The Screengrab : land of the lost

DVD Digest for May 26, 2009

Paul Clark — Tue, 26 May 2009 14:00:00 GMT

In advance of the upcoming shuttering of The Screengrab- just four more days, folks!- the DVD departments of Disney, Paramount, and Fox have graciously decided not to put out any recent releases this week in protest. Thanks for the support, guys!

Unfortunately, this boycott leaves us with precious little to report in regards to recent movies. Put it another way- when your highest-profile recent release coming to DVD is the forgotten Renee Zellweger/Harry Connick Jr. rom-com New in Town (Lionsgate), the phrase “slow week” doesn’t quite cover it. If you’re looking for Asian fare, this week also brings Mamoru Oshii’s animated The Sky Crawlers (Sony, also Blu-Ray), as well as two Wayne Wang indies, A Thousand Years of Good Prayers (Magnolia) and Princess of Nebraska (Magnolia). And let’s not overlook the much-anticipated How to Give Pleasure to a Woman by a Woman (Pacific Media).

Thankfully, there’s a little more of interest in the classics department, although that’s kind of a good news/bad news situation. The good news is that Warner is releasing titles from Michelangelo Antonioni, David Cronenberg, John Boorman, Hal Ashby, and Hugh Hudson. The bad news is that this week’s releases include some of these estimable auteurs’ worst films. Now, I’m aware that Zabriskie Point and M. Butterfly have their defenders. However, I’m not sure people were exactly clamoring for a DVD of Beyond Rangoon or director’s cuts of Revolution and Lookin’ to Get Out, no matter how excited Jon Voight is about the latter. At least they’re not in a box set, so you Zabriskie fans can finally watch stuff blow up real good at the end without having to buy a DVD of Al Pacino fighting the Redcoats as well. Also this week: Falling Down Deluxe Edition (Warner).

Now that Hollywood has seen fit to make Land of the Lost into an expensive summer movie, it was inevitable that Land of the Lost: The Complete Series (Universal) would be hitting stores in advance of that. Or if you’re more into the whole cop-show thing, this week also sees the release of Law and Order: Special Victims Unit: The Ninth Year (Universal) and The Closer: Season 4 (Warner).

Finally, this week’s Blu-Ray only slate includes perhaps the “man”-liest triple feature around, with new Blu-Rays of Children of Men (Universal), Cinderella Man (Universal), and Inside Man (Universal) hitting stores today. Also this week: Field of Dreams (Universal), Robin Hood: Prince of Thieves Extended Cut (Warner), Seabiscuit (Universal), Spy Game (Universal), and True Romance Unrated Cut (Warner).

In the words of Annette Hanshaw, “that’s all.”

Morning Deal Report: Failure of Imagination Threat Level Orange

Scott Von Doviak — Tue, 28 Apr 2009 14:30:00 GMT

Universal is remaking Drop Dead Fred. Let me repeat that. Universal is remaking Drop Dead Fred. Perhaps you vaguely recall the 1991 original, which “starred Phoebe Cates as a wallflower who loses her job and husband during the course of a lunch hour. Forced to live back home, she's reunited with her childhood imaginary friend (Brit actor Rik Mayall), who promises to help but causes more havoc.” The new version will star Russell Brand as the imaginary friend and will be written by “Dennis McNicholas, one of the writers of Universal's upcoming Land of the Lost,” per The Hollywood Reporter. Of course it will.

The Universal remake train isn’t stopping there, however. They’re also planning a new version of Videodrome. “The new picture will modernize the concept, infuse it with the possibilities of nano-technology and blow it up into a large-scale sci-fi action thriller.” And you might be surprised to learn that David Cronenberg “has no role in the film as yet.” Or you might not.

If that doesn’t do it for you, how about a spiffy new screen version of Humpty Dumpty. “The 3-D sci-fi horror pic is about a half-human, half-alien creature who embarks on a murderous rampage after his alien mother is abused by two rednecks in the Deep South,” Variety reports. Oh…that Humpty Dumpty?

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The Cruise/Cronenberg Circle

Trailer Review: Land of the Lost

Paul Clark — Mon, 27 Apr 2009 16:00:00 GMT

Last week, the Screengrab brain trust predicted that this big-screen remake of the cheeseball TV series would be summer’s biggest flops. Based on this trailer, it’s not hard to see why. Frankly, for a movie that allegedly cost more than $100 million to produce, this looks really cheap, with second-rate special effects like the T-Rex that menaces star Will Ferrell at the end. Yes, I know that the original series wasn’t exactly a paragon of cutting-edge technology, but if Universal and director Brad Silberling wanted to pay tribute to the Krofft brothers’ rinky-tink effects, they should have gone all out instead of simply turning it into cheap CGI. Plus there’s the presence of Ferrell, whose sense of quality control has never been all that great, trying to lend some marquee value to a movie that’s half camp, half nostalgia piece- never the most bankable of hybrids. Ferrell can be very funny given the chance, but here it looks like he’s just flailing around, reining it in to get the PG-13. Worse yet, Danny McBride barely says anything at all in the trailer, which is never a good sign. Everything about this trailer, down to the title font (which comes straight from the Fast and Furious tetralogy, attests to how shabby and cut-rate this movie will almost certainly be.

The Screengrab Highlight Reel: April 18-24, 2009

Scott Von Doviak — Fri, 24 Apr 2009 21:00:00 GMT

What’s happening, Screengrabbers? My buddy here and I decided to take this opportunity to clear up a few misconceptions about our forthcoming summer blockbuster, which you all will love very much. We were very disturbed to read Screengrab Predicts Summer 2009 (Parts One, Two, Three, Four, Five and Six), particularly the part where Land of the Lost was predicted to be the biggest bomb of the summer! Sure, the previews may have given some people the impression that our movie is just another big budget crapfest of a cash-in, but believe you me, nothing could be further from the truth! We have the utmost respect for the original piece. We’re simply reimagining it in contemporary terms, as you might, say, with a modern-dress version of Hamlet. Or Bewitched!

While we’re here, we might as well check out some other stuff that looks interesting, like The Great Netflix-"Crash" Mystery (never saw it), Mia Farrow Plans to Fast for Darfur (looks like she already is, am I right?) and Angelina Jolie Plays Doctor (I’d like to turn my head and cough, if you know what I mean).

That’s all I’ve got time for, but my pal the Sleestak is gonna stick around and read:

Reviews: Tyson, Treeless Mountain, Il Divo, Infestation

Screengrab Q&A: James Toback

Charlie Kaufman Would You Like to Know That He Really Does Care About @#$%ing Structure!

Reviews By Request: Juliet of the Spirits (1965, Federico Fellini)

Forgotten Films: "The Daytrippers" (1987)

Marathon Day Special: The Longest Movies of All Time

The Screengrab Library of Unproduced Screenplays: John Belushi's "Noble Rot"

Screengrab Predicts: The Top 5 Bombs of Summer 2009 (Part Three)

Andrew Osborne — Thu, 23 Apr 2009 22:00:00 GMT

And now, the bombs...though, to be honest, with no Love Guru or Speed Racer in the running, this category (with one consensus exception) is a lot more of an open race for Summer 2009, with ties in the 4th and 5th place spots pretty much decided by coin-toss...well, it was a little more scientific than that, but not by much...

5. YEAR ONE (June 19)

Nick:
Barring The Flintstones suddenly becoming fashionable again, Harold Ramis’ caveman comedy starring Jack Black and Michael Cera will sink like a stone.

Scott:
Maybe this has one good weekend in it, but I’m not seeing a lot of staying power here. If you check your list of successful cavemen comedies, I think you’ll find it’s a bit shorter than you remember.

Andrew:
Oh, I dunno...I remember at least one really good gag in Ringo Starr’s Caveman, and I expect Year One to at least double that batting average...which might be just enough to get me into an air-conditioned theater on some muggy June afternoon. Not exactly a ringing endorsement, true...

4. IMAGINE THAT (June 12)

Scott:
Imagine what? Another toothless “family-friendly” Eddie Murphy comedy larded with sugary sweet life lessons? All too easy to imagine.

Paul:
Dear Eddie Murphy,

It’s been a decade since Bowfinger. Ever since then you’ve made lousy action comedies, lousy family comedies, and computer-animated comedies in which you provide the voice of a talking donkey. Pleasepleaseplease be funny again, both for your own sake and the sake of those who remember when you could still make people laugh. Thank you.

Sincerely,
The Screengrab

Andrew:
Okay, you guys convinced me...I kinda wish I’d put this on my own list of “bombs” now...but I put Transformers in its place on my list instead out of sheer malice.

3. X-MEN ORIGINS: WOLVERINE (May 1)

Nick:
Each X-Men film has made more than its predecessor, and this prequel cost more to make than any prior series entry. The Internet leak won’t affect its business, but Star Trek – opening one week after it – will, causing Wolverine to make less than X-Men: The Last Stand and thus be viewed as a modest failure.

Andrew:
For what it’s worth, I’ve seen and dug all the other X-Men flicks, and for some reason I could give a wet fart about this one, which looks to me like the bad Halle Berry Catwoman of the series. Now maybe if there were some musical numbers...

2. THE TAKING OF PELHAM 123 (June 12)

Nick:
With little action-thriller opposition around its June 12th release date, Tony Scott’s remake may open reasonably well. Yet given how blah it looks and how little buzz it’s attracting, it should quickly disappear from the nation’s overcrowded multiplexes.

Scott:
Speaking of ruining the ’70s (see below)...a gritty, grimy little New Yawk thriller with Walter Matthau at his hangdog finest is given the Tony Scott treatment. It looks as though puffy John Travolta and his wacky facial hair have already chewed some of the scenery, but expect him to devour the rest of it when this one hits theaters in June.

1. LAND OF THE LOST (June 5)

Scott:
I have an idea. Let’s completely ruin the ’70s for those of us who spent our childhoods there! Oh wait, we’ve already done that, haven’t we? Then what the hell, we might as well turn a quirky, beloved Saturday morning staple into another crappy Will Ferrell comedy with plenty of dopey sight gags and gobs of CGI effects.

Nick:
Will Ferrell and Danny McBride are inspired comedians, but Brad Silberling’s update of the 1970s TV show seems like the latest action-comedy hybrid destined to be neither exciting nor amusing. Expect a big-time bomb.

Paul:
Who is this movie for, exactly? Will Ferrell isn’t the box-office juggernaut he once was, and the ticket buyers who yearn for him to deliver Ron Burgundy-style laughs probably won’t go for the second-rate Jurassic Park-style dinosaur storyline. Meanwhile, the kids will probably be too busy watching Up and Night at the Museum 2 to care about this one. Does the original series have that many fans clamoring for a big-budget version of the story? I highly doubt it.

Andrew:
I have to say I actually feel bad about Land of the Lost winding up as our runaway number one consensus pick for top bomb of the summer, since I’m a fan of the original TV series and I have every intention of going to see the Will Ferrell version...and yet, my colleagues all make excellent points, plus the promotional stuff has a distinctly low-rent, Brendan Fraseresque feel to it...on the other hand, I wouldn’t be completely surprised if this one bites us on the ass, prediction-wise, and turns into a surprise hit...oh, wait, the budget was $100 million? Uh...never mind.

Click Here For The Hits (Parts One & Two), The Toss-Ups (Part Four) and The Honorable Mentions (Parts Five & Six)

Contributors: Andrew Osborne, Nick Schager, Scott Von Doviak, Paul Clark

2009: First Quarter Wrap-Up

Andrew Osborne — Mon, 06 Apr 2009 02:00:00 GMT

So, Watchmen didn’t exactly bomb, nor was it exactly a hit. With a 65% critical Tomato-Meter rating, it was neither a fiasco nor a critic’s darling, and for all its sex and violence, the onscreen content was far less controversial than all the legal maneuvering involved with getting it to screens in the first place.

In other words, the first big film of the year was a lot like the rest of 2009’s films to date: nothing to really get all het up about one way or the other...with two notable exceptions, courtesy of last month’s SXSW festival: the obnoxiously onanistic My Suicide is already a lock for my year-end Worst of 2009 list, while the documentary Best Worst Movie could easily find a spot in my year-end Top Ten, thanks to its winning cast and (mostly) cheery depiction of the pleasures and pitfalls of filmmaking (as well as the mysterious alchemy that transforms a terrible film like Troll 2 into a beloved cult classic).

As for the rest of the first quarter highs: the inventive visuals of Coraline, the good-natured mumblecore bromance of SXSW’s Humpday and the laid-back ‘80s nostalgia of Greg “Superbad” Mottola’s Adventureland were all perfectly enjoyable experiences nevertheless unlikely to chart much higher than Honorable Mention come December (unless 2009 winds up being a truly uninspired film year from here on out...unlikely, considering that our current Year of the Ox is already outpacing last year’s Rat: i.e., by April 2008, I’d seen exactly one memorable film (Full Battle Rattle) and a whole lot of Hamburger Helper (Penelope, Cloverfield, 21 and Miss Pettigrew Lives For A Day).

Other 2009 offerings unlikely to be more than pleasant hazy memories by December include SXSW fare like Beeswax, The Slammin’ Salmon, The Immaculate Conception of Little Dizzle and the Richard Linklater sneak preview Me & Orson Welles, along with Sunshine Cleaning, Monsters vs. Aliens and I Love You, Man...films that, like most everything else I’ve seen this year, seem like Xeroxes of Xeroxes of originals I liked a lot more.

I dunno...maybe I’m just getting old. Maybe I’ve seen too many films by this point, and I’m getting cranky and hard to please, and even if a new Pulp Fiction premiered next month, I’d be too jaded to appreciate it...or maybe it's just that nobody’s released anything truly special, gripping, hilarious, original and/or mind-blowing in a while. (But then again, I haven’t seen Fast & Furious yet, so that could all change in a day or two!)

Long-range forecasts indicate a continuing trend of pleasant but disposable cinema moving forward into the second quarter of 2009, although I have cautiously high hopes for Jim Jarmusch’s The Limits of Control, Star Trek, Steven Soderbergh’s The Girlfriend Experience, Land of the Lost and even HBO’s biopic Grey Gardens, starring Jessica Lange and Drew Barrymore as Big & Little Edie of Maysles Brothers fame (which may not be a movie in theaters...but, hey, Angels in America was my favorite movie of 2003 on the small or big screen, so who knows?).

Plus, I just saw the following trailer for the new Sam Mendes film, Away We Go, starring the potentially appealing duo of John Krasinski and Maya Rudolph, which could be goddamn charming or still yet more indie-mumbly grist for the mill...see you in June for the Second Quarter report!

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2008: First Quarter Wrap-Up
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Screengrab 2009 Preview: Andrew Osborne’s Picks

Trailer Review: Belated Super Bowl Edition, Part 2

Paul Clark — Mon, 09 Feb 2009 18:00:00 GMT

And now, the family movies and comedies. Enjoy!

Land of the Lost- It somehow makes sense that the cheeseball TV favorite could only really work in big-screen form as a comedy. Yet even by those standards, this looks pretty desperate. Also, where’s Danny McBride?

Year One- Jack Black makes sense in a prehistoric context, but Michael Cera- not so much. Ideally, this disconnect would make this funny, but there just isn’t enough here to say whether that’ll actually happen. Hope they don’t think they’ve spoiled all the good jokes with this ad…

Race to Witch Mountain- So here’s my question: if these aliens are so strong and intelligent, why do they need to Rock to help save them? Better not to think about it, I suppose. The fridge line is pretty funny, I guess.

Up- you all know about this one already, so I won’t waste your time talking more about it, except to wonder why the opening montage of Pixar hits omits not only A Bug’s Life but Ratatouille. What gives?

Finally, I decided not to include the spot for Monsters vs. Aliens since it’s in 3D, figuring that if you don’t have 3D glasses it’ll mostly just look like a bad upload. If you really want to see it, you can try YouTube, but don’t say you weren’t warned.

Reviews By Request: The Foot Fist Way (2006, Jody Hill)

Paul Clark — Fri, 16 Jan 2009 20:00:00 GMT

For the next three weeks, I’ll be reviewing three movies you requested in last week’s column. Polling for future Reviews By Request columns will begin again on January 30.

Over the past few decades, there has emerged in American popular culture something that can be called the “comedy of awkwardness.” In this style of comedy, which draws heavily from British humor, the comedy comes not merely from a character’s strange behavior, but also the discomfort their behavior causes. Often, in comedies of this sort, it’s the surrounding characters’ dumbfounded reactions that generate the most laughs. Comedy of awkwardness has become an integral part of some of the most popular and acclaimed sitcoms in this country like The Office and 30 Rock, and it’s begun making inroads into movies as well.

However, to successfully pull off the comedy of awkwardness, one must walk a thin line. To begin with, the character who generates the discomfort has to think he’s acting perfectly normally. If there’s any sense that this person is aware of how crazy he looks, the comedy is lost. In addition, the audience has to get a sense that the people who surround the crazy character acknowledge, if only to themselves, how strange his actions are. Jody Hill’s The Foot Fist Way gets only the first rule right, while ignoring the second altogether. So in spite of a fine and wholly committed performance by Danny McBride in the lead role, the film never takes off as comedy, coming off not so much funny as simply odd.

The Foot Fist Way focuses on the character of Fred Simmons (McBride), a boorish one-time tae kwon do champion-turned-small town instructor. Fred presides over his dojo with the authority of a drill sergeant, barking out orders and insisting that his students address him as “sir.” Meanwhile, Fred’s life begins to fall apart when he discovers that his wife cheated on him with the manager at her new job. Soon, Fred falls apart and becomes consumed with rage and grief, surely the last emotions one wants to see from a man who makes his living instructing people- children, even- how to fight. Fred discovers that his wife’s boss’ name is Mr. Fisher, and when he assumes that a student, also named Fisher, is the boss’ son, Fred decides to take out his rage on the boy, with predictable results.

But let’s look at that particular scene. A grown man beating the hell from a young boy is not inherently funny, but there are comic possibilities for such a scene if done right. Unfortunately, The Foot Fist Way doesn’t deliver. Hill shows McBride fighting the boy in long shot, but never takes the time to show us how the other characters in the scene feel about this. Just one well-timed reaction shot from a disbelieving onlooker could have salvaged some laughs, but that reaction shot never comes. The whole film is like that- plenty of promise, but very little end result. There are a few scenes that work, such as Fred’s misguided attempts to seduce a pretty female student or a weepy monologue in which he schools a young student in life’s harsh realities, but many more that don’t. By the time the story has become a mano a mano between Fred and karate movie superstar Chuck “The Truck” Wallace (played by the film’s co-writer, Ben Best), the movie’s comedic potential has long since been squandered.

It’s a shame, since McBride’s performance is really very good, in large part because he’s completely convincing in the role. I’ve never taken a martial arts class, but I can imagine that many of the instructors are more or less like Fred, attracted less to its traditions than to the power teaching gives them. Tae kwon do is rooted in self-discipline, but my guess is that most students sign up for martial arts so they can learn to fight, and when one is teaching people who are clearly weaker and less skilled, there can be a temptation to prove one’s superiority by cutting others down to size. In many ways, Fred is the flip side of Chiwetel Ejiofor’s character in David Mamet’s Redbelt, who is more of an old-school purist. Fred, on the other hand, enjoys being in control and doesn’t know any better way to go about it than by intimidating others, and McBride effortlessly projects the arrogance of a man who harbors no doubts whatsoever that he can kick your ass, while also showing occasional deference to those who are more powerful than he is. It makes perfect sense that when Fred’s wife tries to patch up their marriage, Fred insists on telling her, “I’m the stronger man, and you’re the weaker woman.” Although considering what a ringer she's already put him through, is he trying to convince her of this, or himself?

If nothing else, The Foot Fist Way should be remembered as that movie that introduced Hollywood to the brilliance of Danny McBride. McBride had previously appeared as the scene-stealing Bust-Ass in David Gordon Green’s All the Real Girls, but with this film, he quickly made fans of Will Ferrell and Judd Apatow, and has since been cast in such high-profile films as Pineapple Express, Tropic Thunder, and the upcoming big-screen version of Land of the Lost. But while McBride’s comic skills are undeniable, there are also moments in The Foot Fist Way that hint at darker undercurrents, leading me to think that he might become a fine character actor if given the chance. The Foot Fist Way isn’t much of a movie, but it announces McBride as a talent to watch.

Screengrab 2009 Preview: Scott Von Doviak’s Picks

Scott Von Doviak — Mon, 12 Jan 2009 20:00:00 GMT

Again using the ever-popular 3 Up, 3 Down format, I will pick up the gauntlet thrown down by my colleague Andrew Osborne. (Hey, nice gauntlet, Osborne! You get a hat with that?) I must say, a cursory scan of the upcoming release schedule doesn’t exactly have me all a-quiver with anticipation, but hey, it’s early yet. Herewith, my picks to click and tips to slip. Or something like that.

3 UP

A SERIOUS MAN

I could really get used to this annual Coen Brothers movie routine. This year’s edition isn’t due until October, but it should be worth the wait. It’s “the story of an ordinary man’s search for clarity in a universe where Jefferson Airplane is on the radio and F-Troop is on TV.” Unlike Burn After Reading, the film doesn’t boast an all-star cast, unless Michael Stuhlbarg, Sari Lennick, Fred Melamed and Richard Kind are at the top of your A-list. But who cares, as long as we get that Coen Brothers feeling.

THE LIMITS OF CONTROL

The long-awaited (by me anyway) return of Jim Jarmusch is “the story of a mysterious loner (Isaach. De Bankolé), a stranger, whose activities remain meticulously outside the law. He is in the process of completing a job, yet he trusts no one, and his objectives are not initially divulged. The film is set in the striking and varied landscapes of contemporary Spain (both urban and otherwise).” Okay, that’s a little vague, but it’s enough to intrigue me. The cast also includes Gael García Bernal, Tilda Swinton, John Hurt and, of course, Bill Murray.

THE ROAD

Left over from last year, which isn’t necessarily a great sign. Then again, there are indications the editing was being rushed to meet the end-of-2008 deadline, and that probably wouldn’t have been a good thing either. Quoting myself from last year’s fall preview, the Cormac McCarthy adaptation is a “grim post-apocalyptic tale brought to the screen by John Hillcoat, director of The Proposition, a western that certainly counts McCarthy’s Blood Meridian among its influences. Viggo Mortenson has the lead, and the supporting cast includes Charlize Theron, Guy Pearce, Robert Duvall, Garrett Dillahunt and The Wire’s Omar himself, Michael K. Williams.”

3 DOWN

THE TAKING OF PELHAM 1-2-3

Oh good, a completely unnecessary remake of a perfectly fine ‘70s movie, over-directed by Tony Scott and featuring John Travolta in an unconvincing villainous mustache. But at least it has Denzel Washington looking dumpy. Maybe that’s his homage to Walter Matthau.

LAND OF THE LOST

''You're not going to see the zipper up the back of the Sleestaks' costumes,” says Will Ferrell, star of this preposterous remake of the beloved Saturday morning show of yesteryear. Is that supposed to make me want to see this?

STATE OF PLAY

The original British miniseries is an intricate work of intrigue about a newspaper with seemingly unlimited resources investigating political scandal. (Eat your heart out, David Simon.) The trailer for the American remake promises a generic, forgettable thriller.

WILD CARD: Watchmen, of course. Will it suck? Will it somehow blow our minds? Heck, will it even be released?

Morning Deal Report: Soderbergh Does Liberace

Scott Von Doviak — Thu, 11 Sep 2008 14:30:00 GMT

Steven Soderbergh prides himself on being an eclectic filmmaker and you can’t get much more eclectic than following up a biopic of Che Guevara with one of Liberace. Actually, the Liberace project won’t be next on Soderbergh’s agenda – that would be The Girlfriend Experience for Mark Cuban’s HDNet – but it’s definitely on the back burner. Variety reports “Soderbergh is in discussions with Matt Damon to play Scott Thorson, who sued Liberace in 1982 for $113 million in palimony, claiming he was the entertainer’s companion for five years. Even though Liberace never wavered from career-long denials that he was gay, Thorson reportedly settled for $95,000 in 1986.” And who will play the flamboyant entertainer? Would you believe…Michael Douglas?

While you’re processing that mental image over your morning bowl of Frankenberries, here’s some chick flick news for you. Drew Barrymore will produce How to Be Single, adapted from the best-selling novel by Liz Tuccillo. Barrymore is already producing He’s Just Not That Into You by the same author, but lest you be confused, The Hollywood Reporter explains that while “Into You was a non-fiction how-to look at relationships, Single is Tuccillo's fiction debut. It follow the dating lives of five single New York women, one of whom, the narrator, is writing a book about how bachelorettes across the world manage. The woman embarks on a trip around the world for the book and gets involved in an international affair, while her four friends duke it out on the New York dating scene.” For some reason, I’m picturing a Sarah Jessica Parker type for the lead.

If you’re excited about the upcoming Land of the Lost movie with Will Ferrell, you’ll be thrilled to learn that Sigmund and the Sea Monsters is also coming to the big screen. Sid and Marty Krofft will produce the movie scripted by Dana Gould (The Simpsons). And yes, according to Variety, live-action versions of Lidsville, The Bugaloos and Dr. Shrinker may not be far behind.

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Jurassic Classics: Ringo Starr Demands a Recount

Scott Von Doviak — Mon, 03 Mar 2008 19:00:00 GMT

Much as it pains us to admit this, the Screengrab is not the only online source of movie lists. Certainly we're the best, but occasionally someone else on the world wide Interweb will take a crack at it. With the release of Roland Emmerich's 10,000 BC looming, MSNBC's Christopher Bahn has assembled a list of 11 great prehistoric flicks.

Right off the bat, we've got to call shenanigans on Bahn's inclusion of Land of the Lost. While it's true that Will Ferrell is about to begin shooting a big-screen remake of said property (will his '70s obsession never end?), the fact remains that Land of the Lost is a television show. Not only that, but it contains Sleestaks. Now, granted, we haven't done a great deal of research on prehistoric times, but while we're willing to accept cavemen living side-by-side with dinosaurs and woolly mammoths, we're fairly confident there is no existing fossil record of Sleestaks. Therefore, Land of the Lost is disqualified.

We're willing to accept the rest of the list — although including Clan of the Cave Bear certainly pushes the definition of "great" to its limits — but there is one tragic omission we cannot overlook. It is, of course, 1981's Caveman, starring Ringo Starr, Shelley Long and a boyish Dennis Quaid. Watch this scene, depicting the creation of music in painstaking historical detail, and we think you'll agree.

Morning Deal Report: Remake Watch

Peter Smith — Wed, 10 Oct 2007 15:00:00 GMT

Despite the (rightfully) tenuous status of the $100m+ comedy, Universal is adapting of Land of the Lost. The big-screen version will star Will Ferrell and a large number of Sleestaks. (Or is the plural still Sleestak? Not sure on that one.)

Eric Bana will play Uhura in J.J. Abrams' Star Trek. Wait, I'm sorry — he'll play the villain.

Terminator will be back, in the first film of a trilogy set in the post-apocalyptic future seen briefly in the original films. The budget, as Variety memorably puts it, will be. . . "event-sized." Arguably, no Terminator has been great since the first one, but if you have to do it, one request: bring back Eddie Furlong!

Videogame art director Jerry O'Flaherty will direct the film adaptation of Thundercats. The best thing to ever come out of Thundercats is this map. Top that, O'Flaherty.

— Peter Smith