The Screengrab : kristen stewart

2009: First Quarter Wrap-Up

Andrew Osborne — Mon, 06 Apr 2009 02:00:00 GMT

So, Watchmen didn’t exactly bomb, nor was it exactly a hit. With a 65% critical Tomato-Meter rating, it was neither a fiasco nor a critic’s darling, and for all its sex and violence, the onscreen content was far less controversial than all the legal maneuvering involved with getting it to screens in the first place.

In other words, the first big film of the year was a lot like the rest of 2009’s films to date: nothing to really get all het up about one way or the other...with two notable exceptions, courtesy of last month’s SXSW festival: the obnoxiously onanistic My Suicide is already a lock for my year-end Worst of 2009 list, while the documentary Best Worst Movie could easily find a spot in my year-end Top Ten, thanks to its winning cast and (mostly) cheery depiction of the pleasures and pitfalls of filmmaking (as well as the mysterious alchemy that transforms a terrible film like Troll 2 into a beloved cult classic).

As for the rest of the first quarter highs: the inventive visuals of Coraline, the good-natured mumblecore bromance of SXSW’s Humpday and the laid-back ‘80s nostalgia of Greg “Superbad” Mottola’s Adventureland were all perfectly enjoyable experiences nevertheless unlikely to chart much higher than Honorable Mention come December (unless 2009 winds up being a truly uninspired film year from here on out...unlikely, considering that our current Year of the Ox is already outpacing last year’s Rat: i.e., by April 2008, I’d seen exactly one memorable film (Full Battle Rattle) and a whole lot of Hamburger Helper (Penelope, Cloverfield, 21 and Miss Pettigrew Lives For A Day).

Other 2009 offerings unlikely to be more than pleasant hazy memories by December include SXSW fare like Beeswax, The Slammin’ Salmon, The Immaculate Conception of Little Dizzle and the Richard Linklater sneak preview Me & Orson Welles, along with Sunshine Cleaning, Monsters vs. Aliens and I Love You, Man...films that, like most everything else I’ve seen this year, seem like Xeroxes of Xeroxes of originals I liked a lot more.

I dunno...maybe I’m just getting old. Maybe I’ve seen too many films by this point, and I’m getting cranky and hard to please, and even if a new Pulp Fiction premiered next month, I’d be too jaded to appreciate it...or maybe it's just that nobody’s released anything truly special, gripping, hilarious, original and/or mind-blowing in a while. (But then again, I haven’t seen Fast & Furious yet, so that could all change in a day or two!)

Long-range forecasts indicate a continuing trend of pleasant but disposable cinema moving forward into the second quarter of 2009, although I have cautiously high hopes for Jim Jarmusch’s The Limits of Control, Star Trek, Steven Soderbergh’s The Girlfriend Experience, Land of the Lost and even HBO’s biopic Grey Gardens, starring Jessica Lange and Drew Barrymore as Big & Little Edie of Maysles Brothers fame (which may not be a movie in theaters...but, hey, Angels in America was my favorite movie of 2003 on the small or big screen, so who knows?).

Plus, I just saw the following trailer for the new Sam Mendes film, Away We Go, starring the potentially appealing duo of John Krasinski and Maya Rudolph, which could be goddamn charming or still yet more indie-mumbly grist for the mill...see you in June for the Second Quarter report!

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Screengrab Review: “Adventureland”

Scott Von Doviak — Thu, 02 Apr 2009 16:30:00 GMT

It’s the summer of 1987, which means I’m cleaning rooms at a motel in Ellsworth, Maine between my sophomore and junior years of college. It’s not my dream summer job by any means; I’d much rather be manning the midway at the Blue Hill Fair, urging passersby to shoot squirtguns at the clown’s nose for the chance to win themselves a decorative and functional Def Leppard mirror. The screams from the Zipper ride, the smell of fried dough in the air, the sounds of AC/DC wafting from the Tilt-a-Whirl, the camaraderie of the carnies…what could be better?

The summer that could have been comes to life in Greg Mottola’s Adventureland, although not quite as vividly as I’d hoped. Jesse Eisenberg (The Squid and the Whale) stars as recent college grad James Brennan, a soft-spoken, sensitive virgin whose plans of spending the summer in Europe are derailed when his father is demoted. Still hoping to attend graduate school at Columbia in the fall, James is forced to take a summer job at the local amusement park, where he meets cute-but-brooding Em (Twilight's Kristen Stewart). They bond over weed and a love of alternative rock, but little does James know Em is sleeping with married maintenance man Connell (Ryan Reynolds).

Mottola the screenwriter undermines Mottola the director as the relationship issues between James and Em are put through some very familiar paces, particular once James, unsure whether he and Em are an exclusive item, goes on a date with the hottie of the park, Lisa P (Margarita Levieva). The plot mechanics are a drag because Adventureland is at its best when it’s in laid-back, hanging out mode. The park is populated by an appealing cast, including former Freaks and Geeks-er Martin Starr as intellectual Joel and the underused Bill Hader and Kristen Wiig as managers Rich and Paulette. Mottola nails the seedy attraction of the park and its surroundings (including a dead-on townie bar featuring the obligatory dreadful cover band), but much of the comedic potential of Adventureland itself remains untapped. There’s a little too much puking for comic effect, although Superbad fans should be warned that gross bodily function humor isn’t a priority here.

It’s not really fair to review the movie I wanted to see rather than the one Mottola made, but I would have preferred a more freewheeling, ensemble-friendly approach – a 1987 Dazed and Confused set in an amusement park rather than the creaky rom-com that emerges. The overreliance on Eisenberg and Stewart to carry the film is misguided because their personalities aren’t up to the task; Eisenberg is fine but we already have a Michael Cera, and Stewart is a bit out of her depth in Em’s darker moments. Their ride is too familiar, and I really wanted to hear those screams from the Zipper.

"Adventureland": Greg Mottola and Yo La Tengo, in Search of the Sound of 1987

Phil Nugent — Thu, 26 Mar 2009 17:45:00 GMT

Back in 1996, Greg Mottola wrote and directed an excellent, low-key indie comedy called The Daytrippers, starring Hope Davis, Liev Schrieber, Campbell Scott, Parker Posey, Stanley Tucci--basically, your all-star indie cast, circa 1996. It got great reviews and did just well enough commercially to consign Motttola to the ranks of directors working in TV, where he gained a toehold on what would become the Judd Apatow Comedy Juggernaut by directing several episodes of the short-lived, Apatow-created series Undeclared. In a roundabout way, this would lead to his getting to direct Superbad, the monster hit written by Seth Rogan and Evan Goldberg, with Apatow on board as a producer. Next week sees the release of the third film he has directed and the second he has made from his own script, Adventureland, a coming-of-age comedy, set in 1987, about a fresh college graduate (played by Jesse Eisenberg) spending his summer working at a Pittsburgh amusement park and falling in love with a co-worker, played by Twilight's Kristen Stewart. Given the youthful characters, the noisy, hormonal atmosphere, and the presence in the cast of such SNL stalwarts as Bill Hader and Kristen Wiig--not to mention that bad banner on the ads reading "from the director of Superbad"--audiences who wouldn't know The Daytrippers from the Night Stalker might very well show up expecting Superbad II, a possible misunderstanding that the studio might have little interest in discouraging.

Writing in The New York Times, Larry Rohter notes that in Superbad, the director "telegraphed his intentions before even a single line of dialogue had been uttered. With a title taken from a James Brown song and a soundtrack that leaned heavily on funk hits from the 1970s, the contrast with the movie’s three main characters, suburban white boys as nerdy and insecure as they were randy, could hardly have been more pronounced." In Adventureland, "Once again he uses music to signal what is to come, but this time he kicks things off with the Replacements and the Velvet Underground." As Mottola explains, “I had to indicate to the audience this may not be what you are expecting." The new movie is autobiographical, its tone more bittersweet than brassy. Rauch writes that some of Mottola's "most enduring memories of that time stem from the exasperation he felt hearing the same songs played over and over on loudspeakers at the park, and the exhilaration he felt tuning in to college radio when he and his friends were off duty." This actually helped him to forge a useful bond with his music supervisor, Tracy McKnight, who also worked at an amusement park around the same time and can out of the experience with "Eddie Money embedded in my head." In the process of piecing together what McKnight calls "the soundtrack to our own life stories,” she had to obtain clearances for almost forty songs, and with comparatively limited resources: Superbad, for instance, used one Van Halen's "Panama", which, Mottola says, “cost nearly as much as all of the songs in Adventureland.”

Although the soundtrack did wind up featuring some '80s clurter as Poison, "Rock Me Amadeus", and some Rush (thanks to a character whose enthusiasm for the band may be seen as an accidental but timely homage to I Love You, Man), it does include such timeless alt-rock favorites as New York Dolls, Big Star, the Cure, and Husker Du, whose music plays a special role in the budding romance at the picture's center. (“It’s shorthand in the script,” says Mottola. “Kristen’s character is already interesting to Jesse, but he falls for her when she plays Hüsker Dü on the tape player in her car.” Just reading that, some of are relating so hard that our heads hurt.) The movie has an actual behind-the-scenes link to that world via its original score, which was produced by the band Yo La Tengo, whose members, led by co-founder Ira Kaplan, have a mutual admiration thing going on with Mottola. It's not Yo La Tengo's first time as film composers; their most recent record, They Shoot, we Score, consisted of music they originally wrote for the films Old Joy, Game 6, Junebug, and Shortbus, and last year they scored The Toe Tactic, which was directed by Emily Hubley, whose sister, Georgia, is in the band. (She's also married to Kaplan.) “I’m down on songs that literally describe the action on the screen, because that’s unimaginative,” Kaplan says, by way of explaining their approach to soundtrack work. Instead, “sometimes the music is ahead of the movie by a beat, or behind by a beat.”

DVD O'Digest for March 17, 2009

Paul Clark — Tue, 17 Mar 2009 14:00:00 GMT

This week, the much-ballyhooed Luck of the Irish doesn’t extend to DVD shoppers, who will find little in the way of worthwhile recent releases to add to their collections. Nonetheless, there’s worthy stuff hitting the market today, provided you know where to look.

This week’s haul of recent releases is headed by Will Smith’s latest attempt to curry Academy favor, Gabriele Muccino’s Seven Pounds (Sony, also Blu-Ray). Other movies hitting stores today include the animated family film The Tale of Despereaux (Universal, also Blu-Ray), the comic book-inspired revenge actioner Punisher: War Zone (Lionsgate, also Blu-Ray), and Ben Kingsley and Penelope Cruz in Elegy (Sony). Also, this weekend brings the release of two new DVDs starring newly-anointed star Kristen Stewart- the smash vampire-teen blockbuster Twilight and the Mary Stuart Masterson-directed indie drama The Cake Eaters, the movie that answers the question, “whatever happened to Mary Stuart Masterson?”

In the classics department, the big news this week is the release of Akira Kurosawa’s first color film, Dodes’ka-den (Criterion). I’ve yet to see it myself, but according to a number of critics, Dodes’ka-den is second-tier Kurosawa. All the same, it’s still Kurosawa, so I’m eager to give it a look. Also this week: The Robe Special Edition (Fox, also Blu-Ray), a lumbering biblical picture that’s justly remembered solely for being the first Cinemascope release; and the box set Eclipse Series 15: Travels With Hiroshi Shimizu, featuring four titles from this Japanese auteur.

In TV on DVD, this week brings Mr. Belvedere Seasons 1 and 2 (Universal). And in Blu-Ray only news, the highlights this week are the sword-and-sandal epic Quo Vadis (Fox) and the eighties favorite The Princess Bride (MGM).

Finally, I’d like to close this column introducing a new feature with this week’s DVD Digest, spotlighting the most bizarre DVD synopsis of any of this week’s new releases. Despite some competition from a movie that described itself as “a horrific thriller in the vein of Captivity (who’d want to be associated with Captivity???), the inaugural winner of the prize was the Media Blasters’ DVD entitled Booby Life. Here’s the synopsis, courtesy of DVD Planet:

Naoto, your run-of-the-mill young dude with a thing for top-heavy women, is the luckiest bum in the world. Ayane, a busty babe he's known for almost all his life, has a thing for him and lets him have his way with her anytime he wants. On top of that, Chika, another one of his chesty childhood friends, has just a big a crush on him too. When she says to him, "My boobs belong to you," there's no way any guy with a healthy sex drive can resist. There's now only two hard things in Naoto's life now, and one of them is choosing between two gorgeous hotties!

So much for a slow DVD week, eh?

Morning Deal Report: Zack Snyder’s Sucker Punch

Scott Von Doviak — Thu, 05 Mar 2009 16:00:00 GMT

Watchmen is still hours away from opening in theaters, but its visionary director (oh, how I’ll never tire of calling him that) has already lined up the cast for his next picture. “Amanda Seyfried in negotiations to topline the project, while Vanessa Hudgens, Abbie Cornish, Evan Rachel Wood and Emma Stone are in talks to star in the action fantasy” Sucker Punch, per The Hollywood Reporter. “Set in the 1950s, Punch follows a girl who is confined to a mental institution by her stepfather, who intends to have her lobotomized in five days. While there, she imagines an alternative reality to hide her from the pain, and in that world, she begins planning her escape, needing to steal five objects to help get her out before she is deflowered by a vile man. Snyder, who co-wrote the script with Steve Shibuya, has described the fantasy world as Alice in Wonderland with machine guns.” Oooh…visionary!

Dakota Fanning has joined the Runaways. That is, the Coraline star is “negotiating to play lead singer Cheri Currie in The Runaways, the biopic of the '70s all-girl band that already has Twilight star Kristen Stewart playing Joan Jett,” Variety reports. “At 15, Fanning is the same age Currie was when she made her debut with the Runaways as the lead singer who belted out hard-edged tunes like Cherry Bomb. Currie became caught up in drugs and a hard-partying lifestyle.” Screengrab instant poll: how many months before Fanning turns up in rehab?

Steve Carell is set to produce and star in Hi-T, which “revolves around a man dealing with uncontrollable mood swings after an injury forces him to take testosterone injections.” Yes, it is a comedy.

Related:
Screengrab Review: "Watchmen"
Steve Carell is Despicable

Sundance Preview: Ten Must-See Narrative Features (Part One)

Scott Von Doviak — Wed, 14 Jan 2009 20:30:00 GMT

Yesterday we looked at five documentaries I deemed “must-sees” based on their descriptions in the Sundance guide, their trailers (if available) and my own whims and biases. As I mentioned, I will not actually be attending the 2009 Sundance Film Festival, but why should that minor detail prevent me from having an opinion? With any luck I’ll get to see these movies sooner or later anyway, either at other festivals, in regular theatrical release or on DVD. With that in mind, let’s move on to the narrative features:

ADVENTURELAND

Admittedly, there’s not much need to waste a valuable Sundance timeslot seeing Adventureland, since it’s due in theaters on March 27th. On the other hand, it’s always nice to be ahead of the curve and in the know, so here’s your opportunity to spread either buzz or backlash. Superbad director Greg Mottola takes us back to the glorious year of 1987, when recent college grad Jesse Eisenberg is forced to take a job at an amusement park full of “belligerent dads, stuffed pandas, and screaming kids high on cotton candy.” On the plus side, it also has Twilight cutie Kristen Stewart and a supporting cast of actual funny people like Martin Starr, Bill Hader and Kristen Wiig.

BIG FAN

I’m not entirely sold on the cinematic credentials of former Onion writer Robert Siegel. Granted, I haven’t seen The Onion Movie, but his bizarrely acclaimed script for The Wrestler struck me as a humdrum cliché-fest. Still, Big Fan sounds promising if only for the presence of the reliably hilarious Patton Oswalt in the leading role. It’s also timely, given the recent well-publicized troubles of New York Giants star Plaxico Burress: “Paul Aufiero, a 35-year-old parking-garage attendant from working-class Staten Island, is the self-described “world's biggest New York Giants fan.” One night Paul and his best friend, Sal, spot star Giants linebacker Quantrell Bishop at a gas station in Staten Island. They impulsively follow his SUV into Manhattan to a strip club, where they finally muster up the courage to talk to their hero. What starts out as a dream come true turns into a nightmare as a misunderstanding ignites a violent confrontation, and Paul is sent down a path that will test his devotion to the extreme.”

BRIEF INTERVIEWS WITH HIDEOUS MEN

The Sundance guide sums it up nicely: “John Krasinski, best known for playing the charming everyman, Jim Halpert, on The Office, may seem an unlikely candidate to adapt and direct the late David Foster Wallace's caustic exploration of the hideous nature of men.” I agree that it doesn’t immediately sound like a match made in heaven, but what do I know about whatever demons the seeming nice guy Krasinski may harbor? Julianne Nicholson stars as the grad student conducting those brief interviews, which range from “the bizarre to the banal, but they are always infused with biting humor and extraordinary details.”

THE CLONE RETURNS HOME

This Japanese feature is described as being “in the tradition of Solaris and other deeply philosophical science-fiction works.” It concerns an astronaut who “agrees to participate in an experimental cloning program that will ‘regenerate’ his body and memory should he die. So when he’s killed during a space mission, scientists are able to regenerate his clone. But problems occur with its memory, which regresses to Kohei’s youth and the accidental death of his twin brother. Distressed, the clone flees the lab in search of his childhood home. Along the way, he finds his own lifeless body in a space suit. Mistaking it for his brother, he continues his journey carrying the body on his back.” There’s a fine line between dreamlike and ponderous and this one could go either way, but I’m feeling generous enough to give it the benefit of the doubt.

COLD SOULS

This “metaphysical tragicomedy” sounds more than a little Charlie Kaufmanesque. Paul Giamatti stars as himself, “agonizing over his interpretation of Uncle Vanya. Paralyzed with anxiety, he stumbles upon a solution via a New Yorker article about a high-tech company promising to alleviate suffering by deep-freezing souls. Giamatti enlists their services, intending to reinstate his soul once he survives the performance. But complications ensue when a mysterious, soul-trafficking ‘mule,’ transporting product to and from Russia, ‘borrows’ Giamatti's stored soul for an ambitious, but unfortunately talentless, soap-opera actress.” Is the debut feature from Sophie Barthes a ripoff of Being John Malkovich or “strikingly original” as the Sundance guide claims?

Part Two

Morning Deal Report: Johnny Depp Has Hand

Scott Von Doviak — Wed, 03 Dec 2008 15:30:00 GMT

“Johnny Depp's production company Infinitum Nihil has acquired screen rights to the Nick Tosches novel In the Hand of Dante,” Variety reports. “Book revolves around Dante's masterwork The Divine Comedy, and tells parallel storylines involving Dante in 14th-century Italy as he tries to complete the work, and a contemporary storyline involving Tosches, who is asked to authenticate what might be Dante's original manuscript. Depp would play Tosches.” The project will have to wait, as Depp is set to play Hunter S. Thompson for the second time in an adaptation of The Rum Diaries, beginning production in March.

Twilight star Kristen Stewart is set to play Joan Jett in the biopic The Runaways. For those of you who missed the ‘70s, The Hollywood Reporter helpfully notes, “The Runaways were hugely influential as the first successful all-girl hard rock band; its members included guitarists Jett and Lita Ford, drummer Sandy West, singer-keyboardist Cherie Currie and bassist Jackie Fox. The band was brought together in late 1975 by impresario Kim Fowley, who thought a novelty act of teenaged girls performing in leather and lace would be an easy sell, but the girls ended up proving to be serious and influential musicians with songs like Cherry Bomb.” No word yet on who will play the creepy, creepy Fowley.

Phillip Noyce (Patriot Games) is developing a remake of Captain Blood for Warner Bros. “Errol Flynn starred in the 1935 original, directed by Michael Curtiz, as a doctor wrongly sentenced to slavery in the Caribbean, where he and his comrades become avenging pirates,” Variety reminds. Aargh.

Related:
Depp vs. Murray: Dueling Gonzos
Johnny Depp, Household Pet

Trailer Review: Twilight

Paul Clark — Wed, 29 Oct 2008 16:00:00 GMT

So this is Twilight? The Hollywood adaptation of “the hottest books since Harry Potter”? Because, to run the risk of pissing off the same contingent that took offense to my Trailer Review of High School Musical 3, I’m not really feeling this one. To me, this looks pretty cheesy, with some half-baked vampire mythos and second-rate, TV-ready special effects. Come to think, the whole trailer looks less like a spot for a would-be blockbuster than an ad for a new series on the CW- impossibly pretty characters who are sexy yet sensitive, plenty of self-aware “hip” dialogue (the “radioactive spider” line is a real groaner), and so on. Nonetheless, I’m hoping that this movie will allow Kristen Stewart the opportunity to do more substantial work in the future.

Morning Deal Report: Rogen Makes Porno

Peter Smith — Fri, 16 Nov 2007 16:00:00 GMT

Seth Rogen has joined Kevin Smith's new movie, Zack and Miri Make a Porno. He's Zack and his 40-Year-Old Virgin costar Elizabeth Banks ("Beth," from the bookstore) is Miri. This is kind of interesting, since Rogen and Judd Apatow are like the good Kevin Smith, making the filthy-but-sincere crowdpleasers that Smith always seemed to be trying for.

Meanwhile, Rogen's Knocked Up costar Katherine Heigl stars in the rom-com The Ugly Truth, by the makers of Legally Blonde.

Catherine Hardwicke's next movie is the teen thriller Twilight, with Into the Wild's (dreamy) (but maybe a little young for me) Kristen Stewart.

— Peter Smith