Vanishing Act: Monte Hellman

Scott Von Doviak — Tue, 19 Aug 2008 20:00:00 GMT

Hellman! His is one of the great “What if?” stories in American cinema. As in, “What if someone had given the poor guy some money to make a few movies over the past 40 years or so?” The beginning of Hellman’s career bears a close resemblance to that of many heavy-hitters from his generation, including Francis Ford Coppola, Martin Scorsese and Jonathan Demme. That is, he got his filmmaking education on the cheap from Roger Corman, churning out quickies like Beast from Haunted Cave and Flight to Fury. Once Hellman had put in enough hours in the basement, Corman teamed him with fellow stalwart Jack Nicholson for a pair of offbeat westerns, The Shooting and Ride in the Whirlwind. Hellman’s breakthrough and downfall arrived simultaneously with 1971’s Two-Lane Blacktop, declared “The Movie of the Year” by Esquire and then released to general indifference.

Had the movie caught on with the youth culture in the same way Easy Rider did, Hellman’s subsequent filmography might have been a treasure trove, but instead it’s more of a trivia quiz. There’s Shatter, a 1974 Hong Kong action picture Hellman departed after three weeks of shooting; China 9, Liberty 37, a Spaghetti western in which Warren Oates and Sam Peckinpah appear in support of the immortal Fabio Testi; The Greatest and Avalanche Express, both of which Hellman took over after the original directors died; Iguana, a seafaring tale of a disfigured sailor that never received a theatrical release; and Cockfighter, the only one of the bunch that lives up to the promise of the early westerns and Blacktop – and even that one had its original theatrical release sabotaged when Corman recut it to add more action.

By 1989, it was as if Hellman had come full circle to his disreputable early days with Corman, as he helmed the horror sequel Silent Night, Deadly Night III: Better Watch Out! His best shot at a comeback arrived in the form of Quentin Tarantino, who approached Hellman to direct his script Reservoir Dogs. Of course, Tarantino eventually decided to direct it himself, leaving Hellman with only an Executive Producer credit. That led to pretty much nothing.

So where is Hellman now? He’s got a teaching gig at CalArts, helping to educate future filmmakers who may someday hire him and then decide to direct themselves, leaving him only with an Executive Producer credit. He was heavily involved with Criterion’s superb 2-disc DVD release of Two-Lane Blacktop, which includes commentary tracks, a documentary field trip to some of the film’s locations as well as an uneasy conversation between Hellman and Blacktop star James Taylor, who has never seen the film. And after seventeen years, he finally returned to the director’s chair for a segment of the horror anthology Trapped Ashes.

Having recently watched Ashes, just out on DVD, I can attest that Hellman’s segment, “Stanley’s Girlfriend,” is worth a look. Although it’s never explicitly stated, the Stanley of the title is clearly Kubrick, and Hellman has fun with what we know of the legend, weaving the 2001 filmmaker’s love of photography and chess into a supernatural explanation for his permanent exile from the United States. “Stanley’s Girlfriend” isn’t much more than a doodle, but it’s easily the standout in a movie that includes a cautionary plastic surgery tale about vampiric breast implants. See for yourself:

Previously on Vanishing Act:
Christopher McQuarrie
Savage Steve Holland

The Screengrab : fabio testi

Vanishing Act: Monte Hellman