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f you had to decide between eating Fear Factor maggots or having sex on
television for little or no pay, which would you choose? At some point
while watching couples humping away in bed, their bodies
delicately blurred or under puffy white comforters on The Sex Inspectors, a six-episode British sex makeover show
on HBO, you might ask yourself this question.
Sex Inspectors found at least six couples who gladly signed away all their residual rights so the entire world can watch them screw in
perpetuity. This still shocks me, even in our
gross late-term Reality Show Age, since by now everyone knows
you make zero money as a subject on reality TV and achieve only a
minor, barely bankable level of fame. I mean, at least on home- or style-makeover shows, people get new kitchens or shoes. After having their screwy lives endlessly penetrated, the participants on Sex Inspectors only get a couple of
dildoes, some lube and possibly hand cream.
The hosts — Tracey Cox, a U.K. sex expert, and Michael Avlear, an American "gay
sex columnist" — spy on couples and diagnose their coital
problems. Then they visit with them and give them "tips, tasks and
techniques" to spice up their sex life. The first week's couple (of
course, the hottest in the series) are
Charlotte, a blond Sophie Dahl doppelganger, and her hunky contractor boyfriend, Jamie. He is bad at foreplay
and wants to screw her in the morning. She admits she can't
orgasm from penetration and wants sex at night. Soon the pressure becomes
too much for her. "I can't do it! I can't even fucking shag anymore!"
Charlotte cries, while topless and straddling the
silent Jamie, who has lots of blond highlights. (One side thrill of the show
is listening to British people talk about sex in their tarty accents that
make everything sound naughty.)
The Sex Inspector team soaks them in surveillance: "To help them, we need
to
look at how it's affecting their lives, so we put CCTV cameras around their
bedroom and gave them cameras for their own video diaries!" Along with
their
confessions and footage of the couples in action, there are shots of the
cameras turning and focusing like watchful black crows. There are also cameras in the couple's yard, trained on their bedroom — just to
hammer home the fact we citizens of Western culture have become a bunch of
totally perverted peeping toms.
Cox and Avlear watch from a well-lit remote location with prim looks on
their faces, pausing the footage to point out how little foreplay is involved
or how someone masturbates. Although both hosts are thankfully wrinkled, pushing
forty and seem knowledgeable, they suffer from the plucked media-trained demeanor
that cripples so many TV personalities. You can tell they're trying really hard to generate
chemistry but can't seem to click, and you assume there's some uptight
exec
producer on the other side of the PD-150 totally tense that they're going
to say something too racy. You end up wishing Cox had a trashier mouth, say, like
Stella McCartney on tons of pills — and you keep waiting for Avlear to break
out of his encased, carefully controlled gay-male-host inflections to wax
effusively about the joys of cocksucking. Everyone on this show, including
the subjects, seems to have endured a previous makeover show which
put them in muted Paul Smith shirts, Intermix blouses and printed tees in
the seventy-dollar price point range.
Their subjects do whatever the inspectors tell them to do like willing SM
slaves. In the middle of the Body Shop, Jamie obediently uses Cox's hand to show how he
tickles Charlotte's clit. "Oh! Too hard!" she
says. The second
episode's couple, Andrew and Nicky, make erogenous-zone body maps to point
out areas they want their partner to touch and lick more often. "Darling,
it's not that big!" Nicky exclaims when Andrew shows her his map. When Cox asks Charlotte why she covers her face when she orgasms, she
articulately recalls a story about being embarrassed after getting caught
masturbating when she was nine. Charlotte and Jamie are given different positions and pressure points to
try out, and Andrew and Nicky get a box of sex toys and whips.
Buttered between the scenes are interesting factoids ("A man ejaculates
at
twenty-eight miles per hour"), which appear in front of digitally obscured sex scenes, scored with
that
now-common female orgasm coo over dance beats.
One more restrained aspect of the show may surprise you: how little they
take advantage of the product placement potential. They go to the Body Shop
to find good moisturizers for Jamie's rough hands but never stop to identify
labels, and when Alvear offers a series of effervescent bath beads and
candles, he doesn't mention any brand name. If they were dead, The Fab Five
would be squirming in their graves.
Overall, the compliant couples seem to get off on being in front of the cameras,
but maybe these couples are experiencing some sort of horror that will
repress them even more, and, like all of us trapped within this exploitative
reality-show prison we call the twenty-first century, they just don't know it yet.
It's this creepy-yet-erotic discomfort — a mix of voyeuristic
thrill and moralistic awe — that makes this show worth watching. In the end,
you aren't sure if the riding crops or creative penis-massage techniques
are really helping these people's sex lives, or if they just feel better because they're now officially amateur porn stars. This worries me, because how
will they replicate the hotness of having cameras all over their houses once
The Sex Inspectors leave them alone? I suppose they could start websites. Or for a really kinky experiment, they could close the curtains.
n°
| ABOUT THE AUTHOR: |
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Mike Albo lives and loves in Brooklyn. His second novel The Underminer, written with his longtime pal
Virginia Heffernan, was published by Bloomsbury in February. Check out his upcoming performance dates, other writing and chakras at MikeAlbo.com.
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©2005 Mike Albo and Nerve.com.
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