Ranked: Every Guided By Voices Album from Worst to Best

The venerable indie band returns, and we assess their massive catalog.


by Joseph Martin

With a reunited "classic" line-up (hello, Tobin Sprout!) and a new record, Guided By Voices has become the latest indie paragon to revive and hit the reunion-tour circuit. Their first record since 2004, Let's Go Eat The Factory, dropped this month on Fire Records and another, Class Clown Spots a UFO, is on deck for May. But what might seem like overkill for a less inspired band is just standard operating procedure for GBV. From their lo-fi beginnings to their later work as Ric Ocasek-produced popsmiths, the band's always nursed an almost per annum album habit. So let's take a look back at their extensive — and influential — discography, from best to work.

17. Devil Between My Toes (1987)

Essentially a passable '80s college-rock record, Devil Between My Toes makes a few neat moves — the sinister "A Portrait Destroyed By Fire," stands out for its ambition — but Pollard's crow of a voice has yet to flesh out, and jammy instrumentals abound. Neither terrible nor good, Devil mainly suffers from a lack of personality.

 

 

Listen: “A Portrait Destroyed By Fire”

 

16. Tonics and Twisted Chasers (1996)

First released as a gift to the band's fan club, Tonics and Twisted Chasers should be a magnificent pile of magnetic tape; the collection came out right in the middle of their classic period and, unlike on Under the Bushes Under the Stars (which appeared later that year), the band hadn't sterilized its production. But Tonics just sounds like the end of something. With its poor fidelity and unfinished songs, it almost plays like a parody of GBV. There are sweet spots — heartfelt acoustic number "Look, It's Baseball" comes to mind — but more duds.

Listen: “My Thoughts are a Gas"

 

15. Sandbox (1987)

What a difference half a year makes — though Sandbox arrived right on the heels of Devil Between My Toes, it's the work of a band far more comfortable in its skin. Gone are Devil's squeaky post-punk guitars and listless interludes, replaced instead with the hard rock of "Lips of Steel" and the R.E.M.-style jangle-pop of "Everyday." While the band still sounds a little anonymous, it's miles tighter, and the album's fidgety mix of styles (likely winked at in its title) suggests a brighter future than its predecessor did.

Listen: “Lips of Steel”

 

14. Same Place the Fly Got Smashed (1991)

This curiosity is the band's first concept record, the wandering tale of a self-destructive dipsomaniac. Same Place's overall mood is necessarily dreary — song titles include "Local Mix-Up/Murder Charge" and "Blatant Doom Trip" — but the record gets points for ambition, however misguided. And some tracks, like "Pendulum" and the aforementioned "Trip," find Pollard trying out a few new British Invasion moves and psychedelic tics. It's an exhausting listen, though, and the Voices (understandably) wouldn't try this sort of conceptual work again until 1997's Mag Earwhig!

Listen: “Local Mix-Up/Murder Charge”

 

13. Do The Collapse (1999)

Originally received as a slick misstep (think Weezer's Green Album or Aerosmith's "I Don't Want To Miss A Thing"), Do The Collapse has aged with slightly more dignity; some of its tracks, like Rentals-style new-wave anthem "Teenage FBI" and string-laden pastoral "Hold On Hope," now stand among the band's finest. But there's no doubt producer Ric Ocasek left Guided By Voices' classic-rock heart on the cutting-room floor, making most of the album sound merely average.

Listen: “Teenage FBI”

 

12. Self-Inflicted Aerial Nostalgia (1989)

Self-Inflicted Aerial Nostalgia can be read as the blueprint for GBV's most remarkable run of records — the album where the group learned to stop worrying and love its four-track machine. From the vocal blur of opener "The Future is in Eggs" to the sloppy edits of "Short on Posters," "Paper Girl," and "Slopes of Big Ugly," the band lets the proverbial tape run and finally starts to exploit its amateur production for warmth and space. While the finished product isn't nearly the sum of its parts that Propeller would be just three years later, Nostalgia is the first Guided By Voices record that feels like a Guided By Voices record.

Listen: “The Future is in Eggs”

 

Commentarium (23 Comments)

Jan 20 12 - 2:36pm
ryanz

fun list, but i think that under the bushes should be higher and eartquake glue, half smiles should be way lower.

Jan 20 12 - 6:11pm
Matt

Couldn't agree more.

Jan 21 12 - 1:55am
dave.

Earthquake Glue . definitive.

Jan 20 12 - 2:43pm
popzeus

Alien Lanes
Bee Thousand
UTBUTS
Propeller
Isolation Drills
Vampire On Titus
Earthquake Glue
Mag Earwhig!
Half Smiles of the Decomposed
Tonics and Twisted Chasers
Same Place The Fly Got Smashed
Let’s Go Eat The Factory
Universal Truths and Cycles
Do The Collapse
Devil Between My Toes
King Shit and The Golden Boys
Self-Inflicted Aerial Nostalgia
Sandbox

Jan 20 12 - 3:13pm
John Wenzel

Bee Thousand
Alien Lanes
UTBUTS
Propeller
Mag Earwhig!
Universal Truths and Cycles
Same Place The Fly Got Smashed
Isolation Drills
Vampire On Titus
Do The Collapse
Earthquake Glue
King Shit and The Golden Boys
Half Smiles of the Decomposed
Tonics and Twisted Chasers
Let’s Go Eat The Factory
Devil Between My Toes
Self-Inflicted Aerial Nostalgia
Sandbox

Jan 20 12 - 3:35pm
Ryan Shaffer

When I read the headline, I honestly expected much worse...I disagree with it of course, but it was a better ranking than I expected. The writer made two unforgivable mistakes though...putting Tonics near the bottom and Earthquake Glue near the top.
Here we go:

Bee Thousand (1994)
Propeller (1992)
Alien Lanes (1995)
Under the Bushes Under the Stars (1996)
Mag Earwhig! (1997)
Sunfish Holy Breakfast (I don't care if it's an ep, its fabulous)
Tonics and Twisted Chasers (1996)
Vampire On Titus (1993)
Devil Between My Toes
Sandbox (1987)
Same Place the Fly Got Smashed (1991)
Isolation Drills (2001)
Self-Inflicted Aerial Nostalgia (1989)
Do The Collapse (1999)
Let's Go Eat the Factory (2012)
Universal Truths and Cycles (2002)
Earthquake Glue (2003)
Half Smiles of the Decomposed (2004)

What's up with the lack of love for wonderful early records?

Jan 20 12 - 4:04pm
kingsh*t

As has already been said, Under the Bushes and Tonics are both way too low, Earthquake Glue way too high. To be honest, the way the writer talks about Alien Lanes and Earthquake Glue makes me feel like he hasn't really spent much time with them...

Jan 20 12 - 4:36pm
Slanted Baby

Why is everybody always so down on Earthquake Glue?

Jan 20 12 - 5:11pm
Rebecca

Uhhh not even a mention of Cut Out Witch?? WTH.
Alien Lanes, wobbly?!
Yeah I know, we all have our own thoughts, but I'm perplexed.

Jan 20 12 - 7:53pm
m

right on Rebecca

Jan 20 12 - 6:12pm
Cristian

Alien Lanes (1995)
Bee Thousand (1994)
Propeller (1992)
Under the Bushes Under the Stars (1996)
Mag Earwhig! (1997)
Vampire On Titus (1993)
Devil Between My Toes
The Grand Hour Ep
Do The Collapse (1999)
Universal Truths and Cycles (2002)
Earthquake Glue (2003)
Half Smiles of the Decomposed (2004)
Isolation Drills (2001)
Sunfish Holy Breakfast
Self-Inflicted Aerial Nostalgia (1989)
The Pipe Dreams of Instans Prince Whippet (2003)
Same Place the Fly Got Smashed (1991)
Tonics and Twisted Chasers (1996)
Let's Go Eat the Factory (2012)
King Shit And The Golden Boys
Sandbox (1987)

Jan 20 12 - 9:26pm
Jeah

Not gonna bother with my own list, but this is about how I'd lay them out, with Alien Lanes, Bee Thousand, and Propeller duking it out for the top three spots. I've always liked UTBUTS, it's a standout for sure, but I can't put it ahead of any of those so it's a solid fourth in my opinion.

GBV albums have a habit of growing on me, and Let's Go Eat The Factory isn't quite ripe to my ears yet, so it's too early to rank it.

My only real major beef with the author's list (and why I agree with this one so much) is putting Devil Between My Toes last when it's got two of the most beautiful gems among the 80s catalog on it, "Hank's Little Fingers" and "Hey Hey, Spaceman," tunes that strongly foreshadowed the brilliant pop that was to follow over the next two decades.

Jan 20 12 - 7:03pm
Ray

Never liked Isolation Drills. Nor do I like Glad Girls.

Jan 20 12 - 8:10pm
Ryan Shaffer

Nobody ever mentions Pivotal Film on Isolation Drills. Not the best album, not the worst by far, but go back and give that song another listen. It absolutely rocks out heavy, hair-blown back in the wind style and to me represents the pinnacle of what Pollard was trying to do with the whole hi-fi arena rock sound.

Jan 21 12 - 12:41am
petefuck

dont believe these suckas earthquake glue is fucking phenominal, i would rank it 3rd actually, most consistent album post alien lanes....take it to the bank!

Jan 21 12 - 2:03am
David Ames

I'm so glad to see Earthquake Glue getting its due; and a good little review, too!. EG is one of Mr Pollard's favorites. The best album by the best GBV lineup, in my humble opinion.
Only a few tracks on Alien Lanes compel me, though.

Jan 21 12 - 11:44pm
Ryan

And we're supposed to believe somebody called Petefuck? ;>

Jan 22 12 - 8:43pm
Matt

Alien Lanes (1995)
Under the Bushes Under the Stars (1996)
Bee Thousand (1994)
Propeller (1992)

And so on.. I dont understand ranking Under the Bushes so low.. Lower thank Isolation Drills and Half-Smiles? Really?

Jan 26 12 - 8:01pm
Kyle

What is up with these kind of articles? Who really cares except fans of that particular band, usually some provincial group anyway?
Couldn't we just check out Rolling Stone or AllMusic?
What a waste.

Jan 28 12 - 8:41pm
Liz

are you fucking kidding me, kyle? 'fans of a provincial group'? Do you think Rolling Stone know the first thing about Guided By Voices? Fucking hell, man, you don't know shit.

Sorry to be all rude and stuff but i, for one, simply adore the fact that GBV exist, that people who love GBV exist, and that we can congregate happily and nerdily here.

I should probably tone down my response to Kyle but i'm gonna take one for the team instead. Kyle, dude, listen to to any six GBV albums about thirty times each, do a search in Rolling Stone for some nerdout list about them, and get back to us with your thoughts.

Apr 26 12 - 12:51pm
People Are Leaving

Guided by Voices

Bee Thousand
Alien Lanes
Mag Earwhig!
Under the Bushes Under the Stars
Isolation Drills
Do The Collapse
Class Clown Spots A UFO
Universal Truths and Cycles
Half Smiles of the Decomposed
Earthquake Glue
Propeller
Vampire On Titus
Let's Go Eat the Factory

Robert Pollard

From A Compound Eye
Space City Kicks
Waved Out
Normal Happiness
Fiction Man
We All Got Out Of The Army
Moses On A Snail
Coast To Coast Carpet Of Love
Elephant Jokes
The Crawling Distance
Robert Pollard Is Off To Business
Mouseman Cloud
Not In My Airforce
Lord Of The Birdcage
Standard Gargoyle Decisions
Motel Of Fools
Kid Marine
Superman Was A Rocker

Boston Spaceships

Zero to 99
Let It Beard
The Planets Are Blasted
Our Cubehouse Still Rocks
Brown Submarine

w/Doug Gillard
Speak Kindly of Your Volunteer Fire Department
Waving At The Astronauts

Jun 12 12 - 5:37pm
Tobin NotSprouted

Nice evaluation, although your topic paragraph ends "So let's take a look back at their extensive — and influential — discography, from best to work," instead of "worst to best."

Jul 14 12 - 8:31pm
Greg W. Locke

Love this post! Was very happy to find it, as I was curious to know how GBV fanatics feel about Class Clown and Let's Go Eat the Factory. What I'd really like to see someday is a list that ranks everything GBV-related. One list, all things. Tobin albums, Pollard solo albums, Boston Spaceships albums, GBV albums, etc. I, for one, would probably rank Moonflower Plastic, Let It Beard and Space City Kicks all really well amongst the GBV classics. Especially Moonflower.

Anyhow, since I'm here and others are doing it, here's how my GBV Top 10 would go ...

1. Alien Lanes
2. Bee Thousand
3. Let's Go Eat the Factory
4. Isolation Drills
5. Mag Earwhig!
6. Under the Bushes
7. Class Clown Spots a UFO
8. Propellor
9. Universal Truths and Cycles
10. Earthquake Glue

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