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<?xml-stylesheet type="text/xsl" href="http://www.nerve.com/CS/utility/FeedStylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>Screengrab Salutes:  The Top Biopics of All Time! (Part Three)</title><link>http://www.nerve.com/CS/blogs/screengrab/archive/2008/12/04/screengrab-salutes-the-top-biopics-of-all-time-part-three.aspx</link><description>FEAR AND LOATHING IN LAS VEGAS (1998) Biopics have always blurred the line between fact and legend, a stylistic practice that both fueled and destroyed the career of Hunter S. Thompson, who (at his best) went beyond the bounds of traditional journalism</description><dc:language>en</dc:language><generator>CommunityServer 2007.1 (Build: 20910.1126)</generator></channel></rss>