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<?xml-stylesheet type="text/xsl" href="http://www.nerve.com/CS/utility/FeedStylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>Madonna On Film:  Screengrab Celebrates Her Top Ten &amp;quot;Best&amp;quot; and Worst Performances (Part Two)</title><link>http://www.nerve.com/CS/blogs/screengrab/archive/2008/08/20/madonna-on-film-screengrab-celebrates-her-top-ten-quot-best-quot-and-worst-performances-part-two.aspx</link><description>And now...the stinkers. 6. Marie in Shadows and Fog (1992), Elspeth in Four Rooms (1995) As noted in Part One , Madonna works best in movies when used as spice in a cameo...except, of course, when the cameo is lousy. Yet, though these two performances</description><dc:language>en</dc:language><generator>CommunityServer 2007.1 (Build: 20910.1126)</generator><item><title>re: Madonna On Film:  Screengrab Celebrates Her Top Ten "Best" and Worst Performances (Part Two)</title><link>http://www.nerve.com/CS/blogs/screengrab/archive/2008/08/20/madonna-on-film-screengrab-celebrates-her-top-ten-quot-best-quot-and-worst-performances-part-two.aspx#121575</link><pubDate>Fri, 29 Aug 2008 13:07:55 GMT</pubDate><guid isPermaLink="false">bd485f5c-a45b-491f-8e52-c79e7f680fc3:121575</guid><dc:creator>Todd Gerr</dc:creator><description>&lt;p&gt;Why the fuck do people even post comments?&lt;/p&gt;
&lt;img src="http://www.nerve.com/CS/aggbug.aspx?PostID=121575" width="1" height="1"&gt;</description></item><item><title>re: Madonna On Film:  Screengrab Celebrates Her Top Ten "Best" and Worst Performances (Part Two)</title><link>http://www.nerve.com/CS/blogs/screengrab/archive/2008/08/20/madonna-on-film-screengrab-celebrates-her-top-ten-quot-best-quot-and-worst-performances-part-two.aspx#119437</link><pubDate>Wed, 20 Aug 2008 23:57:15 GMT</pubDate><guid isPermaLink="false">bd485f5c-a45b-491f-8e52-c79e7f680fc3:119437</guid><dc:creator>Andrew Osborne</dc:creator><description>&lt;p&gt;Yes, I meant O'Donnell and not Perez -- guess I've still got Pineapple Express on the brain, but thanks for pointing out the error so I could correct it!&lt;/p&gt;
&lt;p&gt;And, yes, cuteness was indeed the point. &amp;nbsp;(Although, like a film scholar attempting to piece together information about the lost original cut of Metropolis (before it turned up in a film museum in Argentina), I relied on secondary sources here to fill in the gaps of my own personal knowledge...y'know, by asking my wife.)&lt;/p&gt;
&lt;img src="http://www.nerve.com/CS/aggbug.aspx?PostID=119437" width="1" height="1"&gt;</description></item><item><title>re: Madonna On Film:  Screengrab Celebrates Her Top Ten "Best" and Worst Performances (Part Two)</title><link>http://www.nerve.com/CS/blogs/screengrab/archive/2008/08/20/madonna-on-film-screengrab-celebrates-her-top-ten-quot-best-quot-and-worst-performances-part-two.aspx#119359</link><pubDate>Wed, 20 Aug 2008 19:42:37 GMT</pubDate><guid isPermaLink="false">bd485f5c-a45b-491f-8e52-c79e7f680fc3:119359</guid><dc:creator>borstalboy</dc:creator><description>&lt;p&gt;&amp;quot;To be honest, I have never seen this&amp;quot;. &amp;nbsp;Then what's the point of this? &amp;nbsp;To be cute?&lt;/p&gt;
&lt;img src="http://www.nerve.com/CS/aggbug.aspx?PostID=119359" width="1" height="1"&gt;</description></item><item><title>re: Madonna On Film:  Screengrab Celebrates Her Top Ten "Best" and Worst Performances (Part Two)</title><link>http://www.nerve.com/CS/blogs/screengrab/archive/2008/08/20/madonna-on-film-screengrab-celebrates-her-top-ten-quot-best-quot-and-worst-performances-part-two.aspx#119357</link><pubDate>Wed, 20 Aug 2008 19:40:22 GMT</pubDate><guid isPermaLink="false">bd485f5c-a45b-491f-8e52-c79e7f680fc3:119357</guid><dc:creator>Andrew</dc:creator><description>&lt;p&gt;Do you mean Rosie O'Donnell and not Rosie Perez?&lt;/p&gt;
&lt;p&gt;Also, Dangerous Game was kind of an interesting movie. &amp;nbsp;And Madonna is actually really good in it. &amp;nbsp;&lt;/p&gt;
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