The camera is always — the tripod, tungsten lights, colored
gels all within easy reach. Insatiably curious about what a picture can
reveal, Israeli ex-pat Elinor Carucci makes a subject of herself and the
people she loves, including her husband, Eran, who's become intrinsic to
her work. A fellow photographer, Eran is far more private and retreating
than his wife. So why does he lay his life out before her camera? "Because
he loves me," explains Carucci, "and the camera is part of me." — Minna
Proctor
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