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<?xml-stylesheet type="text/xsl" href="http://www.nerve.com/CS/utility/FeedStylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>Yesterday's Hits:  Every Which Way But Loose (1978, James Fargo)</title><link>http://www.nerve.com/CS/blogs/screengrab/archive/2008/04/15/yesterday-s-hits-every-which-way-but-loose-1978-james-fargo.aspx</link><description>It’s hard to remember now, but there was a time when Clint Eastwood wasn’t the critics’ favorite and Oscar juggernaut he is today. Back in the seventies, his films were labeled as lowbrow and pandering by most critics. This didn’t stop him from being</description><dc:language>en</dc:language><generator>CommunityServer 2007.1 (Build: 20910.1126)</generator><item><title>re: Yesterday's Hits:  Every Which Way But Loose (1978, James Fargo)</title><link>http://www.nerve.com/CS/blogs/screengrab/archive/2008/04/15/yesterday-s-hits-every-which-way-but-loose-1978-james-fargo.aspx#86082</link><pubDate>Wed, 16 Apr 2008 05:11:46 GMT</pubDate><guid isPermaLink="false">bd485f5c-a45b-491f-8e52-c79e7f680fc3:86082</guid><dc:creator>A. Campbell</dc:creator><description>&lt;p&gt;&amp;quot;Right turn, Clyde.&amp;quot;&lt;/p&gt;
&lt;p&gt;I'd put it in league with The Blues Brothers, which is more successful except that it does not have a fighting, drinking orangutang. &amp;nbsp;&lt;/p&gt;
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