The Screengrab : justin theroux

Tony Stark (i.e., Robert Downey, Jr.) to Bruce Wayne: "I Got Your Dark Knight Right Here, Pal!"

Phil Nugent — Tue, 26 Aug 2008 15:00:00 GMT

Robert Downey, Jr., America's scamp, has tasted what the other guys are selling and found it lacking. Downey, whose star vehicle Iron Man got the summer movie season of 2008 off to a bang back when it opened several hundred years ago, has given an interview to moviehole.com in which he found it impossible to discourse on what made his movie so special, and what will make its sequel (which reunites him with director Jon Favreau and Tropic Thunder co-writer Justin Theroux, who's working on the script) so special, without talking about what makes it different from The Dark Knight. Whereas Iron Man is "a very simple movie", Downey says of the Batman blockbuster, "It's like a Ferrari engine of storytelling and script writing and I'm like, 'That's not my idea of what I want to see in a movie.' I loved [Dark Knight director Christopher Nolan's] The Prestige but didn't understand The Dark Knight. Didn't get it, still can't tell you what happened in the movie, what happened to the character and in the end they need him to be a bad guy. I'm like, 'I get it. This is so high brow and so f--king smart, I clearly need a college education to understand this movie.' You know what? F-ck DC comics. That's all I have to say and that's where I'm really coming from."

The first thing to be said about this is that if anyone finds that their college education helps them to better understand why Jim Gordon didn't dispatch a SWAT team to surround that boat that the Joker was aboard after Eric Roberts tipped him off, then that lucky viewer must have gone to a hell of a school. (Personally, my college education wasn't even enough to keep me from pissing away eleven dollars on a ticket to Vicky Cristina Barcelona.) Of course, Downey's harsh words for DC Comics will set off little tremors in the minds of comics geeks who remember bitter wars of words on the playground between self-styled DC fanboys and Marvel zombies. However much he means it, it's fun when these companies' star employees pretend to be infected with the virus, as anyone who ever saw Alan Moore take custody of the microphone at a comics convention in the 1980s, before he adopted a "plague on both their houses" attitude. It's kind of like professional wrestling without the folding chairs. Downey himself seems to get a giggle out of his bad-boy act. "You know, you're never too old to burn your bridges because I believe I have offended everyone," he said. "I think I've got a couple more.

On the subject of his other summer hit, Tropic Thunder, Downey has one thing he wants to make very clear: he is not Kirk Lazarus, the looney, Oscar-festooned Method actor he plays, who vows to remain in character until he's recorded the picture's DVD commentary. Speaking of the character, Downey says that "I think his fatal flaw is pretty much any and everyone's who's in entertainment, which is, on a certain level: 'Oh if they believe they're a fraud and that's creating this neurotic state,' when the truth is, you are a fraud because you've gone too far into buying into your own hype and now you're, literally crazy. I think Kirk Lazarus is nuts." Discussing his decision to make Kirk Australian, Downey adds, "I just think that the Australian phenomenon reminds me more of American as with the British invasion from the '60s. But when I was thinking about Kirk Lazarus I was thinking about Colin Farrell, about Daniel Day Lewis and about Russell Crowe and whoever was the most effective tool for whatever my thing was, I would use." When it was pointed out to him that a lot of viewers sure do see a lot of Crowe in there, Downey permitted himself a smile. "Now do you think he would see it as the highest form of flattery or do you think that he would be less than pleased?"

"Tropic Thunder" Plays the "Retard" Card

Phil Nugent — Tue, 12 Aug 2008 16:00:00 GMT

Once upon a time, there was a big-budget movie satire called Tropic Thunder, which was co-written by its director and star, Ben Stiller, along with actor Justin Theroux and Etan Coen (not to be confused with Ethan Coen, but the Mike Judge associate who worked on Idiocracy and th Beavis and Butt-head movie). As those with really long memories may recall, the "controversy" regarding this movie was going to be about a character played by Robert Downey, Jr., an obsessively committed Method actor who is cast in a role that had originally been written as an African-American and who insists on playing it in blackface. (Some have speculated that the actor's Aussie background is meant as a slap at Russell Crowe. In a recent New York Times Q & A with the movie's director-star-co-writer Ben Stiller and one of his co-writers, Justin Theroux, Stiller insists, "He was always an Irishman, and then when Downey came on, he decided to play him Australian because he said he could improvise better in Australian. I don’t know where that came from." We're guessing that it came, at least in part, from this..) But now, in an unexpected twist, the movie is instead being targeted by advocacy groups for those with mental disabilities, several of which are threatening an organized boycott.

The objections stem from a joke involving the Stiller character's attempt to win some respect as an actor by starring in a movie called Simple Jack, which was spotlighted in a website meant to publicize Tropic Thunder; it boasted the fake tag line, "Once there was a retard." The site, which was pulled last week after criticism started coming in, may have cost the joke a little something in the way of context. But the idea is clearly to mock the trend among Hollywood actors, ranging from Sean Penn (I Am Sam) to the likes of Rosie O'Donnell, to seize upon such roles as the actors' equivalent of sitting on the sidewalk with a begging bowl and a hand-lettered cardboard sign reading, "Will Talk Goofy for Awards." (In Tropic Thunder itself, the punch line is that Stiller's character has the shamelessness to take on such a role but not the commitment necessary to carry it off; the demented genius actor played by Downey scolds him for "never going the full retard.") Oddly enough, people seem to be having an easier time of it grasping the logic behind Downey's role, and when Paramount and DreamWorks arranged a screening for advocacy groups, it amounted to throwing gasoline on the fire. Andrew J. Imparato, president of the American Association of People with Disabilities, walked out of the theater proclaiming, “It was even worse than the hateful stuff they used in promoting it.” Other groups planning to send picketers to protest outside theaters include the Special Olympics and the National Down Syndrome Congress. This has the makings of the biggest unnecessary fake outrages of its kind since stutterers' groups came down on A Fish Called Wanda.

Morning Deal Report: The Unholy Steven Spielberg/Diablo Cody Alliance

Scott Von Doviak — Wed, 16 Jul 2008 14:00:00 GMT

Readers of the Morning Deal Report (or any of my other nonsense), take note: vacation beckons me, so I will be posting sporadically over the next two weeks or so. Please, for the sake of the children, keep your grieving to a minimum. Now on with your regularly scheduled briefing.

As you may know, Steven Spielberg and Juno screenwriter Diablo Cody are collaborating on a Showtime series, The United States of Tara. Now, Variety reports that Cody is scripting an untitled comedy for Dreamworks that, like Tara, is based on an idea by Spielberg. No details are available, but I do have to wonder how Spielberg came to the conclusion that Diablo Cody is the vessel through which all his wondrous notions shall be realized. There seems to be a distinct difference in sensibilities here, but maybe it’s just me.

Meanwhile, you knew it wouldn’t be long before Iron Man 2 started revving up, especially once Jon Favreau started whining on his MySpace page that he hadn’t been hired to direct it yet. (This has since been rectified.) Now the super-sequel has a screenwriter. According to the Hollywood Reporter, Justin Theroux has been tapped to pen the follow-up due in April 2010. If the name sounds familiar, it’s probably because Theroux is best known as an actor. David Lynch fans will recall him from Mulholland Drive and Inland Empire, but Theroux also has a screenwriting credit on the upcoming Tropic Thunder.

Finally I have to tell you about the Billy Joel documentary Last Play at Shea, which will capture the piano man’s upcoming concert at the soon-to-be-demolished Shea Stadium. Why do I have to tell you about this? Only because of this great Variety quote from producer Steve Cohen: “We wanted to approach this like a Ken Burns documentary, looking at Billy and Shea Stadium’s place in the pantheon of New York.” Yep, the Civil War, baseball, jazz…and Billy Joel. That, my friends, is America.

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