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<?xml-stylesheet type="text/xsl" href="http://www.nerve.com/CS/utility/FeedStylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>The Screengrab : intelligence work</title><link>http://www.nerve.com/CS/blogs/screengrab/archive/tags/intelligence+work/default.aspx</link><description>Tags: intelligence work</description><dc:language>en</dc:language><generator>CommunityServer 2007.1 (Build: 20910.1126)</generator><item><title>The World of Lists:  Documentaries Get Their Due</title><link>http://www.nerve.com/CS/blogs/screengrab/archive/2008/08/05/the-world-of-lists-documentaries-get-their-due.aspx</link><pubDate>Tue, 05 Aug 2008 14:30:00 GMT</pubDate><guid isPermaLink="false">bd485f5c-a45b-491f-8e52-c79e7f680fc3:114657</guid><dc:creator>Leonard Pierce</dc:creator><slash:comments>1</slash:comments><wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">http://www.nerve.com/CS/blogs/screengrab/rsscomments.aspx?PostID=114657</wfw:commentRss><comments>http://www.nerve.com/CS/blogs/screengrab/archive/2008/08/05/the-world-of-lists-documentaries-get-their-due.aspx#comments</comments><description>&lt;p&gt;&lt;font size="2"&gt;&lt;a href="http://www.nerve.com/CS/blogs/screengrab/2008/08/01-07/gleaners.jpg"&gt;&lt;img src="http://www.nerve.com/CS/blogs/screengrab/2008/08/01-07/gleaners.jpg" align="right" border="0" alt="" /&gt;&lt;/a&gt;Though we love movie-related lists as much as anybody -- indeed, as we love movie-related lists even more than anybody -- we&amp;#39;ve noticed a somewhat disturbing trend in the recent flood-tide of best-ofs:  the documentary often gets the short shrift. Stuck somewhere between a feature film and an educational short, even with the new wave of populist docs that actually make money at the box office, doumentaries are rarely considered part of the mainstream corpus which gets shuffled around for various critics&amp;#39; Top Whatever lists, and thus, leave the average fan with no idea where to start when it comes to the medium.&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font size="2"&gt;That&amp;#39;s something that Jonathan Kahana, a professor of cinema studies at NYU (and author of the recently released &lt;i&gt;Intelligence Work:&amp;nbsp; The Politics of American Documentary&lt;/i&gt;) aims to change with &lt;a href="http://www.cupblog.org/?p=335"&gt;this list&lt;/a&gt;.&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;Originally created as a feature for an in-flight magazine and later severely truncated (a process all to familiar to those of us who have tilled that particular soil), Kahana&amp;#39;s list contains a dozen of the finest documentaries in history from the 1920s to the present, available on DVD and otherwise.&amp;nbsp; Compiled by the author to &amp;quot;pay it forward&amp;quot; to an upcoming generations of documentary fans, the list is a solid one -- we&amp;#39;ll present it below in chronological order, but please do check out the link for Kahana&amp;#39;s insightful commentary on each choice.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;1.&amp;nbsp; &lt;i&gt;Manhatta&lt;/i&gt; (Charles Sheeler &amp;amp; Paul Strand, 1921) &amp;amp; &lt;i&gt;Rain&lt;/i&gt; (Joris Ivens, 1929)&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;

&lt;font size="2"&gt;&lt;font size="2"&gt;2.&amp;nbsp; &lt;i&gt;Nanook of the North&lt;/i&gt; (Robert Flaherty, 1922)&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;3.&amp;nbsp; &lt;i&gt;The Man with a Movie Camera&lt;/i&gt; (Dziga Vertov, 1929)&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;
&lt;font size="2"&gt;&lt;font size="2"&gt;4.&amp;nbsp; &lt;i&gt;Night and Fog&lt;/i&gt; (Alain Resnais, 1955)&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;
&lt;font size="2"&gt;&lt;font size="2"&gt;5.&amp;nbsp; &lt;i&gt;Salesman&lt;/i&gt; (Alfred &amp;amp; David Maysles, 1969)&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;
&lt;font size="2"&gt;&lt;font size="2"&gt;6.&amp;nbsp; &lt;i&gt;Harlan County U.S.A.&lt;/i&gt; &amp;amp; &lt;i&gt;American Dream&lt;/i&gt; (Barbara Kopple, 1975 &amp;amp; 1991)&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;
&lt;font size="2"&gt;&lt;font size="2"&gt;7.&amp;nbsp; &lt;i&gt;Shoah&lt;/i&gt; (Claude Lanzmann, 1982)&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;
&lt;font size="2"&gt;&lt;font size="2"&gt;8.&amp;nbsp; &lt;i&gt;The Thin Blue Line&lt;/i&gt; (Errol Morris, 1989)&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;
&lt;font size="2"&gt;&lt;font size="2"&gt;9.&amp;nbsp; &lt;i&gt;Little Dieter Wants to Fly&lt;/i&gt; (Werner Herzog, 1998)&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;

&lt;font size="2"&gt;&lt;font size="2"&gt;10.&amp;nbsp; &lt;i&gt;The Gleaners and I&lt;/i&gt; (Agnes Varda, 2000)&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;
&lt;font size="2"&gt;&lt;font size="2"&gt;11.&amp;nbsp; &lt;i&gt;The Corporation&lt;/i&gt; (Jennifer Abbott &amp;amp; Mark Achbar, 2003)&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;
&lt;font size="2"&gt;&lt;font size="2"&gt;12.&amp;nbsp; &lt;i&gt;Bright Leaves&lt;/i&gt; (Ross McElwee, 2004)&lt;/font&gt;&lt;/font&gt;&amp;nbsp;
&lt;br /&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;What do you think, Screengrab readers?&amp;nbsp; What did Kahana include that you&amp;#39;d have left off, and what did he omit that you&amp;#39;d make sure got in?&amp;nbsp; What are your 12 favorite documentaries?&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;b&gt;Related Posts:&lt;/b&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;a href="http://www.nerve.com/CS/blogs/screengrab/archive/2008/02/29/doc-around-the-clock.aspx"&gt;Doc Around the Clock&lt;/a&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;a href="http://www.nerve.com/CS/blogs/screengrab/archive/2008/01/16/bin-laden-2-documentary-filmmakers-0.aspx"&gt;Bin-Laden 2, Documentary Filmmakers 0&lt;br /&gt;&lt;/a&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;font size="2"&gt;&lt;br /&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;img src="http://www.nerve.com/CS/aggbug.aspx?PostID=114657" width="1" 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