The Ten Most Important Moments in Miramax History

Eulogizing the indie-film studio that launched Tarantino and changed Hollywood.

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By Eric Larnick

With Thursday's news that Miramax would be shutting down its N.Y. and L.A. offices and likely shelving the few projects it had in development, a significant chapter in film history has closed. Since the 2005 departure of Bob and Harvey Weinstein, Miramax has slowly wound down its output, but for fifteen years it was the most influential tastemaker in Hollywood, and its approach reshaped the way movies are made. These ten moments highlight the ways that Miramax changed film forever.

 

1. sex, lies, and videotape

Miramax broke out in 1989 by producing then-unknown, now-Oscar-winning director Steven Soderbergh's sex, lies, and videotape. Tackling sexual repression, desire, and infidelity, the film won both the Audience Award at the Sundance Film Festival, and the Palme d'Or at the Cannes Film Festival. It became an international success and proved to Hollywood producers that independent film could be profitable. Soon every studio was scooping up any self-financed film they could find, Sundance became the hip destination, and "indie" became the hottest adjective around. This was the movie that lit the fuse, and it happened because of Miramax.

 

2. International fame for a new generation of directors

The other momentous impact of 1989 came with Miramax's American distribution of Jim Sheridan's My Left Foot. The Weinsteins' American push for the U.K.-made film made it a massive success and gave Daniel Day-Lewis his first Oscar win. As vanguards of the world film market, Miramax brought international acclaim and fortune to directors like Danny Boyle, Jane Campion, Anthony Minghella, and Pedro Almodovar, introducing American audiences to projects as eclectic as TrainspottingThe Piano, and The English Patient.


3. The Crying Game

After bombing twice in Hollywood, Irish-born Neil Jordan returned home to make the type of film that brought him attention in the first place. The result, 1992's The Crying Game, failed at the U.K. box office, and would have disappeared forever, if not for the Weinsteins. Miramax brought the film to the U.S. and turned it into a hit by playing up its controversial aspects: its sympathetic portrayal of Stephen Rea's IRA terrorist and the sexual politics of his relationship with the androgynous "Dil." Never before had transgender relationships been so openly discussed in pop culture; for the first time, the general public was giving the thought-provoking subject a lot of dialogue.

 

4. The rise of Dimension Films

In 1992, Miramax created Dimension Films, an imprint aimed at releasing horror, action, and other genre pictures. Dimension's resume includes the resurrection of the Halloween franchise, Guillermo Del Toro's first American work, and giving Robert Rodriguez the success to found the digital production house Troublemaker Studios. But its biggest fortune was the Scream franchise. The post-modern horror film became the most successful slasher of all time, revitalizing horror films in the process. It sparked the rebirth of teen-oriented entertainment, a massive industry focus that has affected film, television, music, fashion, and just about everything else we see, hear, or do.

 

5. Tidal Wave of Film-Makers Changes Hollywood

Miramax launched dozens of careers, producing debut films by directors like Kevin Smith (Clerks), Larry Clark (Kids), and Julian Schnabel (Basquiat) among others. Ben Affleck and Matt Damon were able to break out of their struggling character-actor careers and write the Oscar-winning phenomenon Good Will Hunting, which catapulted them into the mainstream. The same went for future Iron Man-director Jon Favreau and his screenplay for Swingers, which also co-starred Vince Vaughn in his breakout role.

Commentarium (10 Comments)

Feb 01 10 - 1:34am
sudha

No mention of Lynch's Eraserhead? Tarantino is but a poor imitation of Lynch.

Feb 01 10 - 1:54am
EL

@ sudha, Miramax did help in the additional domestic distribution of "Eraserhead" but it was really the push of Ben Barenholtz and Libra Films that got the film exposure in the first place.
As for Tarantino vs. Lynch, I'll take both.

Feb 01 10 - 8:52am
def

Awesome list, but don't these usually count down rather than up?

Feb 01 10 - 11:15am
SeeingI

I always thought Madonna's "Truth or Dare" was a game-changer for Miramax.

Feb 01 10 - 2:27pm
Kurt

you forgot this movie.

Feb 01 10 - 2:50pm
John

YOU FORGOT GORDY!

Feb 01 10 - 11:29pm
andrea

I actually think that Shakespeare in Love was the better movie. It was cleverer, had the better ending, was an homage to art and theater, and it made me wonder, what would it be like to live in a world in which Romeo and Juliet is new? It celebrated poetry and love unironically, and was very British in that in the end, everyone goes off to do their duty.

Saving Private Ryan was about a publicity stunt and had a crappy ending. It was accurately gory but the whole premise was lame.

Feb 01 10 - 11:58pm
Holly

I love you Nerve.com, but enough with the goddamn "Shakespeare in Love bought the Oscars" griping. Saving Private Ryan had a great cast, an amazingly battle scene and no freaking script! It's a little obnoxious that even a really smart comedy can't win Best Picture without it getting snobbed out. God forbid a war epic doesn't win every other year.

Feb 02 10 - 2:54pm
Winnie

If every entertainment journalist (Entertainment Weekly, Variety) for the last 10 years has been commenting that the Weinsteins schmoozed Academy voters like no one else, isn't it possible that the story is true. Who cares if it was a war epic or not, I've always read that Miramax pushed for that movie so hard that it didn't matter if it was good or bad, it still would have won.

Feb 04 10 - 4:51pm
Eric Larnick

This story just got a little more interesting:
http://www.guardian.co.uk/film/2010/feb/03/weinsteins-poised-to-buy-back...

Its really early, and there a lot of "IFs" involved, but this could bring Miramax back full circle as the leader in new-wave independent cinema.

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