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<?xml-stylesheet type="text/xsl" href="http://www.nerve.com/CS/utility/FeedStylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>Screengrab Review: &amp;quot;The Limits of Control&amp;quot;</title><link>http://www.nerve.com/CS/blogs/screengrab/archive/2009/04/27/screengrab-review-quot-the-limits-of-control-quot.aspx</link><description>Having already combined samurai and noir cinema in Ghost Dog: The Way of the Samurai , Jim Jarmusch begins his latest, The Limits of Control , with none-too-subtle nods to Jean-Pierre Melville’s crime-saga masterpiece Le Samouraï . Shot with gliding,</description><dc:language>en</dc:language><generator>CommunityServer 2007.1 (Build: 20910.1126)</generator></channel></rss>