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<?xml-stylesheet type="text/xsl" href="http://www.nerve.com/CS/utility/FeedStylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>When Good Directors Go Bad:  Regarding Henry (1991, Mike Nichols)</title><link>http://www.nerve.com/CS/blogs/screengrab/archive/2008/01/03/when-good-directors-go-bad-regarding-henry-1991-mike-nichols.aspx</link><description>In the past four decades, the career of Mike Nichols has gone through its share of ups and downs. Nichols made his name as a director with a number of popular, acclaimed films, but he also has several inexplicable films to answer for. I might have spotlighted</description><dc:language>en</dc:language><generator>CommunityServer 2007.1 (Build: 20910.1126)</generator><item><title>When Good Directors Go Bad:  Ishtar (1987, Elaine May)</title><link>http://www.nerve.com/CS/blogs/screengrab/archive/2008/01/03/when-good-directors-go-bad-regarding-henry-1991-mike-nichols.aspx#64954</link><pubDate>Fri, 18 Jan 2008 20:27:39 GMT</pubDate><guid isPermaLink="false">bd485f5c-a45b-491f-8e52-c79e7f680fc3:64954</guid><dc:creator>The Screengrab</dc:creator><description>&lt;p&gt;I don’t have a set method for choosing the subjects of my When Good Directors Go Bad columns. Occasionally, I’ll try to spotlight a director who recently released a new film, and once I even used an acclaimed filmmaker’s death as an excuse to re-examine&lt;/p&gt;
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