FICTION


Ant's Stomach by Jay Kirk

They were barhopping in Central London the night Mike caved and told Ant about the homunculus. They'd started at Miff's, where they had dinner, or at least Mike did, a plate of linguini and mussels; as usual Ant was not hungry, just drinking beer. After dinner they went


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to a new martini bar, but the olives tasted like bad Parmesan, so they hopped a train to Notting Hill.


    

They'd met through a personal ad, had been seeing each other four months, and now settled into a comfortable routine of Thursday night alcohol grazing. Right away, on their first date Ant had recognized Mike's voice from the radio commercial: Carpets! Carpets! Carpets! And how! That's right, Mike had said, I'm the little man in your radio.


    

He was also quite good-looking — at least that's what everybody said, that his face was wasted on radio. Ant was a stick. Mike pushed a basket of shrimp toward Ant, but Ant grimaced. He wasn't hungry.


    

There was a soccer game tied in the forty-ninth minute and at the break a cartoon cat chased a cartoon mouse up a drainpipe. It was an ad for insurance. Ant told Mike that he should get work doing cartoon voices. Mike said he had, once, a while back, but he hadn't liked contorting his voice into that of a leprechaun. It dried out his larynx. The cat picked the mouse up by the tail and dangled it over his mouth. Mike bummed a cigarette from someone down the bar, lit it and told Ant how even from a young age, really young, five or six, he couldn't stand it when the cat didn't get the mouse.


    

"Sylvester's torment," Mike riffed, "was always unbearable. Why doesn't he ever get the bird? Same thing with Tom and Jerry. The same thing over and over: cat never gets the mouse. Coyote and Roadrunner, same thing: coyote never gets the roadrunner. It's the only thing he wants; he'll never get it."


    

"Why would you feel sorry for a bloody toon?" Though, truth be told, Ant thought it cute. He liked Mike's weird riffs. Mike, however, was serious. He really wanted to see Jerry vanish down Tom's throat. The thing was, what he felt wasn't exactly sympathy for the cartoon predators, but he wasn't ready to explain that yet.


    

Over the past few weeks they'd been piecing together the coincidences that had invisibly bound their lives until they'd met. Actually, there were very few. Mike was 35, three years older than Ant, and Mike had grown up in the country, where Ant was from the city. Mike was white, Ant was black, Jamaican. Still, they wanted to know where-were-you-when-I-was-here? Just the night before, over a pitcher of banana daiquiris, they had discovered a mutual early erotic thrill: the strongman on the Super Kid's Fun Time Variety Hour. The strongman, complete with twirled moustache and oiled skin, used to lift dumbbells in a skimpy swimsuit to cheesy music. Every time Ant saw him he had escaped to the loo to cool off. But that was a live man, not a cartoon. Cartoons bored him. Maybe because the cat never got the bird.


    

Exactly, Mike said, the cat never got the bird, but that didn't bore him, it made him feel wistfully pained.


    

"Bored, you mean."


    

Mike asked Ant if it wasn't even vaguely agonizing to him that Sylvester never got Tweety. Ant sipped his beer and stared off at himself in the mirror.


    

"Sure, a little." He shrugged. "I always hated granny. She was agonizing. Always after the cat for bein' after Tweety and beatin' him with an umbrella or fucking cane all the time? No wonder she was a spinster." Ant sighed. "Fuck, we're lucky."


    

Mike just nodded. He knew what Ant meant. Still, he was trying to get at something. He told Ant that he had always felt that hydroencephalitic canary deserved nothing more than to be devoured. But he didn't dislike Tweety.


    

"Of course you didn't," Ant said, "you were bored and wanted something to fucking happen."


    

"No," Mike said. "Because I felt a strong identification with Sylvester."


    

Ant ran his palm around his shaven head; a small quiet smile hung on his face. "It's because you're a lisper," he said, "and Sylvester's a lisper." Ant did a spittle-flecked impersonation of Sylvester. Sufferin' succotash. Mike gave Ant a fuck-you look because, after all, he didn't lisp. Mike was, in all ways, straight-appearing. The thing was this: He identified with the cat's hunger.



They picked up the conversation at another bar, where Mike took a pint and Ant inexplicably went over to port. Mike was melancholic now. He moved his stool closer to Ant's. The bartender was gabby and Mike wanted Ant to himself; he had wanted to tell Ant this for weeks. He was trying to tell Ant that, more to the point, he liked to think about Tweety getting caught. He felt, like, just get him. It was the same as watching Tom and Jerry. Resolve it already. Follow-through was what he wanted.


    

"But what if Sylvester just bit the fucking bird in the head?" Ant howled. "How about that for fuck's sake? Little kids losing their fucking little minds?"


    

Indeed. Sometimes Mike was a howler. Mike was a riot. Mike told him it wouldn't be funny though, would it, if he were to say that he found the idea of Tweety being swallowed alive a sexual turn-on? Well it was, Mike said, it was a sexual turn-on. For him, Mike. It was a weird little fantasy he'd harbored ever since he could remember. Furthermore, Mike liked to think about Tweety caught in the cage of Sylvester's teeth and the struggle as Tweety's over-sized skull was forced down the cat's throat, and then the suffocation, the crunching and tugging of the intestines, the trip through the duodenum, the flush of gastric acids, depilatory and blistering, the beak breaking off like a loose tooth, yes, he relished how Sylvester's intestines looked, down there, in the stomach, and at the particular point where Tweety finally transcended — went to the other side — became actual shit, well, that made Mike almost come in his pants. Weirder still, Mike told Ant, sometimes he wanted to be swallowed — swallowed alive. Swallowed whole. He wanted to withstand the sea of bile, the peristaltic waves of joy. He wondered what it would be like to come out the other end in a spray of shit. This and everything else he told Ant. He told Ant that he wanted to be his edible homunculus.


    

Ant looked at Mike for a long time with a confused smile. He twiddled his cocktail napkin. Mike was leaning toward him with a kind of panic. Ant pressed the heel of his palm to the bridge of his nose and rocked his head woefully. He did not understand. Devour me, Mike said, I want you to devour me.


              

  

Commentarium (11 Comments)

Feb 19 02 - 4:05pm
blu

Despite the strangeness of the situation, feelings and emotions are universal. How engaging! I love the lavender bow at the end...in the midst of all the nastiness, it just pops out. It's fresh and clean, and somehow you know that they need each other.

Feb 20 02 - 8:30pm
aw

I know just what you mean, blu. I can completely understand this character, which means that this story did just what good writing should do: it broadened my mind. Thank you!

Feb 21 02 - 5:36pm
MAN

I think this story is a touching reminder that when in love, be careful what you wish for. When a wish becomes a reality, it can become so overwhelming.

The literary critict in me wants a more visual description of Mike and Ant.

Feb 21 02 - 8:07pm
Dave

Oh how I envy you... (No sarcasim in this post)

Feb 22 02 - 11:31am
jf

My first reaction was shock that I could make it through a story about this "disgusting" topic. But Ant

Feb 23 02 - 3:12am
DG

A very interesting story. Says much about how intimate relationships are not really all about the physical. It is about being able to share and that betrayl on an emotional level can and often is more devistating.

Feb 23 02 - 10:34pm
MIKE

Hi, it's Mike, the real Mike from JK's brilliant story. JK and I spent several weeks exchanging info. I gave him all the stuff he needed to know for this almost true tale. I really do appreciate your comments. Keep them coming. I realise that this must seem so weird to most people. For me, it's all I've ever known. In case you were wondering, if I had the chance to end it all in Ant's stomach I WOULD! In fact, and this may sound really freaky, I'd even seriously consider being whale meat or a snack for a crocodile just so long as it could gulp me down head first, alive and whole, no biting.
But number one on my list is to be behind Ant's abs...unless there's a better offer out there!

Belchfully yours,

Mike.

Feb 25 02 - 1:16pm
eavs

I loved the communication between Mike and Ant. It took real time to get his idea across to Ant in all its complexity. He's lucky; most of us can't get much simpler concepts across to others. Mike would make a good screenwriter.

Feb 25 02 - 9:48pm
MM

After reading this twice, (the first time almost too quickly to see how it ended) It brought me back to Suskind's "Perfume", and how everywhere I went I could smell everything from miles around. Not only can I taste everything better now, my cock gets hard as I roll my tongue across my upper palette. The relationship is between Mike and Ant is pure love in the sense that one will do anything for the other. That in itself is what every relationship should be built upon, pure trust. The fact that Mike embraces his more inner need with his lover and over time and loss of that love, only wants love without the fetish is life's full circle.

Jay if you haven't read "Perfume" yet now is the time.
Congrats to you on another exquisite piece.

Mar 22 02 - 10:24pm
acb

As I followed the path down Ant's throat past his stomach to the intestine I thought of the many bellies I've gazed into through my line of education. I enjoyed envisioning the jeujunum, oftentimes empty (perhaps due to its vigor) and so named by the Greeks and Romans, filled with this man, Mike. An example of sound research and pleasureable reading...jejune it was not. As for the Valves, I'll meet you on the other side of the pectinate line.

May 11 02 - 8:09pm
af

If they're in London... they wouldn't be watching "soccer", they'd be watching football.

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