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<?xml-stylesheet type="text/xsl" href="http://www.nerve.com/CS/utility/FeedStylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>The Screengrab : dziga vertov</title><link>http://www.nerve.com/CS/blogs/screengrab/archive/tags/dziga+vertov/default.aspx</link><description>Tags: dziga vertov</description><dc:language>en</dc:language><generator>CommunityServer 2007.1 (Build: 20910.1126)</generator><item><title>The World of Lists:  Documentaries Get Their Due</title><link>http://www.nerve.com/CS/blogs/screengrab/archive/2008/08/05/the-world-of-lists-documentaries-get-their-due.aspx</link><pubDate>Tue, 05 Aug 2008 14:30:00 GMT</pubDate><guid isPermaLink="false">bd485f5c-a45b-491f-8e52-c79e7f680fc3:114657</guid><dc:creator>Leonard Pierce</dc:creator><slash:comments>1</slash:comments><wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">http://www.nerve.com/CS/blogs/screengrab/rsscomments.aspx?PostID=114657</wfw:commentRss><comments>http://www.nerve.com/CS/blogs/screengrab/archive/2008/08/05/the-world-of-lists-documentaries-get-their-due.aspx#comments</comments><description>&lt;p&gt;&lt;font size="2"&gt;&lt;a href="http://www.nerve.com/CS/blogs/screengrab/2008/08/01-07/gleaners.jpg"&gt;&lt;img src="http://www.nerve.com/CS/blogs/screengrab/2008/08/01-07/gleaners.jpg" align="right" border="0" alt="" /&gt;&lt;/a&gt;Though we love movie-related lists as much as anybody -- indeed, as we love movie-related lists even more than anybody -- we&amp;#39;ve noticed a somewhat disturbing trend in the recent flood-tide of best-ofs:  the documentary often gets the short shrift. Stuck somewhere between a feature film and an educational short, even with the new wave of populist docs that actually make money at the box office, doumentaries are rarely considered part of the mainstream corpus which gets shuffled around for various critics&amp;#39; Top Whatever lists, and thus, leave the average fan with no idea where to start when it comes to the medium.&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font size="2"&gt;That&amp;#39;s something that Jonathan Kahana, a professor of cinema studies at NYU (and author of the recently released &lt;i&gt;Intelligence Work:&amp;nbsp; The Politics of American Documentary&lt;/i&gt;) aims to change with &lt;a href="http://www.cupblog.org/?p=335"&gt;this list&lt;/a&gt;.&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;Originally created as a feature for an in-flight magazine and later severely truncated (a process all to familiar to those of us who have tilled that particular soil), Kahana&amp;#39;s list contains a dozen of the finest documentaries in history from the 1920s to the present, available on DVD and otherwise.&amp;nbsp; Compiled by the author to &amp;quot;pay it forward&amp;quot; to an upcoming generations of documentary fans, the list is a solid one -- we&amp;#39;ll present it below in chronological order, but please do check out the link for Kahana&amp;#39;s insightful commentary on each choice.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;1.&amp;nbsp; &lt;i&gt;Manhatta&lt;/i&gt; (Charles Sheeler &amp;amp; Paul Strand, 1921) &amp;amp; &lt;i&gt;Rain&lt;/i&gt; (Joris Ivens, 1929)&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;

&lt;font size="2"&gt;&lt;font size="2"&gt;2.&amp;nbsp; &lt;i&gt;Nanook of the North&lt;/i&gt; (Robert Flaherty, 1922)&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;3.&amp;nbsp; &lt;i&gt;The Man with a Movie Camera&lt;/i&gt; (Dziga Vertov, 1929)&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;
&lt;font size="2"&gt;&lt;font size="2"&gt;4.&amp;nbsp; &lt;i&gt;Night and Fog&lt;/i&gt; (Alain Resnais, 1955)&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;
&lt;font size="2"&gt;&lt;font size="2"&gt;5.&amp;nbsp; &lt;i&gt;Salesman&lt;/i&gt; (Alfred &amp;amp; David Maysles, 1969)&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;
&lt;font size="2"&gt;&lt;font size="2"&gt;6.&amp;nbsp; &lt;i&gt;Harlan County U.S.A.&lt;/i&gt; &amp;amp; &lt;i&gt;American Dream&lt;/i&gt; (Barbara Kopple, 1975 &amp;amp; 1991)&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;
&lt;font size="2"&gt;&lt;font size="2"&gt;7.&amp;nbsp; &lt;i&gt;Shoah&lt;/i&gt; (Claude Lanzmann, 1982)&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;
&lt;font size="2"&gt;&lt;font size="2"&gt;8.&amp;nbsp; &lt;i&gt;The Thin Blue Line&lt;/i&gt; (Errol Morris, 1989)&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;
&lt;font size="2"&gt;&lt;font size="2"&gt;9.&amp;nbsp; &lt;i&gt;Little Dieter Wants to Fly&lt;/i&gt; (Werner Herzog, 1998)&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;

&lt;font size="2"&gt;&lt;font size="2"&gt;10.&amp;nbsp; &lt;i&gt;The Gleaners and I&lt;/i&gt; (Agnes Varda, 2000)&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;
&lt;font size="2"&gt;&lt;font size="2"&gt;11.&amp;nbsp; &lt;i&gt;The Corporation&lt;/i&gt; (Jennifer Abbott &amp;amp; Mark Achbar, 2003)&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;
&lt;font size="2"&gt;&lt;font size="2"&gt;12.&amp;nbsp; &lt;i&gt;Bright Leaves&lt;/i&gt; (Ross McElwee, 2004)&lt;/font&gt;&lt;/font&gt;&amp;nbsp;
&lt;br /&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;What do you think, Screengrab readers?&amp;nbsp; What did Kahana include that you&amp;#39;d have left off, and what did he omit that you&amp;#39;d make sure got in?&amp;nbsp; What are your 12 favorite documentaries?&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;b&gt;Related Posts:&lt;/b&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;a href="http://www.nerve.com/CS/blogs/screengrab/archive/2008/02/29/doc-around-the-clock.aspx"&gt;Doc Around the Clock&lt;/a&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;a href="http://www.nerve.com/CS/blogs/screengrab/archive/2008/01/16/bin-laden-2-documentary-filmmakers-0.aspx"&gt;Bin-Laden 2, Documentary Filmmakers 0&lt;br /&gt;&lt;/a&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;br /&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;img src="http://www.nerve.com/CS/aggbug.aspx?PostID=114657" width="1" height="1"&gt;</description><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/leonard+pierce/default.aspx">leonard pierce</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/dziga+vertov/default.aspx">dziga vertov</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/night+and+fog/default.aspx">night and fog</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/robert+flaherty/default.aspx">robert flaherty</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/documentaries/default.aspx">documentaries</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/errol+morris/default.aspx">errol morris</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/shoah/default.aspx">shoah</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/claude+lanzmann/default.aspx">claude lanzmann</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/maysles+brothers/default.aspx">maysles brothers</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/alain+resnais/default.aspx">alain resnais</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/agnes+varda/default.aspx">agnes varda</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/werner+herzog/default.aspx">werner herzog</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/rain/default.aspx">rain</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/salesman/default.aspx">salesman</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/the+thin+blue+line/default.aspx">the thin blue line</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/barbara+kopple/default.aspx">barbara kopple</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/nanook+of+the+north/default.aspx">nanook of the north</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/the+corporation/default.aspx">the corporation</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/the+gleaners+and+i/default.aspx">the gleaners and i</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/intelligence+work/default.aspx">intelligence work</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/american+dream/default.aspx">american dream</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/ross+mcelwee/default.aspx">ross mcelwee</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/charles+sheeler/default.aspx">charles sheeler</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/little+dieter+wants+to+fly/default.aspx">little dieter wants to fly</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/mark+achbar/default.aspx">mark achbar</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/jonathan+kahana/default.aspx">jonathan kahana</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/bright+leaves/default.aspx">bright leaves</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/joris+ivens/default.aspx">joris ivens</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/paul+strand/default.aspx">paul strand</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/nyu/default.aspx">nyu</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/harlan+county+USA/default.aspx">harlan county USA</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/the+man+with+a+movie+camera/default.aspx">the man with a movie camera</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/jennifer+abbott/default.aspx">jennifer abbott</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/manhatta/default.aspx">manhatta</category></item><item><title>IDA List FUBAR</title><link>http://www.nerve.com/CS/blogs/screengrab/archive/2007/10/09/ida-list-fubar.aspx</link><pubDate>Tue, 09 Oct 2007 17:00:00 GMT</pubDate><guid isPermaLink="false">bd485f5c-a45b-491f-8e52-c79e7f680fc3:44563</guid><dc:creator>Peter Smith</dc:creator><slash:comments>2</slash:comments><wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">http://www.nerve.com/CS/blogs/screengrab/rsscomments.aspx?PostID=44563</wfw:commentRss><comments>http://www.nerve.com/CS/blogs/screengrab/archive/2007/10/09/ida-list-fubar.aspx#comments</comments><description>&lt;p class="MsoNormal" style="MARGIN:0in 0in 0pt;"&gt;&lt;font face="arial,helvetica,sans-serif"&gt;&lt;a href="http://www.nerve.com/CS/blogs/screengrab/2007/10/08-15/hoopdreamsposter.jpg"&gt;&lt;img src="http://www.nerve.com/CS/blogs/screengrab/2007/10/08-15/hoopdreamsposter.jpg" border="0" alt="" /&gt;&lt;/a&gt;&amp;nbsp;&lt;/font&gt;&lt;/p&gt;
&lt;p class="MsoNormal" style="MARGIN:0in 0in 0pt;"&gt;&lt;font face="arial,helvetica,sans-serif"&gt;As anyone who&amp;#39;s perused the American Film Institute&amp;#39;s&amp;nbsp;lists can tell you, consensus is boring. Unfortunately, it&amp;#39;s hard to get around when you conduct a poll. The International Documentary Association has asked its members to &lt;/font&gt;&lt;a class="" href="http://www.documentary.org/resources/zine.php?stage=3&amp;amp;articleID=389"&gt;&lt;font face="arial,helvetica,sans-serif"&gt;select&lt;/font&gt;&lt;/a&gt;&lt;font face="arial,helvetica,sans-serif"&gt; the twenty-five greatest documentaries ever made. (They voted from a list of 700 films, but that complete list doesn&amp;#39;t seem to be available on the IDA&amp;#39;s website.) It reveals that documentarians are just as prone to sticking with the &amp;quot;new release&amp;quot; shelves and shying away from subtitles as the rest of us. Despite the &amp;quot;international&amp;quot; in the IDA&amp;#39;s name, only two foreign-language films made the top twenty-five — &lt;i style="mso-bidi-font-style:normal;"&gt;Buena Vista Social Club&lt;/i&gt; landed at #20 and &lt;i style="mso-bidi-font-style:normal;"&gt;Night and Fog&lt;/i&gt; at #22. Never fear, though: Michael Moore will come to save the day, with three films on the list. While including a number of landmarks (&lt;i style="mso-bidi-font-style:normal;"&gt;Titicut Follies&lt;/i&gt;, &lt;i style="mso-bidi-font-style:normal;"&gt;Don&amp;#39;t Look Back&lt;/i&gt;, &lt;i style="mso-bidi-font-style:normal;"&gt;Grey Gardens&lt;/i&gt;), the list leans towards high-profile recent documentaries, including major films (&lt;i style="mso-bidi-font-style:normal;"&gt;Capturing the Friedmans&lt;/i&gt;, &lt;i style="mso-bidi-font-style:normal;"&gt;Grizzly Man&lt;/i&gt;) and mediocrities (&lt;i style="mso-bidi-font-style:normal;"&gt;Born into Brothels&lt;/i&gt;, &lt;i style="mso-bidi-font-style:normal;"&gt;Spellbound&lt;/i&gt;). Any films made before 1955 are missing — so much for Dziga Vertov (without whom &lt;i style="mso-bidi-font-style:normal;"&gt;Koyaanisqatsi&lt;/i&gt;, the #14 entry, would look much different) and Robert Flaherty. A strict definition of documentary seems to have kept&amp;nbsp;&lt;i style="mso-bidi-font-style:normal;"&gt;F for Fake&lt;/i&gt; and &lt;i style="mso-bidi-font-style:normal;"&gt;Close Up&lt;/i&gt; at bay. All but two films are available on DVD — I wonder if this has anything to do with Netflix&amp;#39;s sponsorship of the poll.&amp;nbsp; Still, this list isn&amp;#39;t entirely without merit in the long run — like the AFI&amp;#39;s, it begs to be countered and is bound to spur dialogue, as it already has in the &lt;a class="" href="http://blogs.indiewire.com/anthony/"&gt;blogosphere&lt;/a&gt;. — &lt;i style="mso-bidi-font-style:normal;"&gt;Steve Erickson&lt;/i&gt;&lt;/font&gt;&lt;/p&gt;&lt;img src="http://www.nerve.com/CS/aggbug.aspx?PostID=44563" width="1" height="1"&gt;</description><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/koyaanisqatsi/default.aspx">koyaanisqatsi</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/capturing+the+friedmans/default.aspx">capturing the friedmans</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/grey+gardens/default.aspx">grey gardens</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/close+up/default.aspx">close up</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/list/default.aspx">list</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/dziga+vertov/default.aspx">dziga vertov</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/ida/default.aspx">ida</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/international+documentary+association/default.aspx">international documentary association</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/steve+erickson/default.aspx">steve erickson</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/buena+vista+social+club/default.aspx">buena vista social club</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/night+and+fog/default.aspx">night and fog</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/robert+flaherty/default.aspx">robert flaherty</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/titicut+follies/default.aspx">titicut follies</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/born+into+brothels/default.aspx">born into brothels</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/netflix/default.aspx">netflix</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/don_2700_t+look+back/default.aspx">don't look back</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/spellbound/default.aspx">spellbound</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/f+for+fake/default.aspx">f for fake</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/grizzly+man/default.aspx">grizzly man</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/afi/default.aspx">afi</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/documentaries/default.aspx">documentaries</category><category domain="http://www.nerve.com/CS/blogs/screengrab/archive/tags/american+film+institute/default.aspx">american film institute</category></item></channel></rss>