61 Frames Per Second by John Constantine Today in Nerve's videogame blog: Street Fighter. The movie. A new one. With that chick from that Superman show. Don't act like you don't know what I'm talking about!
The Remote Island by Bryan Christian Mad Men's January Jones struts her stuff in Vanity Fair. Plus: Damages returns, the latest Gossip Girl guest star and Donna Martin capitulates.
Swooping shots of the Chrysler Building. Gleaming Aston Martins. Hitchcock's blondes. Maybe it's false nostalgia, but everything seems classier when shot in glorious black and white. Part of the reason, surely, is the film industry's stylish packaging of life — for better or worse, our notions of high-design have been both influenced and propelled by what we've seen on the silver screen. Architecture, cars and clothing frame the actors we worship, and in turn, earn their own small spots in the star system. Screengrab's Phil Nugent walks us through five films in which design nearly stole the show.
My Man Godfrey (1936)
In this Depression-era comedy, a palatial apartment, decorated to match Carole Lombard's hair, played on the audience's desire for wealth.
Citizen Kane (1941)
Orson Welles's use of large block fonts on monumental posters in his most famous film foreshadowed the pop-art movement of the 1960s.
