The Screengrab : the death of mr. lazarescu

Tartan Fades To Black

Leonard Pierce — Tue, 08 Jul 2008 14:55:00 GMT

One of the oldest and most respected independent distribution houses in the United Kingdom, Tartan Films, is taking down its shutter. Plagued by financial difficulties and distribution concerns, Tartan has closed down its offices, dismantled its American arm (Tartan Video USA), released all of its employees, and begun the process of selling off its highly respectable catalogue to other distributors. In recent years, Tartan had been best known for its "Asia Extreme" series, which brought movies like Oldboy and the original Japanese version of The Ring to the West, but the catalog of the 26-year-old company included everything from Bergman's Wild Strawberries to The Death of Mr. Lazarescu.

According to Screen Daily, other distributors are rushing to snatch up some of the prestige titles in Tartan's collection (handled currently in the U.S. by Palisades Media); elsewhere, Time Out takes time out to remember some of Tartan's finest releases (ranging from Jodorowsky's El Topo to Verhoeven's The Fourth Man). Although the company had been in dire financial straits for some time, no particular reason has been given by company founder Hamish McAlpine as to why Tartan went out of business so quickly (Geoffrey Macnab speculates in the Guardian, and lays some blame at the foot of McAlpine's desire to produce films himself; his first major effort was the disastrous English-language remake of Michael Haneke's Funny Games). This has no doubt got other indie distributors, especially in the U.K., wondering: who's next?

Ion Fiscuteanu, 1937-2007

Peter Smith — Tue, 11 Dec 2007 20:00:00 GMT

It takes a special kind of actor to dominate the screen in a role that requires him to remain physically prone and grow increasingly comatose over the course of a two-hour, thirty-three-minute movie. Ion Fiscuteanu pulled that feat off as the title character of The Death of Mr. Lazarescu, the 2005 black comedy that stormed the festival circuit, heralded the resurgence of the Romanian film industry, and won Mr. Fiscuteanu the Best Actor prizes at festivals in Copenhagen and his native Transylvania. Now Fiscuteanu has died, at the age of seventy, reportedly after a bout with colon cancer, which was one of the hundred or so ailments that the clueless, distracted doctors in the movie tried to ascribe to his character in the movie. Fiscuteanu was best known for his theater work, but also appeared in a handful of other movies, most notably the 1992 The Oak. But he will probably be best remembered for his unlikely starring role as the luckless Lazarescu, a modern image of man's impotence in the face of bureaucratic indifference and neglect, barely mustering the strength to raise a middle finger in protest as he's wheeled through the exit door. — Phil Nugent

The Rep Report (November 2 - 20)

Peter Smith — Fri, 02 Nov 2007 17:00:00 GMT

NEW YORK: From November 2 through the 20th, Film Forum brings back Jean-Jacques Beinex's 1981 romantic comedy-thriller Diva, in a new 35 mm. print. As visually graceful as it is inventive, playfully witty, with actual if improbable characters pushing the plot forward, it remains an especially flavorful example of what used to be called "an exercise in pure style" from back before easy access to computer imagery and MTV syntax resulted in an explosion of would-be prodigies turning out movies that really are exercises in pure style. The new print is reported to also boast some new, improved subtitles. (The first time I saw the movie, on cable TV on my fifteenth birthday — I rode my brontosaurus to the house of my friend who had HBO — a single half-assed glitch in the subtitles served to completely screw up the plot.) If you haven't seen it before, nothing else you have seen can fully prepare you for it; Beinex himself has spent the last quarter century failing to follow it up.

October 30 would have been Louis Malle's seventy-fifth birthday, which makes this a good time to check out what may be his happiest masterpiece, the autobiographical 1971 comedy Murmur of the Heart. (I do not mean to suggest that there might ever be a bad time to check it out.) The Film Society of Lincoln Center will be showing it on November 1 as part of their "Young Friends of Film" program. Andre Gregory, who worked with Malle on two of his finest American films, My Dinner with Andre and Vanya on 42nd Street, will be on hand to introduce the film.

BERKELEY: Romanian cinema, believe it or not, is hot right now and getting hotter, so Pacific Film Archives is offering a handy primer in the form of Revolutions in Romanian Cinema (November 3 - December 9). The country produces fewer feature films than any other European country — half a dozen a year — but as Spencer Tracy used to say, what's there is choice. The schedule includes The Death of Mr. Lazarescu, the Cannes festival winner that really got the West paying attention, as well as the sardonic 12:08 East of Bucharest and the powerful recent New York Film Festival entry 4 Months 3 Weeks 2 Days. Plus five other feature films and a program of shorts.

The Pacific Film Archive also hosts The Passion of Pasolini (November 1 - December 7), dedicated to the work of the still-controversial Italian novelist, poet, and filmmaker Pier Paolo Pasolini. The series, which includes his adaptations of The Decameron, Arabian Nights, The Canterbury Tales and The Gospel According to St. Matthew opens with his 1961 debut feature Accattone; it closes with his scandalous last film, the 1975 Salo. Just keep telling yourself: it's only chocolate, it's only chocolate. . .

WASHINGTON, D.C.: The twentieth annual 2007 European Union Film Showcase opens November 1 and runs through November 20th at the AFI Silver Theater, showcasing a wide selection of new and recent films from across the continent. The opening night selection is Christopher Columbus: The Enigma, the latest by the startlingly prolific Portuguese director Manoel de Oliveira. The director, who will be in attendance, turns ninety-nine on December 12. I just thought I'd put that out there in case you want to show up and give him his birthday card a little early.

— Phil Nugent