The Screengrab : live free or die hard

Morning Deal Report Returns

Scott Von Doviak — Tue, 17 Jun 2008 14:30:00 GMT

Please, people, stop with the telegrams and picket lines and frivolous lawsuits already! We get it! You can’t live without the Screengrab’s daily roundup of the latest wheeling and dealing out of Hollywood. You need to know which superheroes, videogames and misguided horror remakes may or may not ever make it someday to a theater near you. Well, we’ve heard you loud and clear, and we’re pleased to present the return of the Morning Deal Report.

Speaking of videogames, the Hollywood Reporter has the scoop on Gears of War, to be directed by Len Wiseman (Live Free or Die Hard) for the “reconfigured” New Line. “Set on the planet Sera, the game thrusts players into a battle for survival between humans and a race of creatures that surface from the bowels of the planet known as the Locust Horde. Players assume identities of soldiers on Delta Squad as they fight to save Sera's inhabitants.” The game’s designer, Cliff Bleszinski, says, “Disney made a great movie out of a theme park ride, and somebody is sooner or later going to make a great one out of a video game.” And by that logic, sooner or later someone will make a great movie out of stereo instructions.

Variety reports that Sam Raimi will helm the latest Dennis Lehane adaptation, this one of a book that hasn’t even been released yet. The Given Day, due in September, revisits Lehane’s Boston turf, this time in 1919 “with the city in turmoil as soldiers are returning home from WWI, having brought back an epidemic of Spanish influenza. Attempts to unionize the police department have set the stage for a historic strike and two cops take center stage.” The same report notes that Raimi is “also aligned to reinvent the Jack Ryan franchise at Paramount,” presumably without either Harrison Ford or fellow Lehane adapter Ben Affleck.

And some news that’s either out of Variety or one of my deepest, darkest nightmares: Kevin Spacey will star in Shrink as a psychiatrist to the stars whose clients include Robin Williams. Stock up on scenery, because there won’t be any left once these two are finished chewing it.

Indiana Jones and the Curse of the Hollywood Accountants

Phil Nugent — Wed, 23 Apr 2008 17:00:00 GMT

Moviemaking is "still a very challenging business," says media analyst Richard Greenfield. "The average movie still loses money." The question is, will Indiana Jones and the Kingdom of the Crystal Skull turn out to be an average movie? In a piece calculated to make you break out the crying towels, Claudia Eller of the Los Angeles Times reports on "the new economic realities of the movie business" and how they're reflected in the deal that Paramount Pictures cut with director Steven Spielberg, star Harrison Ford, and fount of contemporary mythology George Lucas in order the get the fourth Indiana Jones picture up and running. The franchise is different from most of the more recently forged brand-name pictures (such as your Spider-Mans and your Pirates of the Caribbeans) in that the producer, Lucas, rather than the studio, owns the property, which puts Paramount more in the position of a distributor than a proud parent who can expect the movie's long-term revenue potential to take care of it in its old age. After it became clear that the picture was going to cost much more than originally projected--not an unheard-of occurrence in Hollywood--the major participants agreed to sweeten things for them by forgoing their upfront salaries. Eller reports that the studio "spent about $185 million to make the movie and will pay at least $150 million to market it worldwide. The studio will earn a distribution fee of 12.5% of the revenue it receives from the film's release in all media, including theaters, DVD and television." Lucas, Spielberg, and Ford will stand to make 87.5 cents off every dollar the movie makes after the studio has been fully reimbursed for the cost of the movie and been paid their distribution fee, but that means that they won't start to clear anything until after Kingdom of the Crystal Skull has made $400 million.

The thing is, if the movie makes less than $400 million, Spielberg, Lucas, and Ford will have spent a year of their lives killing themselves--well, Ford, anyway--just for the exercise. Is there a chance in hell they'll go home empty-handed? Eller: "Although the "Indiana Jones" franchise is considered one of Hollywood's surest bets -- the first three pictures amassed $1.2 billion in worldwide ticket sales -- there is no guarantee that younger moviegoers will turn out in droves to see a now 65-year-old action hero in a fedora dust off his trademark leather jacket and crack his bullwhip. Today's under-25 action junkies are wowed by computer-generated effects spectacles, such as Spider-Man, Harry Potter, 300 and Fantastic Four." Stress the age of the leading man (and the franchise) and the fact that the movie is built around old-school physical stunts instead of CGI, and it starts to sound more and more like Live Free or Die Hard, a movie that did better than respectably at the box office (and not half bad with the critics) but that has yet to clear the $400 million hurdle. Hollywood: where success has a thousand fathers, and failure sometimes clears $3,999,999 in profits.

Video of the Day: Requiem

John Constantine — Wed, 30 Jan 2008 23:33:00 GMT

If you went to the movies or watched television this past summer, chances are you’ve heard a Guyz Nite song. These comedy-rockers managed a little bit of non-Youtube notoriety thanks to their John McClane tribute song “Die Hard” being part of promotions for Live Free or Die Hard. This video comes from Guyz Nite’s metal incarnation, Holy Light of Demon. It is the funniest, and most accurate, song you will hear about aliens and predators today. Probably tomorrow too.