FICTION






John doesn't know what to do about this girl. She keeps saying, "If you love me, you'll move with me to Texas." She sulks and smokes Marlboros in the backseat. She has dimpled white skin like balls of dough pressed together and wears the most wonderful old dresses, flowered with bell-shaped skirts, the kinds of dresses Doris Day would have worn while shopping for cucumbers, zucchinis and yellow squash. She has a cherry Life Saver on a string around her neck. Between cigarettes she sucks it, then lets it fall onto her chest, where a red stain spreads across the bow of her clavicle. John leans over to lick the stain and she swats him away. This may not be love, he thinks, but it's an intriguing facsimile.
    At night he lies on his back and listens to the neighbors having sex: first she makes a noise, then he makes a noise, and so on, back and forth. He takes Betty's hand in the dark. When she pulls it away it's as cool and boneless as an empty glove. He stares ahead into the darkness, thinking: I should have gone into advertising.
    They end up renting a lousy house with a wonderful porch and a yard full of feral cats. Everything smells like cat piss. They trot along the fence and jump on the roof with a soft thud.
He lets his hands wander all over her cotton panties until he feels a wet spot spreading toward the hem.

They shred the State Bird of Texas and leave it on the porch. The feet are in a separate pile. Betty says she hates the cats, they're dirty, infested and multiplying, and to please her he agrees. He agrees with everything she says and she still comes home in a fighting mood, tucking her legs up under her dress and repeating every joke she can remember about how lawyers are like sharks, roaches, catfish, gutless bottom-feeders, because she puts things in files for them all day and takes things out of files for them all day and is not often appreciated or even looked at, in her fresh dresses, in her sweet 1950s cat-eyed glasses that make her look like a sexy librarian in an educational film. John decides he'll love her anyway, for the sake of her clothes, for her dainty feet and for the mole on her neck, though she is in every other respect distant and spiteful.
    She says she's never stopped thinking about some other guy. Someone less nice than he is, who rides a Harley.
    He says, "Fuck you, Betty" and likes it so much he says it again. He says "women" like some venomous husband on an old sitcom and with this uxorious pronouncement loves her all over again: smitten, fucked up, gone.
    He spends the days driving around, the land stretching out flat in all directions. Why are there no horses in Texas? No cowboys, no hitching posts, no dinner bells clanging at dusk? He pulls over and buys a donut from Vietnamese immigrants at the Wagon Wheel Donut Shop. He gets the oil in the Caddy changed at a Jiffy Lube — an entire franchise with heavy equipment and credit card verification entrusted to the care of teenage boys. The West spreads out before him, a grid of mini- malls, postal centers and check cashing joints squatting beneath the sunset, the sky crisscrossed by jet streams as orange as poster paint. She lets him fuck her about half the time. He cannot flat-out ask. He cannot murmur any endearments or words of lust. He must wait until she's half asleep and then come up on her from behind, pressing against her in a casual, aloof way; and then act as though he is really asleep and so not actually possessing any desire.

promotion

He lets his hands wander all over her cotton panties until he feels a wet spot spreading toward the hem. At which point she'll usually let him do whatever he can think of.
    She has brought him here as though she wanted him for something, but maybe she doesn't want him. Maybe she wants something else. A wheel and not a donut.
    One of the cats that turns up on the porch seems to be at least half-tame. He finds Betty standing on the welcome mat, clucking to her. The cat cringes under an old chair and meows. John gives her a saucerful of milk, like the boy scout he once was.
    "You're not supposed to give them milk," Betty says.
    "Why not?"
    She thinks it over. "Because they like it."
    The cat is black and silky, a real Breck girl. Once she's tasted milk her personality transforms. She sits outside on the porch all day and cries and cries to come inside. She's relentless. Every time they crack open the door, she makes her face very sweet, very heart-shaped and soft, and emits a pure, high-pitched meeee. If they move to another room, the cat follows and pleads from outside the window. Finally Betty relents and lets her in. She sniffs the baseboards. She crawls under the bed and emerges loaded with dust.
    Then the cat sits in front of the back door and cries and cries to be let back out.


The emptiness of days spent on unemployment is wearing John down. He's left everything behind for Betty — maybe it was not the most brilliant career but it was something; a little design business, a little D.J.ing on the side, a life full of style if not cash.

She crooked her finger and he pulled up his pants and ran, a chump for love.

He ditched it for her without a second thought; she crooked her finger and he pulled up his pants and ran, a chump for love, like all of his friends, guys from college who'd been made fools of, a whole club of guys jerked from the end of a whip by one girl or another, beautiful girls with histories of abuse or mistreatment, the flamboyant ones, the ones that needed everything and then fled when they got it, wild and smart but stupid about life; stupid, stupid—and the boys too, all of them, stupid. It was glorious. The boys were in Rhode Island. He was broke.
    At night they take walks when the heat is bearable.

The streets are empty of humans, empty of cars, but six or eight cats are sitting on the sidewalk, grooming themselves or staring ahead vacantly with their aura of cute badness, like schoolgirls smoking. There are cats in ones or twos striding down the sidewalks, on missions of roach-catching or fence-sniffing, full of purpose.
    Betty tries to lure them with tongue clucks but they dive under parked cars, terrified.
    "You can't pet them at night," he says.
    "Why not?"
    "You just can't. They're not in the mood."
    "How about that one?" she says, pointing to a fat housecat sleeping on a porch swing. "That one looks like it doesn't know it's night."
    She tries the tongue cluck. The housecat opens its eyes, tries to go back to sleep, but the tongue cluck is mesmerizing. It does the Halloween stretch and then shambles over.
    She kneels down and pets it with a flat palm, like a little girl. The cat allows this for a minute, then rubs against the fence, then allows it again.
    "What's it thinking?" she asks.
    "Pet me," he says. "Pet me. Go away. Pet me. Go away."
The cat has something wrong with its vocal chords. It cannot properly meow and instead makes a coughing sound. "That's cute," she says, "like Rod Stewart."
    If she can love a cat, he thinks, then she sure as shit can love him.



     

  


Commentarium (21 Comments)

Mar 03 03 - 2:52am
AM

Good, good, and then, "he buries her in the yard." Whaaaa?

Mar 03 03 - 9:50am
msb

Wow, left me feeling sad. Good story. I like it when I am overcome with a feeling when reading. Wish everything I read would do that. Thank you for sharing,

Mar 03 03 - 12:19pm
eva

excuse me but where is the sex? Am i to be left so unsatisfied, one pair of cottonknickers with a wet spot near the hem? There are plenty of bad shortstories out there, i thought the point of Nerve was to present some with a twist to them. This one was hardly bended.

Mar 03 03 - 3:32pm
ab

Messed....up. The author takes a strange turn narratively, not simply using characters for twists. It was almost as if she was trying to write poetry, but not. We aren't supposed to care for the female character, then we're supposed to feel sorry for her, then we're supposed to think of her a supposed dirty whore who happened to be with a guy who is confused about how he loved her? I'm kind of left not caring for either of these characters, yet am increasingly grateful that the relationship I'm in isn't nearly as fucked up as that from the story.

Mar 03 03 - 4:50pm
KaT

ugh. that's cheap guys.

I hate it when writers cheap-out in the story-line.

Mar 03 03 - 4:50pm
Kat

The actual writing was delicious though....warm honeyed prose.

Mar 03 03 - 6:28pm
nob

Read another one to me Stacy!!

Mar 03 03 - 7:31pm
CC

Ugh, worst Nerve fiction I've read in a while.

Mar 03 03 - 9:27pm
JC

Interesting story, cop-out ending. You didn't really get to know or care very much about either of them, but especially her. No truths to tell, no passion to it, no lessons learned.

Mar 04 03 - 12:04am
ASM

This one got me, Stacey. Nice.

Mar 04 03 - 1:01pm
EK

I liked the story. It made me think about it for a long time and it is true that a lot of relationships are like that, I'd even say most of them. Wow! I am impressed.

Mar 04 03 - 2:23am
JMN

Bizar...Well written, but there is no framework for the writing...No story. There are some gems but you need to find a place to put em'...Keep trying! It's kind of like having an SUV that never leaves the pavement, a wastefull afectation...

Mar 04 03 - 3:01am
AR

I love this, the cat thing totally works! The aesthetic of it is cute too, very visual.

Mar 04 03 - 5:49am
RA

Oh. Another totally inapropriate picture -The girl in the story sounds nothing like the punk-type girl in the picture - she wears 1950's dresses not jeans. Sorry to be fussy, but the whole mood of it is wrong as usual.

Mar 04 03 - 10:14am
kg

loved the beginning. the ending lost me. i liked the "choppiness" of the writing. found a great scrabble word..."uxorious"--i think I love that word! it rolls...

Mar 04 03 - 2:15pm
RRJ

The characters weren't interesting enough to excuse the story's unbelievability.

Mar 04 03 - 2:35pm
?!$#

What the hell was that? The author needs to keep some timeline, damn! Work on the male charactor more. I get the hook but don't confuse me to hide the hook!

Mar 04 03 - 11:31pm
Kat

'It's kind of like having an SUV that never leaves the pavement, a wastefull afectation...
--JMN'

JMN, you must be an american. Why waste an SUV on pavement when you can go destroy some wild place, right? It's NOT ok to race around nature in an expensive metal phallus, just like it's not ok to kill off your characters in a story to rouse a cheap thrill in your audiance. You decadent yuppie wastrels.

Mar 05 03 - 12:34am
GC

great writing skill - unfortunately it looks like you ran out of gas at the end and found the wrong solution...

abrupt endings are a difficult animal - they've got to be preceded by other sudden events - more than just picking up and moving to texas for a girl - more than the way relationships seem to change so suddenly (since in fact they take time to change) - you've got to accomplish a sufficient amount of 'herky-jerky' if you know what i mean.

in literature as in life beginnings are definite - middles just ARE - but endings are arbitrary. most things that seem to end actually do go on.

great writing - bad ending

Mar 05 03 - 11:14pm
~

Where is the erotica? At the beginning the guy had feelings for the girl, although rather shallow, and then as soon as she dies, without second thought, he goes in search of another one?? That was a major turn off. Plus, it offered a line or two of sexual imagery. I get really disappointed in the fiction Nerve puts out(or fails to ) every time. If Nerve is a site all about sex, then stop being a tease.

Mar 13 03 - 1:16pm
VR

Fascinating difference between the characters, --Descriptions of the girl, so cute and colorful to the straight boyfriend. --She meant about the same to him, as a pet cat. Kept leading me to want to find where it was going --how it ends. SHE met the same end as many cats do. Great idea, and writing

Now you say something

Incorrect please try again
Enter the words above: Enter the numbers you hear: