahlbeck as Desirée. However – and I do not wish to alarm you here, but it is my duty as a movie reviewer to tell the unvarnished truth, no matter how unpleasant – there is not a single bikini in the entire movie. This would be inexcusable enough in what is essentially a romantic summer comedy, but lest we forget, this movie was made in Sweden – the home of the world-famous Swedish Bikini Team! Despite this inexcusable lapse (what, Bergman couldn't have gotten one lousy off-season Bikini Team member to play the maid or something?), we'd still recommend this uncharacteristic but rewarding film by the master of Swedish cinema; if nothing else, it'll help you feel smarter and classier after a viewing of Summer Catch.

The Rep Report (November 20 - December 6)

Peter Smith — Tue, 20 Nov 2007 21:00:00 GMT

NEW YORK: For two days, the Brooklyn Academy of Music offers a smartly selected tribute to the late Ingmar Bergman. On November 20, Bibi Andersson will be on hand to introduce a film that boasts one of her most astonishing performances, the 1967 Persona; that will be followed by a too-rare screening of one of Bergman's greatest and most seldom-seen features, the richly textured anti-war lament Shame, introduced by the novelist Jonathan Lethem. On November 21, you can spend Thanksgiving Eve, appropriately enough, sinking deep into the epic family drama Fanny and Alexander.

BOSTON: From November 23 through December 6, the Brattle hosts Watching the Detectives, described as a chance "to fully explore the lighter or more colorful film that also feature some of the world's greatest detectives." I'm not sure what's so light about Klute, and "colorful" isn't the first word it brings to mind either, but part of the charm of the program is its random-mix quality. The first week is heavy on movies based on "classic" literary detectives, including double bills featuring William Powell as Nick Charles (The Thin Man) and as Philo Vance (The Kennel Murder Case) and Margaret Rutherford as Agatha Christie's Mrs. Marple (Murder She Says and Murder Most Foul), as well as Albert Finney as Hercule Poirot in Murder on the Orient Express and Alec Guinness as Father Brown in The Detective. There's also a rare chance to see a new 35 mm print of Stephen Frears' 1972 debut film, Gumshoe, starring Finney as an amateur sleuth with a midlife crisis and a Bogart fixation. And on December 3, celebrate David Lynch Day in Cambridge with Blue Velvet and the American broadcast version of the Twin Peaks pilot.

PORTLAND: The Clinton Street Theater's Fifth Annual Thanksgiving Kung Fu Marathon on November 22 offers twelve hours of martial arts flicks with all the trimmings for five dollars. Sounds like a public service to us.

— Phil Nugent

The Screengrab : bibi andersson

Summerfest '08: "Smiles of a Summer Night"

The Rep Report (November 20 - December 6)