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<?xml-stylesheet type="text/xsl" href="http://www.nerve.com/CS/utility/FeedStylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>The Screengrab : martin thomas</title><link>http://www.nerve.com/CS/blogs/screengrab/archive/tags/martin+thomas/default.aspx</link><description>Tags: martin thomas</description><dc:language>en</dc:language><generator>CommunityServer 2007.1 (Build: 20910.1126)</generator><item><title>YouTube Film Critics: Spill and the Reel Geezers</title><link>http://www.nerve.com/CS/blogs/screengrab/archive/2008/03/20/youtube-film-critics-spill-and-the-reel-geezers.aspx</link><pubDate>Thu, 20 Mar 2008 20:00:00 GMT</pubDate><guid isPermaLink="false">bd485f5c-a45b-491f-8e52-c79e7f680fc3:79709</guid><dc:creator>Scott Von Doviak</dc:creator><slash:comments>1</slash:comments><wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">http://www.nerve.com/CS/blogs/screengrab/rsscomments.aspx?PostID=79709</wfw:commentRss><comments>http://www.nerve.com/CS/blogs/screengrab/archive/2008/03/20/youtube-film-critics-spill-and-the-reel-geezers.aspx#comments</comments><description>&lt;p&gt;&lt;font size="2"&gt;&lt;a href="http://www.nerve.com/CS/blogs/screengrab/2008/03/16-22/korey_intro.gif"&gt;&lt;img src="http://www.nerve.com/CS/blogs/screengrab/2008/03/16-22/korey_intro.gif" align="right" border="0" alt="" /&gt;&lt;/a&gt;Newspapers have been shedding personnel at an alarming rate in recent months, and those of us who earn our beer money writing about movies are no exception.  As the &lt;a href="http://www.hollywoodreporter.com/hr/content_display/features/columns/film_reporter/e3ie1b83f9e3c0610c1081492d7a25f754f" target="_blank"&gt;&lt;i&gt;Hollywood Reporter &lt;/i&gt;&lt;/a&gt;notes in a piece about small independent films being overlooked by major newspapers, “Critics have recently been laid off, bought out of their contracts or left and were not replaced at the &lt;i&gt;Los Angeles Times&lt;/i&gt;, the &lt;i&gt;Village Voice&lt;/i&gt;, New York &lt;i&gt;Newsday&lt;/i&gt; and more than 15 papers around the country.”
&lt;br /&gt;&lt;br /&gt;
This presents a problem for you, the film consumer.  Where to go for a diverse array of informed opinion on the motion pictures of the day?  Well, once you’ve read all the latest news and reviews at the Screengrab, you might want to click on over to YouTube, where the time-honored &lt;i&gt;Siskel &amp;amp; Ebert&lt;/i&gt; format lives on in two very different web series.
&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.spill.com/" target="_blank"&gt;
Spill.com&lt;/a&gt; is the latest permutation of Korey Coleman’s long-running Austin cable access show &lt;i&gt;The Reel Deal&lt;/i&gt;.  Coleman, his friend Martin Thomas, and a rotating cast of co-hosts conducted a loose, funny and very low budget roundtable discussion of the current cinema for over a decade before relocating to the internet.  A cartoonist and filmmaker (his indie film &lt;a href="http://www.2amthemovie.com" target="_blank"&gt;&lt;i&gt;2 A.M. &lt;/i&gt;&lt;/a&gt;played SXSW in 2006), Coleman decided to take on a new creative challenge and animate webisodes of &lt;i&gt;The Reel Deal &lt;/i&gt;(podcasts of this version of the show can be found &lt;a href="http://kcoolman.podomatic.com/" target="_blank"&gt;here&lt;/a&gt;).  The show proved so popular, it was bought out by a New York company and reemerged as Spill.com.  Aside from Korey, the rest of the &lt;i&gt;Reel Deal &lt;/i&gt;crew took on new personas for the revamped version, but the irreverent humor and down-to-earth vibe remain intact, as you can see in this review of &lt;i&gt;The Mist&lt;/i&gt;:
&lt;br /&gt;&lt;br /&gt;
&lt;object height="355" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/ZXKGTptTENw&amp;amp;hl=en"&gt;&lt;param name="wmode" value="transparent"&gt;&lt;embed src="http://www.youtube.com/v/ZXKGTptTENw&amp;amp;hl=en" type="application/x-shockwave-flash" wmode="transparent" height="355" width="425"&gt;&lt;/object&gt;
&lt;br /&gt;&lt;br /&gt;
At the other end of the spectrum, we have the Reel Geezers.  If you ever wanted to recreate the experience of listening to your grandparents bicker about movies, this is the show for you.  Lorenzo Semple Jr. (screenwriter of &lt;i&gt;Papillon&lt;/i&gt;, &lt;i&gt;The Parallax View&lt;/i&gt; and 16 &lt;i&gt;Batman&lt;/i&gt; episodes) and Marcia Nasatir (a former agent and producer of &lt;i&gt;The Big Chill &lt;/i&gt;and &lt;i&gt;Ironweed&lt;/i&gt;) give the octogenarian viewpoint on the latest releases, which is particularly helpful when it comes to a movie like &lt;i&gt;Superbad&lt;/i&gt;:
&lt;br /&gt;&lt;br /&gt;
&lt;object height="355" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/h7AYcv7IJ-E&amp;amp;hl=en"&gt;&lt;param name="wmode" value="transparent"&gt;&lt;embed src="http://www.youtube.com/v/h7AYcv7IJ-E&amp;amp;hl=en" type="application/x-shockwave-flash" wmode="transparent" height="355" width="425"&gt;&lt;/object&gt;
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