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6. Raphael Saadiq
Raphael Saadiq has been one of modern pop music’s most reliably soulful voices, but he’s never really gotten his due as a solo performer, which is a shame, because at his best, he sounds like some kind of unholy combination of Stevie Wonder, Curtis Mayfield, and Prince. Growing up, Saadiq lost four of his brothers and sisters to to everything from drug addiction to car accidents, making his funky, upbeat music that much more of a triumph.
Hardscrabble Background: 8
Ache in Vocals: 7
Perceived Grit: 6
Total Aggregated Soulfulness: 7
Listen: “Heart Attack”
7. Erykah Badu
One of the most visible figures of the late ‘90s-early ‘00s “neo-soul” movement, Badu garnered as much attention for her music as for her striking looks, style, and outspoken nature. Soul music has a long history of social involvement, and Badu is steeped in the tradition: she stripped naked at the site of JFK's assassination for the video to "Window Seat" without getting any kind of permit from the city, earning herself a disorderly conduct charge.
Hardscrabble Background: 7
Ache in Vocals: 7
Perceived Grit: 8
Total Aggregated Soulfulness: 7
Listen: “Window Seat”
8. Jill Scott
Like Badu, Jill Scott is one of the brightest figures of the neo-soul movement, thanks largely to her collaborations with the Roots. She’s also a talented poet and actress — lately she’s been more visible in the dramatic realm than in music — but that shouldn’t take away that Scott has some serious pipes. A song like “Gimme” has more than its fair share of hip-hop influences (in its looped bass line, canned beat, and electronic sounds), but that note at 1:34? That’s pure soul.
Hardscrabble Background: 4
Ache in Vocals: 8
Perceived Grit: 7
Total Aggregated Soulfulness: 6
Listen: “Gimme”
9. Mayer Hawthorne
Mayer Hawthorne is proof that being born a white man named Andrew Cohen isn’t the barrier to soulfulness many would think it is. With a high tenor that’s neither in-your-face nor overly grating (think Smokey Robinson, not Barry Gibb), Hawthorne’s records could fool even the most die-hard Motown fan into thinking they were listening to some vintage b-sides in a blindfolded listening test. Granted, the difference between Seal covering classic soul songs and Hawthorne writing songs that sound exactly like classic soul songs is arguable, but Hawthorne writes his own material and played nearly every instrument on his first record, and that's plenty damn soulful.
Hardscrabble Background: 5
Ache in Vocals: 8
Perceived Grit: 5
Total Aggregated Soulfulness: 6
Listen: “The Walk”
10. The Alabama Shakes
Have we (and everybody else) written enough about the Alabama Shakes? Yes. Has their throwback rock n’ soul serendipitously come along at a time when most people are sick of tarted-up synth pop and overly-precious synth indie? Yes. Is seeing them live the equivalent of a religious experience? Yes. Have you listened to them yet? Ye — no? What the hell is wrong with you?
Hardscrabble Background: 6
Ache in Vocals: 9
Perceived Grit: 8
Total Aggregated Soulfulness: 8
Listen: “You Ain’t Alone”







Commentarium (22 Comments)
I get that Seal grew up in poverty, but he married Heidi F'in Klum for godsakes. You should not get 5 "Grit" points if you have ever been married to a Victoria's Secret model.
!Micheal Kiwanuka!
I'll just leave that here
Stuff White People Like: Authenticity. Nothing says I'm A Real Black Person like growing up in an environment white people can feel sad about while reading said black person's Wikipedia bio.
I think this article's pretty firmly tongue-in-cheek. Also, while I understand how absurd the notion of "authenticity" is, there are plenty of black artists that grew up relatively comfortably that now have plenty of white fans. Kanye, for example.
The only thing worse than a black artist emerging out of poverty only to be patronizingly enjoyed by well-off white people is a well-off black artist like Kanye that many well-off white people consider to be the pinnacle of black art.
I mean, don't get me wrong, I'm not trying to be deliberately cantankerous here, and white people are certainly allowed to enjoy soul. It's just annoying that certain white people (not necessarily the author of this article, but a lot of them) can only justify liking black art if it's either A) born from circumstances white people fetishistically imagine all black people face or B) somehow "above" or "separate from" "the usual black experience" (e.g. Kanye). Maybe just listen to it because it's, um, good?
That's a great point, and rationally expressed. But I'd argue that we're hung up on notions of authenticity from art in general, not just black music. Look at what Bob Dylan faced when everyone found out he was just Bobby Zimmerman from Hibbing. Or look at Lana Del Rey, who was fucking savaged by the internet despite having a first single that everybody in the world seemed to like. The weird outlier is someone like Tom Waits, who admittedly just lies his ass off in every interview and populates his songs with fake people and places he's never been to, without ever seeming to suffer from it. It's a weird line to walk.
If you put the points at which Bob Dylan, Tom Waits, and Lana Del Rey got famous on a timeline it will make sense to you. (Hint: No one cared about authenticity between 1977 and 1989.) I would argue that it's not a big deal now, either, except that Lana Del Rey Inc. tried really hard to present her as being somehow different from Adele Inc. while still shooting for the same demographic of "34-year-old-women who still buy music."
What about Charles Bradley. He is about as real deal as they come, and has the chops to go along.
Wait, yes! I agree! NO CHARLES BRADLEY? They made a whole movie about that;
http://www.youtube.com/watch?v=A7acQpWc45o
Scores a 10 across the board.
what about alice russell?
Bosley is Baltimore's best neo soul revue! Video is unecessarily violent..
http://www.youtube.com/watch?v=sjwGDVjlX8o
Love this. Wish you had included Mavis Staples and so glad you have the Alabama Shakes some love.
I don't think you can consider Mavis a revivalist, given she's been trucking along since the '60s.
what about Warren Haynes new album. Soulful as shit
No Jamie Liddell? No Frank Ocean? Hmm.
You really need to check out Lee Fields and The Expressions. He's definitely up there on the soul-o-meter.
Also Aloe Blacc is another really good modern soul singer.
I guess I'll out myself as the only person on earth who was underwhelmed by Adele's 21. It should have been 12 songs like "Rolling in the Deep" (which is still basically "I Will Survive" with Moby Dick imagery) and maybe one "Set Fire to the Rain". I liked her first album more.
I have to say I do like some of the work by all these artists, but none of them can touch Tina Turner or Betty Wright. Maybe Sharon Jones can. Okay, probably Sharon Jones. I find a lot of Eryah Badu's music to be tiresome, but props to her for experimenting.
What, no Fitz & the Tantrums? "Money Grabber," y'know?
R. Kelly is a super bad ass musically.
The Kilborn Alley Blues Band should be on this list. They got ache and grit like a mo fo.
Jesse Dee and Eli Paperboy Reed are also worth checking out.