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<?xml-stylesheet type="text/xsl" href="http://www.nerve.com/CS/utility/FeedStylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>Fitting Farewells:  The Top Ten Great Final Films (Part Three)</title><link>http://www.nerve.com/CS/blogs/screengrab/archive/2008/07/17/fitting-farewells-the-top-ten-great-final-films-part-three.aspx</link><description>Clark Gable and Marilyn Monroe in THE MISFITS (1961) The onscreen drama in John Huston’s film of Arthur Miller’s vehicle for wife Marilyn Monroe about horse wranglers and broken relationships in Reno, Nevada runs only a close second to the offscreen drama</description><dc:language>en</dc:language><generator>CommunityServer 2007.1 (Build: 20910.1126)</generator><item><title>re: Fitting Farewells:  The Top Ten Great Final Films (Part Three)</title><link>http://www.nerve.com/CS/blogs/screengrab/archive/2008/07/17/fitting-farewells-the-top-ten-great-final-films-part-three.aspx#112289</link><pubDate>Fri, 25 Jul 2008 11:59:57 GMT</pubDate><guid isPermaLink="false">bd485f5c-a45b-491f-8e52-c79e7f680fc3:112289</guid><dc:creator>Dave R</dc:creator><description>&lt;p&gt;Farnsworth's role as Esco Brown in Daniel Petrie's superb and much overlooked film, Resurrection, was small but pivotal, and brilliantly under-played. The interaction with Ellen Burstyn was extraordinary. He was a treasure.&lt;/p&gt;
&lt;img src="http://www.nerve.com/CS/aggbug.aspx?PostID=112289" width="1" height="1"&gt;</description></item><item><title>re: Fitting Farewells:  The Top Ten Great Final Films (Part Three)</title><link>http://www.nerve.com/CS/blogs/screengrab/archive/2008/07/17/fitting-farewells-the-top-ten-great-final-films-part-three.aspx#110682</link><pubDate>Fri, 18 Jul 2008 18:50:17 GMT</pubDate><guid isPermaLink="false">bd485f5c-a45b-491f-8e52-c79e7f680fc3:110682</guid><dc:creator>borstalboy</dc:creator><description>&lt;p&gt;Can't think of a more perfect ending to a brilliant career than John Huston's THE DEAD.&lt;/p&gt;
&lt;img src="http://www.nerve.com/CS/aggbug.aspx?PostID=110682" width="1" height="1"&gt;</description></item><item><title>re: Fitting Farewells:  The Top Ten Great Final Films (Part Three)</title><link>http://www.nerve.com/CS/blogs/screengrab/archive/2008/07/17/fitting-farewells-the-top-ten-great-final-films-part-three.aspx#110629</link><pubDate>Fri, 18 Jul 2008 16:20:31 GMT</pubDate><guid isPermaLink="false">bd485f5c-a45b-491f-8e52-c79e7f680fc3:110629</guid><dc:creator>Dave</dc:creator><description>&lt;p&gt;Richard Farnsworth was nominated for an Oscar for his performance in &amp;quot;Comes a Horseman&amp;quot;, but he did not win. &amp;nbsp;That was Christopher Walken's year.&lt;/p&gt;
&lt;img src="http://www.nerve.com/CS/aggbug.aspx?PostID=110629" width="1" height="1"&gt;</description></item><item><title>re: Fitting Farewells:  The Top Ten Great Final Films (Part Three)</title><link>http://www.nerve.com/CS/blogs/screengrab/archive/2008/07/17/fitting-farewells-the-top-ten-great-final-films-part-three.aspx#110559</link><pubDate>Fri, 18 Jul 2008 12:30:41 GMT</pubDate><guid isPermaLink="false">bd485f5c-a45b-491f-8e52-c79e7f680fc3:110559</guid><dc:creator>adam christ</dc:creator><description>&lt;p&gt;what a fun idea! &amp;nbsp;you should do a part four and five, gotta make room for bruce and brandon lee.&lt;/p&gt;
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