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<?xml-stylesheet type="text/xsl" href="http://www.nerve.com/CS/utility/FeedStylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>The Screengrab : night of the tater</title><link>http://www.nerve.com/CS/blogs/screengrab/archive/tags/night+of+the+tater/default.aspx</link><description>Tags: night of the tater</description><dc:language>en</dc:language><generator>CommunityServer 2007.1 (Build: 20910.1126)</generator><item><title>Great Legos: Built Like a Brickfilm</title><link>http://www.nerve.com/CS/blogs/screengrab/archive/2008/05/14/great-legos-built-like-a-brickfilm.aspx</link><pubDate>Wed, 14 May 2008 14:30:00 GMT</pubDate><guid isPermaLink="false">bd485f5c-a45b-491f-8e52-c79e7f680fc3:92756</guid><dc:creator>Phil Nugent</dc:creator><slash:comments>0</slash:comments><wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">http://www.nerve.com/CS/blogs/screengrab/rsscomments.aspx?PostID=92756</wfw:commentRss><comments>http://www.nerve.com/CS/blogs/screengrab/archive/2008/05/14/great-legos-built-like-a-brickfilm.aspx#comments</comments><description>&lt;p&gt;&lt;font size="2"&gt;&lt;object height="355" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/hpg0kGDGC6s&amp;amp;hl=en"&gt;&lt;param name="wmode" value="transparent"&gt;&lt;embed src="http://www.youtube.com/v/hpg0kGDGC6s&amp;amp;hl=en" type="application/x-shockwave-flash" wmode="transparent" height="355" width="425"&gt;&lt;/object&gt;
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Julian Dibbell meets some of the more prominent members of &lt;a href="http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2008/05/10/bflego110.xml"&gt;the brickfilm community&lt;/a&gt;, a bunch of dedicated types who make short, handmade animated films using stop-motion and Legos. The Lego Indiana Jones short has become a genre unto itself, along with Legis variations on the likes of &lt;i&gt;Fight Club, Titanic,&lt;/i&gt; and assorted music videos. Now, ambitious brickfilmers (whose work can be sifted through at YouTube or &lt;a href="http://brickfilms.com/"&gt;freely sampled here&lt;/a&gt; have begun turning out insanely assured originals such as Nathan Wells&amp;#39;s &lt;i&gt;Unsound&lt;/i&gt; or &lt;i&gt;Night of the Tater&lt;/i&gt;, by seventeen-year-old Nikolas Jaeger. As Dibbell delicately puts it, &amp;quot;Lego does have its limitations as an expressive medium,&amp;quot; but what Wells and Jaeger are demonstrating is that making brickfilms may be a way for talented budding directors to experiment with lighting and editing in a narrative form without a lot of money or the disadvantage of live actors who may object to hanging around your bedroom all day and night waiting for you to have your next brainstorm. &amp;quot;Spend enough time browsing the Brickfilms.com directory, though, and you&amp;#39;re likely to end up seeing them a little less like an outsider, and a little more like a brickfilmer,&amp;quot; writes Dibbell. 
&amp;quot;It&amp;#39;s not that you stop seeing them like little plastic toys. Not quite. It&amp;#39;s that you see them as little plastic toys with lives of their own.&amp;quot;
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